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Characterise shakespeare plays short topic
Shakespeare in today's
History plays of shakespeare characteristics
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Renaissance history plays are also known as early English plays and they mainly refer to William Shakespeare’s plays or plays of other famous people who wrote plays in the past. They may also be referred to as Elizabethan because they were mostly performed during the reign of Queen Elizabeth. Renaissance plays were performed in the medieval times traditions for example the mystery plays and they were mostly performed during religious occasions in England. This was during the middle ages and they mostly had religious themes, performed mostly in churches but sometime later, they were also performed during secular events that came about the religious events. The amateurs of these plays later came to be replaced by professionals. These plays were either performed publicly or privately depending on the social class that one belonged.
The renaissance theatres became more popular with the establishment of public theatres which were large and this was profitable and once they became stable, drama would become more permanent rather than just a passing phase. Archaeological evidences show that the theatres built during this renaissance time were different although they had a common overall plan. The public theatres were built around a large space in the middle and had about three stories upwards. The upper side that was behind the stage could have been used as a balcony like in the play Romeo and Juliet. The theatres were mostly round except for a few.
The theatres were either public or private so people could choose where they wanted to watch the plays from. The plays were mostly performed one each day as compared to these days where a play can go up to a month. The players wore costumes that were expensive and they had bright colors t...
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...play are compared to historical events like the battle of England with Spain and Ireland. The William Shakespeare plays are a great work of art in deed and are truly historical as they date back to renaissance times.
Works Cited
Shakespeare, William, and Claire McEachern. The First Part of King Henry the Fourth. New York: Penguin, 2000. Print.
Shakespeare, William, and Cedric Watts. Henry V. Ware: Wordsworth Classics, 2000. Print.
Fulton, H. (2009) History and Myth: Geoffrey of Monmouth's Historia Regum Britanniae, in A Companion to Arthurian Literature (ed H. Fulton), Wiley-Blackwell, Oxford, UK. doi: 10.1002/9781444305821
'The City of Leicester: Political and administrative history, 1066-1509', A History of the County of Leicester: volume 4: The City of Leicester (1958), pp. 1-30. URL: http://www.british-history.ac.uk/report.aspx?compid=66559
Open in London in 1599, William Shakespeare’s Globe theatre grew to be recognized as the most popular playhouse in the region and home to some of the greatest players in England. The King’s Men, previously the Lord Chamberlain’s Men, were a playing company for whom Shakespeare was a member of for most of his career. They frequently performed in the Globe and staged many of Shakespeare’s works. Nevertheless, the lack of stagecraft information provided from these XVI century texts has made it hard to interpret how Shakespeare originally intended his plays to be performed in the Globe. In particular, the famous tragedy of Romeo and Juliet suggests that there are many alternative staging options for each scene. However, from a close reading of the play-text as a manual for performance, it is possible to describe how the play may have been staged, specifically in Act 2, Scene 1, by analysing elements such as the acting measures, the costume design and the stage setting.
In each and every culture theater exists. However, they are not always portrayed in the same way and could take up many different forms. What differ them from others is influenced by the convention of what governs them. What happen on stage depends on the conventions of the theater. Convention is define as “Rules governing a given style of theater, such as fourth-wall verisimilitude or bare stage. These rule should not be violated, but often are, as when actors “break” the fourth wall by delivering a line directly toward the audience” (Altshuler and Janaro 208). The condition governing the staging and performance are known as theatrical conventions, in which what the audiences agree to accept as what is real (Altshuler and Janaro 173). In comparing an Elizabethan and a modern theater to each other there are many differences and similarities between the two. By comparing William Shakespeare “Hamlet” to Lorraine Hansberry “A Raisin in the Sun”, we can see that there is a major difference between the two
Morality plays like this one were the main teaching method of the time. They could reach out to many people and show them the “correct path” to take in life (Collins 880). The church used plays as a way to spread their message across great distances without having to go anywhere themselves. The church also was not the only group to use plays like this. Plays were also written for political and personal reasons, and largely used as propaganda (Symes 381). This effect was enhanced by the fact that any person could write a play and any person could act it out, from school teachers to political figureheads (Collins 882). These plays would eventually influence the playwrights of the Renaissance era who drew heavily from the pool of medieval examples (Symes 382).The many plays of the Middle Ages live on and influence entertainment even today.
As Elizabethan drama blazed only briefly, few intellectuals paid specific attention to the plays during the years of their performance (Folgeroy); the critics of the time scoffed at them (Hall 2: 126). Future scholars of drama appreciated the Elizabethan era only as they were raking over the ashes of a vanished art form (Ardath, "Searching"). Even Shakespeare had no candid biographer to chronicle the impor...
In the theatre, awareness of the past is more important. Festival theatre are still in existence and some audiences admire. During the first two thousand years of its existence western theatre was markedly different from the professional and commercial theatre that we know today. The Greek, Roman, and Medieval theatre experiences had some similarities in common. For the most part, they were performed especially on occasions and not on everyday basis. They performance were considered offerings to gods. In addition, male performer simply musical accompaniment, large audience spaces, and formalized scenic backgrounds. Greek and Roman theatre used masks for all characters and medieval theatre used masks for devils and sometimes for allegorical
Elizabethan plays were very sophisticated, for the majority of those who wrote them were scholarly, and had an education. The plays consisted of humor, tragedy, and had a certain sophistication about them. In the Tragedy of
In theatre the Victorian era was going on during this time. This era produced a lot of dramas and a few comedies. This makes sense because World War I was going on and there was a lot of drama and tragedies going on in the world. There were a lot of different theatres throughout Europe like the Eagle theatre which audiences pre...
