Rebecca is a beautiful, haunting, gripping tale of love, hate and
deceit told in the simplest and most endearing manner by Daphne Du
Maurier.
'Rebecca' is a beautiful, haunting, gripping tale of love, hate and
deceit told in the simplest and most endearing manner by Daphne Du
Maurier. Du Maurier weaves a beautiful web of mystery that holds you
captive until the very end of the novel. We readers feel the anxiety,
apprehension and fear that the protagonist describes and together we
move through each chapter with an anxiety that only ends with the end
of the novel itself. I think du Maurier's greatest accomplishment in
this book, character-wise, is the way she develops Rebecca, who is
already dead when the main action of the story begins, and never
really appears 'on-screen,' so to speak. Through this, Du Maurer is
able to create suspense and fear through the narratives. Rebecca is
very much alive in the memories of Maxim, the house servants, friends
and family members, but most crucially, of her personal maid, Mrs.
Danvers (and also of Rebecca's sleazy cousin, Jack Favel.
'Rebecca' begins with the description of Manderly, a beautiful old
mansion, with its menacing woods, rising turrets and long winding
drive. "A jewel in the hollow of a hand," Manderly, ridden by evil and
surrounded by mystery is the scene where the tale unfolds. Rebecca,
Manderly's late mistress, husband Max De Winter, Manderly's new
mistress, De Winter's second wife, and Mrs. Danvers the maid are the
principle characters
The story is related by Max De Winter's naive, shy young second wife
whom he meets at the hotel Cote d'Azur in Monte Carlo. She is
companion to a snobbish old lady Mrs. Van Hopper whose main occupation
is playing...
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so many ways, on your own attitude to love and relationships. You
become as a reader incredibly touched by the insight into pain and
loss in this novel. A subplot, which addresses the interference of
family, is also approached with tenderness and objective maturity. It
adds yet another dimension of loss, which lends yet more depth to the
story.
On one level, this is a love story; on another it is an
intergenerational tale of three women (grandmother Elspeth, mother
Ann, and Alice, the victim). But to describe it as such sounds
platitudinous, which it is definitely not. With smooth prose,
O'Farrell moves seamlessly among the victim's family and friends and
back and forth in time in seemingly random fashion, slowly revealing
her characters' pasts and stunningly bringing the story back to the
present. Despite its premise, this is not a depressing book.
‘Rebecca’ and ‘The Bloody Chamber’ convey the gothic theme of isolation by employing the embodiment of dominant male characters. The femme fatal persona in ‘Rebecca’ creates a stigma about how Mrs de Winter should act. The Fairy-tale form causes development of female power and causes a sense of resilience throughout the collection of short stories. The use of controversial issues of feminine empowerment exercises the idea that women should have more power within heterosexual relationships. There are several Gothic conventions within both texts, for example setting is vital because the authors use immense, reclusive places like Manderly and the Castles causing physical entrapment for the feminine roles. Violent characteristics from Maxim and
Home of the Brave by Katherine Applegate is the story of an African boy, Kek, who loses his father and a brother and flees, leaving his mother to secure his safety. Kek, now in Minnesota, is faced with difficulties of adapting to a new life and of finding his lost mother. He believes that his mother still lives and would soon join him in the new found family. Kek is taken from the airport by a caregiver who takes him to live with his aunt. It is here that Kek meets all that amazed him compared to his home in Sudan, Africa. Home of the brave shows conflicts that Kek faces. He is caught between two worlds, Africa and America. He feels guilty leaving behind his people to live in a distant land especially his mother, who he left in the midst of an attack.
Speak, by Laurie Halse Anderson, is a story written in the first person about a young girl named Melinda Sordino. The title of the book, Speak, is ironically based on the fact that Melinda chooses not to speak. The book is written in the form of a monologue in the mind of Melinda, a teenage introvert. This story depicts the story of a very miserable freshman year of high school. Although there are several people in her high school, Melinda secludes herself from them all. There are several people in her school that used to be her friend in middle school, but not anymore. Not after what she did over the summer. What she did was call the cops on an end of summer party on of her friends was throwing. Although all her classmates think there was no reason to call, only Melinda knows the real reason. Even if they cared to know the real reason, there is no way she could tell them. A personal rape story is not something that flows freely off the tongue. Throughout the story Melinda describes the pain she is going through every day as a result of her rape. The rape of a teenage girl often leads to depression. Melinda is convinced that nobody understands her, nor would they even if they knew what happened that summer. Once a happy girl, Melinda is now depressed and withdrawn from the world. She hardly ever speaks, nor does she do well in school. She bites her lips and her nails until they bleed. Her parents seem to think she is just going through a faze, but little do they know, their daughter has undergone a life changing trauma that will affect her life forever.
A breathtaking saga of a young girl’s tragic memories of her childhood. As with Ellen, Gibbons’ parents both died before she was twelve-years-old, forming the family. basis of the plot and themes of this novel. The fond memories she possessed of her mother and the harsh ones of her father are reflected in the thoughts and actions of Ellen. The simplistic and humble attitude that both Gibbons and Ellen epitomizes in the novel is portrayed through diction and dialogue.
