Puerto Rican Identity in U.S.

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Race Relations and the Denial of African Heritage

Race has been a divider among Puerto Rican society. To read more about how essential race was to the development of Puerto Rico read David Bernstein's paper. Although Puerto Ricans are made up of three peoples: Spanish, African, and Taíno, the black history of Puerto Rico is often made light of. According to González, "the first Puerto Ricans were in fact black Puerto Ricans" (González, 10). Being that the Taínos were destroyed so rapidly, Puerto Ricans are more mulatto than mestizo. Despite this historical reality, Puerto Ricans have clinged to the legendary peasant, the jíbaro, as encompassing Puerto Rican Identity. The jíbaro is a white agrarian peasant. González points out the irony in this because,

"the truth is that this was a poor peasantry that found itself obliged to adopt many of the life-habits of those other poor people already living in the country, namely the slaves...when people today speak for example of 'jíbaro food', what they really mean is 'black food': plantains, rice, codfish,etc" (González, 11).

Disassociation with African heritage has also been a result of U.S. and Puerto Rican relations. The racial structure of the United States is completely different from that of Puerto Rico. In North America, being dark skinned can strip one of their Puerto Rican identity and force them to live in society under a a polarized classification system consisting of two main categories: black and white. To read further on the topic of Puerto Rican identity and displacement within the United States racial structure click here!

Such prejudice against African heritage and blood is illustrated in The House on the Lagoon. In Ferré's novel black Puerto Rican's are either servants or sexual mistresses. These roles associate subordination with the black characters. The stereotype of African voodoo is also played out with the character of Petra who constantly prays to her Yoruba gods and practices Santería.

In the novel all the servants are black and live in the basement separate from the rest of the house. They are obedient and serve their masters and mistresses as it was their sole duty on earth. Early on in the novel Rebecca is revealed as having racial prejudice against blacks which she suppresses in order to fit in with her elite lliberalist friends. Later on in the novel Buenaventura is revealed to have many black mistresses, with whom he paid to sleep with on Lucumí Beach.

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