Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Essay on self discovery
Symbolism in the stone Angel novel
Symbolism in the stone Angel novel
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Essay on self discovery
Plot Develops The Meaning Of The Title In The Stone Angel
In The Stone Angel, Margaret Lawrence portrays a woman attempting to
understanding herself and her life. Hagar is the narrator of the book.
She is ninety, and is trying to avoid an old aged home where her son
Marvin, and Marvin’s wife Doris want to put her. During this her attempt
to move to Shadow Point and live alone, Hagar remembers the many parts
of her life and her life story is revealed to the reader in that
fashion. Hagar grew up in Manawaka, in the prairies. Hagar’s mother died
while giving birth to her, and her father Jason Currie had a great stone
angel brought from Italy at a great expense for Mrs. Currie’s grave.
Hagar had two brothers, Matt and Daniel. Daniel was a lazy boy, and was
very delicate physically. Daniel died at eighteen of pneumonia. Matt
intended to go to university, but Hagar was sent by her father. Matt
married, but never had children, and died of disease without putting up
a fight in his death bed. Hagar eventually goes to university and
returns to marry Brampton Shiptley, against her fathers’ will. At that
point she loses contact with her father. Hagar eventually regrets
marrying Bram, who often embarrasses her. Hagar and Bram have two boys,
Marvin and John. Hagar never really loves Marvin, and when he moves out,
she moves out with John. She loves him, and does everything for him.
They eventually return to Manawaka when Brampton is dying. At that
point John is in love with Arlene, something Hagar does not understand
nor approve of. John tragically dies while performing a stunt while
drunk. Hagar moves to the coast, buys a house, and ends up living her
last days with Marvin and his wife Doris. Shortly before her death Hagar
realizes many things about herself. First of all that her heart is made
of stone, secondly that she has a lot of pride like her father, and
thirdly that she is blind, or in other words she can only see things
from one perspective, her own. These characteristics and those of the
stone angel, which was made of stone, was erected out of pride, and has
grandmother and spends her childhood raised in relative seclusion in the big house, “'...She will be
Family is one of the most important institutions in society. Family influences different aspects of a person’s life, such as their religion, values, morals and behavior. Unfortunately, problems may arise when an individual’s belief system or behavior does not coincide with that of family standards. Consequently, individuals may be forced to repress their emotions or avoid acting in ways that that are not acceptable to the family. In the novel The Rain God, written by Arturo Islas, we are presented with a story about a matriarchal family that deals with various conflicts. One major internal conflict is repression. Throughout the novel the characters act in strange ways and many of the family members have internal “monsters” that represent the past that they are repressing. In his article, “The Historical Imagination in Arturo Islas’s The Rain God and Migrant Souls”, Antonio C. Marquez’s implicitly asserts a true idea that The Rain God is a story about repression. Marquez’s idea can be supported from an analysis of secondary sources and a reading of the primary text.
In the novel there is mention of the war cry of the Curries, “Gainsay who dare!” (15). Such a translation may be "Oppose me (us) if you dare to." There is a very predominant theme of stubborn pride in The Stone Angel, which makes the novel sententious to its readers. Pride refers to a strong sense of self-respect, a refusal to be humiliated as well as joy in the accomplishments of oneself or a person, group, or object that one identifies with. Proud comes from late Old English prud, probably from Old French prude "brave, valiant". There are destructive and constructive effects of stubborn pride in that pride is a double-edged sword and separates inclination and response.
English American author and journalist, Christopher Eric Hitchens, asserts his opinion on the unification, or lack thereof, of the Parthenon in his adaptation of his essay, “The Lovely Stones,” published in the July of 2009. Hitchens informs his readers, the modern youth, about the importance of this topic, and wants said readers to sympathize with his point and to do something to fix a travesty. Hitchens conveys a disappointed then hopeful tone to highlight his desire for a unification of the scattered pieces of the Parthenon. Hitchens also uses anecdotes from the Parthenon’s history to fortify the importance of this union.
