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The theme of Identity in literature
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Belonging Essay
An individual’s choices and experiences affect their sense of belonging whether that is through searching intently or forming an attachment through physical objects and their surroundings. Sometimes it is needed to stop searching in order to find a sense of belonging. The more that individual seeks out and looks for a sense of belonging the harder it may become to find what they are searching for. That individual becomes desperate and may settle for something less than they require. When this happens it will always leave them with a greater sense of feeling alienated and isolated as they start to question their sense of purpose and why you do not belong. This is shown through Peter Skrzynecki’s poem “In the Folk Museum” and
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He needed to make the choice to stop yearning to find that sense of belonging in physical aspects of his life such as described in this quote, ‘machinery, clothes, transport, a Victorian bedroom – hay knife, draining plough, shoulder yolk, box iron.’ Illustrated by the quote, and the use of asyndeton, Skrzynecki is listing off all these different relics as he sees them but does not find a connection with. In the line, ‘I look at words’ the short diction, word choice and line length shows us different variations of disconnection. He is looking at these relics and says they are ‘to remind me of a past that isn’t mine.’ How is one supposed to remember a past they never knew? Rather than try to uncover a past he had no connection with he ought to have sought solace in the present. Things he could connect to without his Polish heritage. In the third stanza, Skrzynecki uses the quote ‘the grey clay bottle that’s cold as water to touch.’ This simile and use of the word cold is symbolic of his uncomfortable interaction with the museum. Belonging is the feeling and sense of warmth and light. When …show more content…
Similarly to Skrzynecki’s poem “In the Folk Museum” there are different key themes and ideas explored. In the lines ‘I am not a Sunday morning or a Friday sunset/… I am a broken window during February’ these are metaphors that are contrasted against each other. The feeling an individual gets from a ‘Sunday morning’ or a ‘Friday sunset’ are typically warm, light-hearted, comforting emotions just like those associated with that of belonging. Sunday mornings can represent getting up late, being comfortable and warm amongst those you belong to, whereas a Friday sunset can depict a calming end to the week where one can return to those close to them. On the contrary the choice of diction such as ‘broken’ and ‘February’ are linked to feelings of coldness, darkness, and a fragile detachment just like the concepts found in Skrzynecki’s poem. The quote ‘I am a Tuesday 2am, I am gunshots muffled by a few city blocks’ metaphorically displays a comparison between being physically noticed and the authors sense of invisibility. A 2am on a Tuesday is an insignificant, unremarkable time of the week which passes by without anyone noticing it. ‘Gunshots muffled’ is a similar representation in that it can be only heard but not seen, passing by undetected. “I sometime believe that I don’t belong around people, that I
The timeline carries on chronologically, the intense imagery exaggerated to allow the poem to mimic childlike mannerisms. This, subjectively, lets the reader experience the adventure through the young speaker’s eyes. The personification of “sunset”, (5) “shutters”, (8) “shadows”, (19) and “lamplights” (10) makes the world appear alive and allows nothing to be a passing detail, very akin to a child’s imagination. The sunset, alive as it may seem, ordinarily depicts a euphemism for death, similar to the image of the “shutters closing like the eyelids”
To fit in we must conform but there are those who choose to marginalise themselves from the dominant group or community which can lead to psychological and emotional sufferance. The image “Nobody understands me”, by Shaun Tan features a lone figure trapped inside a glass bottle. The image creates a sombre and disturbing mood suggested by the depiction of isolation and alienation. A possible cause for the chilling effect of this painting, is the way that the girl acts strangely calm through her chosen idleness as she does not try to escape the bottles confinement. This illustrates the insularity of the girl as she does not wish to conform to a world outside of her own. Belonging is expressed paradoxically within the text through the negative
