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Improvisation in jazz music essay
Improvisation in jazz music essay
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I attended the Jazz Ensembles Concert on Wednesday, September the 30th at the Griffin Concert Hall. The show was divided into two sections, Jazz Ensembles II which was directed by Will Swindler and Jazz Ensembles I which was directed by Peter Sommer. The music in the both shows were inspired by the work of the bandleader of Jazz orchestras that is Duke Ellington. The concert hall was filled with people following their passion for Jazz, expecting a state of the art performance by the ensembles whom did not disappoint by carrying an outstanding display throughout the show. The atmosphere at the hall was extraordinary as the attendance truly unveiled their excitement and love for jazz with continuous support and applause of every piece of art. It was the first time for me to attend a Jazz concert and I enjoyed it a lot, both ensembles made my experience unforgettable and made me appreciate the jazz genre a lot more. The Jazz Ensembles II started the show and played 7 pieces in total in which I’ll only thoroughly discuss one: Sepia Panorama. The …show more content…
The first piece that is Happy-Go-Lucky Local was by Duke Ellington, directed by Peter Sommer and played by: Laurel Mayhew on the piano, Jordan Asker with the bass, and Oren Logan with the alto saxophone. This piece amazed me because it started with a brilliant duet between the piano player Laurel Mayhew and bass player Jordan Asker. The brassy forte dynamic and allegro tempo of the piano intertwined with the bright mezzopiano dynamic and grave tempo of the bass yielded something quite extraordinary. The piece ended with a crescendo as Oren Logan performed a heavy alto saxophone solo which had a forte dynamic and allegretto tempo. This Ensemble seemed more skilled and experienced to me judging by how well coordinated they were and how the perfected every piece the
William Howland Kenney provides an in depth look at the Chicago jazz as a cultural movement that shaped the 1920’s. His new interpretation of the Chicago Jazz life reveals the role of race, cultural, and politics in the growth of this new musical style. This in depth look focuses on the rise of jazz from 1904 until its end in 1930. This book covers a lot of areas in Jazz that were fundamental in its development. My overall impression is that this book is well written, it is expansive in its overview of jazz. Kenney is knowledgeable in this area of cultural history, and his book is well researched. The purpose of this book is to
This was my first Jazz event I had ever been to. I went to see the band The Chairman and the Board. This was a blues swing band. Having been to other concerts, I was expecting something similar as far as atmosphere and crowd. I was proved very wrong as this concert defied all my expectations and was in a whole different field as far as life entertainment goes. The first thing I noticed right off the bat was the audience. The age range of this audience was mainly 40-70. I definitely felt like the odd man out when I was there. It did get me thinking though, why was this audience so much older? I looked into the era of when most of those people were born, which was roughly around the years 1935-1980. I came to find out that in the 1940s bebop jazz had been created and swing music was very popular. Also at this time cool jazz emerged. It appears the 1940s were a wonderful time for jazz. In the 60s, Cuban jazz appeared. Every year there was something new and on the cutting edge in jazz. I think the reason no young people were there was because jazz is no longer a part of the modern-day music. It's not played on the top hits of the year radios. It's lack of exposure has made young people unaware of its glory. I don't see any advertisements for jazz music on the tv, or social media. I never hear about jazz while listening to the radio. It could be that teens want something to relate to in their music, that also has a catchy beat and modern lyrics. This event was hosted at the only live entertainment specific venue in Big Bear which is the cave. They have concerts there every weekend. This venue was absolutely perfect for this type of band because it was quaint and quiet with a respectful (yet very engaged) audience. I had no problem hearing what the performers were saying, Despite being far from the stage. The lighting at this venue looked like an old school jazz concert
The concert is performed by the Lincoln Center Orchestra with Wynton Marsalis. The video of this concert is 90 minutes in length. The concert was an ensemble of various Dave Brubeck arrangements utilizing various jazz techniques and styles with mainly the following instruments: bass, piano, trumpet, trombone, tenor sax, soprano sax, clarinet, bass clarinet, alto sax, flute, piccolo, baritone sax, drum, and tambourine. The performance included these 15 pieces: “Unsquare Dance”, “Three to Get Ready”, “The Duke”, “Cassandra”, “Strange Meadowlark”, “Who Will Take Care of Me?”, “It’s a Raggy Waltz”, “Tokyo Traffic”, “Take Five”, “Lost Waltz”, “Upstage Rhumba”, “In Your Own Sweet Way”, “Fast Life”, “Bluette”, and “Blue Rondo a la Turk”. The performance highlights the versatile, influential and extraordinary life’s work of Dave Brubeck.
Music is magical: it soothes you when you are upset and cheers you up when you are down. To me, it is a communication with souls. I listen to different genres of music. When appreciating each form of music, with its unique rhythm and melody, I expect to differentiate each other by the feelings and emotions that it brings to me. However, I would definitely never call myself “a fan of jazz” until I witnessed Cécile McLorin Salvant’s performance last Friday at Mondavi Center. Through the interpretations and illustrations from Cécile’s performance, I realized that the cultural significance and individual identity are the building blocks of jazz music that create its unique musical features and support its development.