However, she may be old as she is determined to get her last chance of
People can change their ways overtime in a positive way. Everyone has experienced change once in their life. Some people have acknowledged change over the course of life in a positive way or a negative way. Throughout the novel “The First Stone” by Don Aker, the main character Reef alters his ways a lot positively. Reef is a teenager who changes his lifestyle and makes a huge impact in his life after he meets Leeza. This novel develops the fact that people can change in a beneficial way, no matter what situation they are in.
Redemption can be explained as gaining possession of something in exchange for payment. In order to achieve something, one must do something in return. The end result of redemption may be unknown to the person and what their payment is may be a sacrifice. This motif is relayed in the short story, “Cathedral,” by Raymond Carver, by a man who gains new vision from an unlikely source.
was well off and needs to find a husband to help her take care of the farm that
Margaret Laurence's The Stone Angel is one of the most acclaimed Canadian novels of all time. In this novel, the most prevailing theme is that of pride; this is seen predominantly through the protagonist, Hagar, but also through other characters, such as Jason Currie. As John Moss states, "What gives Margaret Laurence's vision the resonant dimensions of universal truth is the…interlacing of the destructive and constructive effects of (Hagar's) recalcitrant pride…Pride is a double-edged sword." Indeed, her great pride helps her to cope with the many difficulties she faces throughout her life. This pride, however, also "separates inclination and response" (J. Moss), resulting in several strained relationships which Hagar was unable to mend. John Moss believes that "Hagar's pride repeatedly imprisoned her within the confines of thwarted affections and misdirected emotion." More specifically, her pride caused such things as an unhappy marriage with Brampton Shipley and a severance of all ties with her father, Jason, and her brother, Matt. Her pride serves her best in her dying days, when "she will not submit to frailty and deferential concern. She rages 'against the dying of the light' with the same wrong-headed spleen that she had always displayed…in the counterpointed present her…pride is heroic" (J. Moss).
Short Summation of Pride-Related Occurrences: The first reference to pride is in the second sentence of the novel: Hagar describes the Stone Angel as "my mother's angel that my father bought in pride to mark her bones and proclaim his dynasty…" (3). Hagar's father was a very proud man, a trait that was passed on to his daughter, and he takes great pride in this "terribly expensive" statue, which "had been brought from Italy" … "and was pure white marble" (3). Hagar recollects exhibiting her pride as early as age 6 when she says "There was I, strutting the board sidewalk like a pint-sized peacock, resplendent, haughty, hoity-toity, Jason Currie's black-haired daughter" (6). Jason Currie was a "self-made man" who "had pulled himself up by his bootstraps" (7). Hagar was very proud of her father's success, seeing as how "he had begun without money" (14).
finding any work very difficult. She does not like the simple, and in her view, boring way of life her sister and brother in law live.
In “The Stone Angel” by Margaret Laurence Hagar is her own tragic hero. Hagar Shipley unfulfilled life is the result of her tragic flaws. Hagar flaws are that she is filled with pride that overcomes her in a negative way that impacts her relationships. Also, that she is very stubborn and will never show her true emotions, which leaves her life with many missed opportunities. As well as, her insensitivity toward everyone that has come and gone in her life and never willing to change for anything or anyone. Through out the whole novel Hagar most represents the stone angel.
The Fallen Angels in Paradise Lost The fallen angels are Satan's minions and the voices by which Milton may express a variety of opinions and views, showing the diversity. and the intricacies of Hell, and the immorality of their actions and proposals. Whilst we are often impressed by the skill with which the individual leaders perform their tasks and speeches, we are never left in any doubt as to the truth of G-d, and the futility of their debates. By examining the angels as a group, Milton is able to leave the infernal dungeon, to take a flight throughout history, giving his own point of view.
The main character in the novel The Stone Angel, by Margaret Laurence, is a character who possesses incredible depth. Hagar is an old women who has never lost her spirit and free will. Hagar is still being faced with obstacles which she must fight to overcome. Since Hagar is a character who is not perfect, the audience is capable of relating to her. The tragic hero through his struggle and the recognition of his own shortcomings reveal man's essential or potential nobility, and we are ennobled, uplifted by the spectacle.
In her novel, The Stone Angel, Margaret Laurence successfully uses the statue of the stone angel to represent the Currie family pride, Hagar's inability to relate and share her emotions, and the blindness and ignorance that results from refusing to consider any other point of view than your own.