Reading A Play 'The Blizzard'

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There are many different ways for artistic expression. All with their differences and similarities. All with their appeals and disadvantages. However perhaps the most intriguing art form are plays. A play is a tremendously unique form of art; plays are considered both literature and performance art a double characterization that no other art forums share. Due to this dual characterization, a play can be judged on various aspects depending on what someone is critiquing. When in performance someone may be able to judge a myriad of factors: the acting, the costumes, the stage decoration/props, along with the overall story, and characters dialogue. However, when it comes to reading a play there is less you can judge on. In the written work there …show more content…

The need for significant words/wording rises a rate that feels exponential. Consider a play with only fifty lines, if even five of them are poorly written the rest can appear dreadful simply by association. As opposed to a five hundred line play, which is still relatively short, if five of the lines are amiss so long as the rest are good the play as a whole could be considered a decent play. This sort of linear partnership can be observed in various short plays. Including the play previously stated, The Blizzard, a play that incorporates repetition in several different fashions to instill unease through the audience and demonstrate the antagonists malintentions as well as the protagonists unease. If it were to be put in a novel and/or novella format the author could have better described the scene of the house, or the thought of the characters to quickly drive up eariness. A process that would be in the long run easier, and is potentially less creative than the differentiated repetitious dialogue of the play. Though The Blizzard is not the only play superb at utilizing their dialogue. The Rising of the Moon is another worthy example of strongly utilized dialogue. The Rising of the Moon is particularly interesting in that it hosts a tiny cast of only two “real” characters. The author, Lady Gregory, uses singing among other things to delve into the characters personalities. Even managing to reveal a secret about a character without that character saying it directly, at least not until the end, and without it seeming so obvious that the audience is frustrated with the second characters lack of awareness. Lastly, is The Miracle Chanukah, a story with a relatively high amount of characters considering the length, boasts a multitude of characters all that clearly have

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