This semester we covered many time periods and learned about theater life, playwrights, and play genres which were all very interesting and I learned a lot. There are only two eras I felt more interest in discussing for my final term paper the Medieval period and the Elizabethan period. So I decided to discuss how the Medieval period theatre impacted the Elizabethan period theatre. I found that Elizabethan theater was heavily influenced by the Medieval theater in several ways including: the influence of the kinds of plays, the influence of the concepts in different genres, the performance aspect itself along with staging and religious and political controversies. Throughout my paper I will discuss these influences of the Medieval period on the Elizabethan period in more detail.
Drama changed literature and theater into what it is today. I. History of Elizabethan Theater a. forming of theater 1. medieval church 2. mystery and morality b. actors 1. rogues and thieves 2. acting guilds II. Influences and people a. commanding actors 1. Shakespeare 2. Burbage b. other 1. wars of the roses (other historical influences) 2. laws restricting theater III. The theaters a. prices 1. seating 2. stage b. the theater and the globe 1. locations and characteristics 2. Burbage and other accomplishment Elizabethan Drama During the reign of Queen Elizabeth I, England underwent a dramatic change in priorities. The importance of art and literature became highly prevalent. The impact of the Elizabethan drama and style still influences culture. It changed altered it into what it modern literature and theater is today. The Elizabethan Age began during the last twenty years of Elizabeth I’s reign (Lace, 71). Elizabeth loved the arts and England had increased in wealth and internal peace (Lace, 71). Elizabethan drama placed its roots in the medieval church (Lace, 71). Since all services were held in Latin, a language common people did not speak, priests acted out the stories of the bible to teach (Lace, 71). Beginning in church behind the alter, plays grew more popular as more people wanted to see them (Lace, 71). When there were not enough priests to fill the roles, commoners were given parts. Eventually, the common people took over the plays and the church became less involved (Lace, 72). The biblical plays transformed into mystery and morality plays. Morality plays were more serious and meant to teach people the difference between right and wrong (Lace, 78). Mystery plays, while still teaching morals, were the more entertaining plays. Both were highly religious. The actors of the time led an ambiguous life. In the first half of the 16th century they were seen as little better than thieves; some, in fact, were thieves (Lace, 73). While some actors were performing others would go through the crowds and pick pocket (Lace, 74). Touring companies were small, usually less than ten people (Lace, 74). Actors traveled by wagon and slept in or under them (Lace, 74). Almost no women were actors, women’s parts were played by younger boys (Lace, 74). Elizabethan theater was strongly influenced by individuals and events - It also was an influence...
One of the major changes in theatre in the nineteenth century was the transition from a more Shakespearean and Elizabethan stage over to a Victorian style. The Elizabethan style consisted of the writer to make certain actors give speeches to the audience. So these plays were filled with more speeches and less...
Elizabethan audiences went to plays specifically to be entertained. This forced Shakespeare and other playwrights of that era to give the audience exactly what they wanted to see. Judging by the success of The Tragedy of Julius Caesar and other plays by Shakespeare, death and violence must have been near the top of the list of their demands.
Medieval theatre started in the 550’s. The people of the Byzantine Empire kept Greek and Roman plays alive until the collapse of the empire in 1453. In western Europe, however, Christians abolished theater since they didn’t approve of it. In the 550’s, they were faced with the challenge of explaining biblical events to a largely illiterate audience, since during the time all masses were held in Latin. As a result, Medieval plays started out as liturgical dramas. These were short plays performed in churches, and also, the lines were sung responsively by two groups. There were no actors. The first known liturgical drama was called “Quem Quaeritis”, “Whom do you seek?”. After people, especially members of trade guilds, started to perform plays outside of church in the 1200’s, they were usually performed in the common language. Also, there were no specific buildings for theatre. Therefore, people used whatever available spaces they could find.
The name most associated with excellence in theatre is William Shakespeare. His plays, more than any other playwright, resonate through the ages. It may be safe to say that he has influenced more actors, directors, and playwrights than any thespian in the history of the stage. But what were his influences? During the Middle Ages theatre was dominated by morality, miracle, and mystery plays that were often staged by the church as a means to teach the illiterate masses about Christianity. It wasn’t until the early sixteenth century that Greek tragedy experienced a revival, in turn, inspiring a generation of renaissance playwrights.
Elizabethan acting was far from ‘naturalistic.’ This statement is a widely debated topic. The repertory of the Elizabethan period was highly differed from that of today as was the demands on Elizabethan actors compared to today’s actors. Elizabethan playhouses in two weeks could often present “eleven performances of ten different plays”. Playhouses would not repeat the same play two days in a row. As an actor from the playhouses could often be all or a lot of these plays that were all running at the same time, the demands on the actor were huge. “In the total winter season from August 25, 1595, through February 28, 1596,” one company gave “one hundred and fifty performances of thirty different plays.” Actors were not only required to “commit to memory an amazing number of new plays each season,” but he also had to retain old and previous performances in case they were to be performed again. “A leading actor of the Lord Admiral’s company… , had to secure and retain command of about seventy-one different roles, of which number fifty-two or fifty-three were newly learned.” The huge repertory demands of the actors gave them little time for interpretation of roles.
The term History Play is commonly used to denote the plays (whether tragedies or comedies) in which the action and the major themes of the play are primarily political rather than individual or social. Though Shakespeare did not distinguish between the genres of his plays, when the collected works of Shakespeare was published by his own colleagues in the Chamberlain's- King's company as the First Folio in 1623, the plays, the editors divided them into Comedies, Histories and Tragedies. Though some historical plays show the characteristics of tragedy or comedy, they are different from the regular tragedies and comedies in that they deal only with political matters without straying into other social or metaphysical matters. Thus only the political dimensions of the actions and relationships alone are presented.