Julia Child created the most influential cookbook in the history of America. In her book, My Life in France, one message she sends about the nature of goodness is that hard work, persistence, and integrity pays off. Julia displays this before, during, and after the process of creating her cookbook. Before, in her cooking classes, Julia did not back down from any challenge, even when no one believed in her. During, Julia worked harder than she had ever worked. And after, Julia and her co- authors Simone and Louisette, never gave up, even when their cookbook was rejected by their publisher. She was the definition of an underdog, but she prevailed, and came out on top. Without her persistence, she never would have had one of the best selling cookbooks of all time.
Wintergirls is a book related to eating disorders. The author’s purpose of writing this book is to inform readers what a person with an eating disorder. It depicts the inner and outer conflicts that characters like Lia and Cassie face with disorder. It all began with a competition between two characters of who can be the skinniest. Cassie dies in the attempt of winning the game. Lia, the main character in this novel, always keeps track of her food consumption. For example, one breakfast morning, Lia said she didn’t want “a muffin (410),…orange (75),…toast (87),…waffles (180)” (Anderson 5). Lia constantly keeps track of the calories she eats. Unlike Cassie who follows the path of bulimia, Lia inhibits herself from eating, therefore not getting the proper nutrients. This allows the readers to know how a person with a disorder like Lia can restrain herself from eating foods that we’re used to eating in our regular lives. Her ultimate goal frequently change, getting lower and lower each time. Lia strives for a “five hundred calories a day” (Anderson 189). Her constant change of goals allows the readers to know the struggles a girl with such a mindset may feel.
Lisa Genova, the author of Still Alice, a heartbreaking book about a 50-year-old woman's sudden diagnosis of Alzheimer's disease, graduated valedictorian from Bates College with a degree in Biopsychology and holds a Ph.D. in Neuroscience from Harvard University. She is a member of the Dementia Advocacy, Support Network International and Dementia USA and is an online columnist for the National Alzheimer's Association. Genova's work with Alzheimer's patients has given her an understanding of the disorder and its affect not only on the patient, but on their friends and family as well (Simon and Schuster, n.d.).
Pruitt, Claude. "Circling Meaning in Toni Morrison's Sula.” African American Review 44.1/2 (2011): 115-129. Academic Search Premier. EBSCO. Web. 14 Apr. 2014.
Octavia Butler’s novel Kindred is categorized as science fiction because of the existence of time travel. However, the novel does not center on the schematics of this type of journey. Instead, the novel deals with the relationships forged between a Los Angeles woman from the 20th century, and slaves from the 19th century. Therefore, the mechanism of time travel allows the author a sort of freedom when writing this "slavery narrative" apart from her counterparts. Butler is able to judge the slavery from the point of view of a truly "free" black woman, as opposed to an enslaved one describing memories.
"A Woman’s Place", the name of the commencement speech given by Naomi Wolf at the Scripps College graduation in 1992; contrasts the independent and the dependent woman. In today’s society, there are two different types of women: the woman who has a good head on her shoulders and knows where she is going in the world, and the woman who seeks dependence within the masculine world. Just as they were thirty years ago, women are still not considered to be equal to men. They are more or less looked at as being second to men.
Throughout many of Toni Morrison?s novels, the plot is built around some conflict for her characters to overcome. Paradise, in particular, uses the relationships between women as a means of reaching this desired end. Paradise, a novel centered around the destruction of a convent and the women in it, supports this idea by showing how this building serves as a haven for dejected women (Smith). The bulk of the novel takes place during and after WWII and focuses on an all black town in Oklahoma. It is through the course of the novel that we see Morrison weave the bonds of women into the text as a means of healing the scars inflicted upon her characters in their respective societies.
Sanity is subjective. Every individual is insane to another; however it is the people who possess the greatest self-restraint that prosper in acting “normal”. This is achieved by thrusting the title of insanity onto others who may be unlike oneself, although in reality, are simply non-conforming, as opposed to insane. In Susanna Kaysen’s Girl, Interrupted, this fine line between sanity and insanity is explored to great lengths. Through the unveiling of Susanna’s past, the reasoning behind her commitment to McLean Hospital for the mentally ill, and varying definitions of the diagnosis that Susanna received, it is evident that social non-conformity is often confused with insanity.
“The story employs a dramatic point of view that emphasizes the fragility of human relationships. It shows understanding and agreemen...
The Flowers By Alice Walker Written in the 1970's The Flowers is set in the deep south of America and is about Myop, a small 10-year old African American girl who explores the grounds in which she lives. Walker explores how Myop reacts in different situations. She writes from a third person perspective of Myop's exploration. In the first two paragraph Walker clearly emphasises Myop's purity and young innocence.
tragedies that befell her. She is an example of a melancholic character that is not able to let go of her loss and therefore lets it t...