In the poems “Feliks Skrzynecki” and “St Patrick’s College”, Peter Skrzynecki explores the relationship between understanding and belonging through his experiences, both with his father and at school. Brandon Sanderson delves into the effects prejudice can have on acceptance in the novel “Mistborn: The Final Empire”. These texts all demonstrate how inclusion can be prevented by a reluctance to accept or engage. Peter feels estranged from his father in “Feliks Skrzynecki” and disconnected with his school in “St Patrick’s College”. The concepts of disconnection and estrangement are further revealed in “Mistborn: The Final Empire”, along with perceptions of exclusion. Collectively, the texts
The events of our childhood and interactions with our parents is an outline of our views as parents ourselves. Although Robert Hayden’s relationship with his father differentiates from the relationship of Theodore Roethke and his father, they are both pondering back to their childhood and expressing the events in a poem. “My Papa’s Waltz” and “Those winter Sundays” provide the reader with an image of a childhood event which states how fathers are being viewed by their children. These poems reflect upon the relationship of the father and child when the child was a youth. Both Roethke and Hayden both indicate that their fathers weren’t perfect although they look back admiringly at their fathers’ actions. To most individuals, a father is a man that spends time with and takes care of them which gains him love and respect. An episode of Roethke’s childhood is illustrated in “My Papa’s Waltz”. In “My Papa’s Waltz”, the father comes home showing signs of alcohol and then begins waltzing with his son. Roethke states that the father’s hands are “battered on one knuckle”. The mother was so upset about the dancing that she did nothing other than frown. At the end of the day, the father waltzed the son to bed. “Those Winter Sundays” is based on a regular Sunday morning. The father rises early to wake his family and warm the house. To warm the house, he goes out in the cold and splits wood to start a fire. This is a poem about an older boy looking back to his childhood and regretting that “No one ever thanked him.” In Those Winter Sundays'; by Robert Hayden, the poet also relinquishes on a regular occurrence in his childhood. On Sunday mornings, just as any other morning, his father rises early and puts on his clothes in the cold darkness. He ...
In the first section Skrzynecki suggests that the physical journey is both literally and metaphorically away from Europe and the tragedy of war and represents the undertakers’ changing perspective. The introductory stanza of the first section immediately describes the undertaking of the physical journey which the poet implies is an escape but the voyage is described in an ambivalent tone. The adjective many denotes the fact that there was a whole mass of the immigrants and heat implies that the discomforting and cramped situation of the migrants wasn’t pleasant. Never see again emphasises the fact that these people are migrating and will never return to their homeland. The migrants’ physical description Shirtless, in shorts and barefooted stresses the lack of their belongings as they’ve left everything behind and their milk-white skin implies that their skin colour isn’t right for their adopted country, Australia and depicts that they won’t be comfortable there. The second stanza’s description of the migrants with the imagery of shackles, sunken eyes, ’secrets and exiles portrays them in disgrace as if they are running away from their homeland. Their sunken eyes also conveys their hardship in suffering and the war’s adversity and the shackles further emphasises their oppression and their confinement. To look for shorelines implies their desire to purge their suffering and inner turmoil as they find some consolation and hope in starting a new life. The last word of the stanza exiles implicates their expulsion from their land in fact they actually chose to leave.
"To feel a sense of belonging, you need to accept yourself and be accepted by others."
In Pat Mora’s “Sonrisas,” A woman tells the audience that she lives in between two worlds: her vapid office workplace and a kitchen/break-room with family members or colleagues of her same heritage. Mora includes many sensory details to enrich our understanding of the speaker’s experience in both “rooms.” The speaker is content living in the “hallway” between the two rooms because she can put on a metaphorical mask, as mentioned in Jungian psychology, which fits what is acceptable to the different social society that is in each room of her life. Adrienne Rich on the other hand, is not content with peeking her head into the doorframes of the roles she must play in order to be accepted. In her poem, “Diving into The Wreck,” she pursues, in my opinion, a form of individuation by diving into the wreck of her inner consciousness to find who she is among the wreckage of the world and its effects on her. Both Pat Mora and Adrienne Rich explore the dangers of being defined by others and the rewards of exploring different worlds.