The event I attended was “An Evening of Jazz” concert held at the Fine Arts Hall on November 17 at 7:30 p.m. The performing groups were The Santa Fe Rhythm and Blues Review, The Santa Fe Jazz Combo, and Santa Fe Big Band. The event was to for me to understand, experience Jazz music and know the instruments used.
I attended Sam Neufeld’s jazz trumpet performance. As soon as I walked in I can say I was astonished by the medium sized auditorium with instruments perfectly aligned on stage. The lights then dimmed and the men performing walked toward their instruments.
The history of the Concert Band and Wind Ensemble will be reflected through a timeline of events, including an analysis of significant events, groups, composers, and advancements. When society envisions a Wind Ensemble, talented musicians, grand music halls, and difficult arrangements typically come to mind. However, a modern-day Wind Ensemble includes a variety of musicians, each with positive and negative aspects. In society today, music is greatly appreciated and accepted. It is considered an honor and a privilege to expose our ears to the music.
According to Don Heckman, "Individually and collectively, (the Gerald Clayton Trio's) performance was at a stunningly high professional level-enhanced by the enthusiastic feeling of exhilaration in everything they played." (2002). On March 22, I attended a live, acoustic world music concert during this semester. Concert performed by Gerald Clayton and played in the Capitol Theatre at 7:30 p.m. with Joe Sanders on bass and drum player Pete Van Nostran. Gerald Clayton played six songs to the audience from the "Life Forum" album that is new sounds he recently released and his previous works "Bond" and "Two Shade." It is very surprising Gerald Clayton became a world famous jazz musician. He has well connected background of jazz musicians in his family. His father is ‘bassist John Clayton’, and his uncle is alto sax musician ‘Jeff Clayton’. According to his interview, “It was a blessing to be exposed to good music my entire life," he said. "There was a lot of love in the community and my dad played with and it was great to see them joking with each other and playing together and I was always welcome. And the best thing about wanting to play jazz for a living is that my parents didn’t suggest I come up with plan B if it didn’t work out.” Clearly, he is one of the most successful and famous jazz musicians al over the world with his honest parents.
On February 17th, I attended the “UIC Jazz Ensemble” at 7 in the evening. The concert was located at the Illinois room in Student Center East. The concert director was Mr. Andy Baker, and he is one of the music professors at UIC. Besides, he is a lead trombonist of the Chicago Jaz Ensemble, co-leader of the sextet BakerzMillion. He is also a first-call theatre and studio musician. The lights in the room were pretty dim, and the room was filled with audiences. I noticed that there were a total of nineteen musicians performing that evening, and a lady jazz singer accompanied the musicians throughout the concert. There were sixteen members playing the wind instruments, including the trumpet, trombone, saxophone, flute, and French horn. Some of them were standing, and some were sitting. Besides wind instrument, the concert also included a guitar, drum and piano into the performance. They were played by Edwin Garcia, Aaron Gorden, James Wenzel and Will Gingrich respectively.
...ked throughout the concert. The pacing of the selections seemed appropriate. No piece sounded like the one before it. There was a great variety of songs played. There were songs played that were written by famous jazz composers and songs played that were written by some of the performers themselves. This added to the excitement of the show.
time I was going to a Jazz concert. I knew that I wouldn’t be disappointed or
Jazz music prospered in the 1940’s and 1950’s. Jazz was created by African Americans to represent pain and suffering and also represented the adversity that racial tension brought. (Scholastic) African American performers like Dizzy Gillespie and Charlie “Bird” Parker came to be recognized for their ability to overcome “race relati...
Going to jazz concert gave me an opportunity to experience new atmosphere of the concert. I enjoyed the informal and casual style of concert?s atmosphere. However, I disliked how people were too loud while the musicians were performing. The Ron Eschete Trio?s music style was not quite what I have expected. Although it was totally different from the jazz I was used to listen in class, I really like it. It was very modern, but also had the elements of early Jazz.
The jazz band I observed played a series of six different songs. Although all the songs were categorized as jazz, each song had its own special style and sound to it. The band consisted of three different players. Paul Meyers, the guitarist and composer, Andy Eulau, the bassist, and Dave Rataczak, on drums. The songs performed were entitled “Love for Sale” by Cole Porter, “Once I Loved” by Antonio Carlos Jobim, “Stars” by Paul Meyers, “Blues for Mel” also by Paul Meyers, “Last Night When We Were Young” by Harold Arlen, and “Samba Novo” by Luis Eca.
The first piece that was performed by the ensemble was Lincolnshire Posy composed by Percy Grainger. I found this piece to be quite enjoyable as a whole, however one of the movements towards the end of the piece that was quite repetitive and