Identity is 'how you view yourself and your life.'; (p. 12 Knots in a String.) Your identity helps you determine where you think you fit in, in your life. It is 'a rich complexity of images, ideas and associations.';(p. 12 Knots in a String.) It is given that as we go through our lives and encounter different experiences our identity of yourselves and where we belong may change. As this happens we may gain or relinquish new values and from this identity and image our influenced. 'A bad self-image and low self-esteem may form part of identity?but often the cause is not a loss of identity itself so much as a loss of belonging.'; Social psychologists suggest that identity is closely related to our culture. Native people today have been faced with this challenge against their identity as they are increasingly faced with a non-native society. I will prove that the play The Rez Sisters showed this loss of identity and loss of belonging. When a native person leaves the reservation to go and start a new life in a city they are forced to adapt to a lifestyle they are not accustomed to. They do not feel as though they fit in or belong to any particular culture. They are faced with extreme racism and stereotypes from other people in the nonreservational society.
The central conflict in Robert Hayden’s poem “Those Winter Sundays”, is the unfortunate realization that the speaker never truly thanked or appreciated his father’s sacrifices when he was a child. After growing up, taking on responsibilities, and achieving a rehabilitated understanding of the world through experience, Hayden expresses his ingratitude that often accompanies with youth. The first line of the first stanza writes, “Sundays too my father got up early/and put his clothes on in the blueblack cold” (Hayden, 17). Out of these two lines, the word “too” is filled with importance because Sunday’s are dedicated to either religious practices, or rest for a working man. Fortunately, this was not his father’s case as his father would wake up early in order to perform his loving and self-sacrificing duties.
find these past experiences to either assist or deter them from belonging. Belonging is the act of
In what ways does this text explore the development of belonging through connections to people, places, groups, communities or the larger world?
...ttachment or emotion. Again, Heaney repeats the use of a discourse marker, to highlight how vividly he remembers the terrible time “Next morning, I went up into the room”. In contrast to the rest of the poem, Heaney finally writes more personally, beginning with the personal pronoun “I”. He describes his memory with an atmosphere that is soft and peaceful “Snowdrops and Candles soothed the bedside” as opposed to the harsh and angry adjectives previously used such as “stanched” and “crying”. With this, Heaney is becoming more and more intimate with his time alone with his brother’s body, and can finally get peace of mind about the death, but still finding the inevitable sadness one feels with the loss of a loved one “A four foot box, a foot for every year”, indirectly telling the reader how young his brother was, and describing that how unfortunate the death was.
I have been blessed with a part time job that allows me to be able to buy my groceries, so I never go hungry or thirsty. I had to take out student loans to pay for my living cost here at Kennesaw, but I have a safe place to have a bed to crawl into each night, and that is what matters. As for the belongingness, I have always felt like I struggled to fit in, but I have been fortunate enough to have amazing friends and family that have never let me forget that I am important, loved, and always have a place in their lives. I still struggle with feeling important, but I know that it is just me being over dramatic and overthinking
Robert Frost, an infamous poet best known for his original poetic technique, displays a reoccurring idea or theme of loneliness and isolation throughout many of his published works. The ways in which Frost represents and symbolizes ideas of solitude and desolation in poems are somehow slightly or very different. Loneliness and isolation are illustrated through Frost’s use of the dark night as well as depression in “Acquainted With the Night”, the objects the speaker encounters in “Waiting”, and the sense of abandonment and death in “Ghost House.”
..., the content and form has self-deconstructed, resulting in a meaningless reduction/manifestation of repetition. The primary focus of the poem on the death and memory of a man has been sacrificed, leaving only the skeletal membrane of any sort of focus in the poem. The “Dirge” which initially was meant to reflect on the life of the individual has been completely abstracted. The “Dirge” the reader is left with at the end of the poem is one meant for anyone and no one. Just as the internal contradictions in Kenneth Fearing’s poem have eliminated the substantial significance of each isolated concern, the reader is left without not only a resolution, but any particular tangible meaning at all. The form and content of this poem have quite effectively established a powerful modernist statement, ironically contingent on the absence and not the presence of meaning in life.