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A report on a journey to the museum
A visit to the museum report
My visit to a museum
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My Saturday started out really normal. Waking up late, showering, and had a feeling that I should go to a museum. So, I drove to the closest museum, The Brunnier Art Museum. It was on the second floor of a building in an place that was not seen very well. I also felt so out of place because I had no idea what I was getting into even though there was no one else there. So as I walk in a volunteer worker said hello and told me if I need help to go to him. I thanked him and walked to the first exhibit. It was a slow day at the museum so I could go anywhere I wanted and stare at them without feeling rushed. As I finished going through all of the exhibits I wanted to see them all again so I went around the the exhibits again. They made me feel calm because most of the paintings were of countrysides and roads. The colors the artists used made the viewer feel at peace and that everything was okay. At least, that was the general feeling I got from all of the …show more content…
This was in the second room that I looked in. It was surrounded by other paintings similar but not in the countryside. This picture depicts a normal fall day out in the country. The gravel road is long and hilly, while the corn on the right has been growing really tall. It looks as if it is almost harvest time because the corn in turning yellow and drying out. On the left side of the road there are telephone poles. These are very common out in the country, and very much appreciated when needing to call. Even further to the left is a bean field that is not ready to be picked but is getting close. In this picture the sun looks like it is the early morning and the sun is starting to come up. The shadows that the corn makes on the road reminds me of my home. I live out in the country and this painting looks like what my drive is to school is. It seems as though Gary Bowling, the painter, came out to my house to paint this picture. He painted this in January
What I see in this piece is peacefulness. Stokes of the paintbrush are perfect to make it look whole. With the sun shinning down making the colors pop out even more. The olive trees glowing in the suns light with the mountains behind it. It is a piece I could look at for a long time with out getting bored. The colors of the piece just make it look so complete. With the lines of the
The mixed reaction I have towards the painting is because, first off, I still wouldn’t know what is really behind it or what it’s trying to tell us without looking at it from a distance. When I looked at it from a computer desktop I could see a shoe, a mountai...
The piece of art work that I have selected is called Starry Night by Vincent Van Gogh. The lines observed in this picture are implied lines. The colors used in this picture are blue, yellow, grey, a pinch of hazel ,and a brownish black.There was also may water colors used in this picture. The picture shows a variation of swirls and circles. In the background , you can see that there are many wave-like mountains. This makes the picture more eye catching. Overlapping is used in this picture to bring out the different shapes . Such as , the triangles, circles and the crescent like shapes. This picture has many meanings to it. I hope to learn more about it in the future.
The Artwork that I will be analyzing is ‘(blossoming) Autumn sun’ paint in 2006 by Imants Tillers using acrylic, gouache on 54 canvas boards. Imants Tillers is an Australian artist, curator, and a writer who was born in the 1950’s in Sydney. He is also known for painting ‘Conversation with the bride, ‘The Bridge of reversible Destiny, ‘The Letter I, and ‘The Forming of Place.
Along the far left bank you see a single brick red chimney with a low roof as light wafts of smoke drift toward the left. In the bottom right corner, we see a bit of the bank the perspective is from and bits of grass are also leaning to the left, so one is given the picture of a nice day with at least slight breeze. Towards the center of the painting, you can see large boulders, smoothed, rising out of the river. Far into the distance, past the bank of the river, onto a higher level of the valley area, you see small gathers specks and shapes that represents a small mountain village.
The trip to the metropolitan museum was a great trip to learn and to study art. What is art you may ask, well art is an expression you use to show a visual picture. It can be through painting or through sculptures. Some other example of art is music, literature and dancing. For today 's paper we will be talking about art as a sculpture. The two sculptures in this photo are King Sahure and a Nome God and Marble Statue of Dionysos leaning on archaistic female figure (Hope Dionysos). You can find these statues in the Metropolitan Museum of Art. King Sahure and a Nome God is an Egyptian art that was made in 2458-2446 BCE. The artist is unknown. It was during the 5th dynasty and it also belong to the old kingdom. The Marble statue of Dionysos Leaning in the archaistic female figure is a Greco-Roman art. Belonging to the Roman imperial period of the late first century A.D. Augustan or Julio-Claudian period 27 B.C., to 68 AD. It is classified as a stone sculpture and it is made out of marble. The height of the statues is 82 ¾ inches. There is no evidence who was the original artist.
The location of the artwork was located on the 2nd floor of the museum. It was kind of difficult to find as it is not listed on the map. The painting is framed and placed near the corner of the entrance to another room. The artwork measured about 3 feet by 6 feet. It is placed near paintings of portraits. This was one of the reasons why I choose this painting. As soon as I walked into the room, it caught my eyes right away as not only was it different from the other artwork in the room but it also consisted of many colors in the paintings. It was also one of the biggest artwork in the room. The room itself was fairly large. There was enough lighting to get a good look at the art work but much dimmer compare to the other rooms. The lighting fits perfectly with the period. Every artwork in the room was spread out evenly with enough spacing between them. There were about 2 artworks near the center of the room but most of the artworks were hung up against the wall.
This is an image that I think of when I consider Japanese culture. They love gardens like this and you see similar images often when considering their culture. It is difficult to tell for sure, but the people in the distance appear to be dressed up. It is as though they have put on their best clothes to step out and enjoy this relaxing setting. I believe that this print is successful at capturing a moment in the mid 1800’s very well. It causes me to sense and experience what the artist was trying to capture. This print seems to conform to the formal theory of art. The print has only images of each object. None of them are particularly detailed or real to life but they do a very good job of organizing and describing the basic elements of the scene. It uses similar colors, shapes, and lines to those one might find in this garden in
Imagine yourself in a museum. You are standing in front of a masterpiece and it draws you ever close until your nose is almost touching it. When you’re too near the painting and you’re too focused, you don’t see the overall beauty of the painting itself. In fact, it becomes blurry when your eyes get too near. Life is the same way. You can’t get too focused on any one detail because your vision becomes impaired and everything else around you becomes blurry.
painting where we see the figures, was a road on top of a hill looking
Looking at the piece at first you will see a bedroom and you might think ‘oh what a simple and modest accommodation’ it’s not much of a room but it is nice. You get the sense that the person who sleeps in this room doesn’t have a lot of money to spare, and might even be on the brink of going bankrupt. The walls might be decorated with paintings but if you assume that the artist is painting his own room, which he was, then you would think that he hung up his own paintings. With the exception of two Japanese prints he did just put up his own paintings (Brooks, The Paintings).
Looking at landscape art, especially when painted by one of the masters, many have undoubtedly pondered: what would it be like to live there? Shapes and attention to detail are, of course, important in a painting. However, it is color that draws the eye and inspires the heart. Oscar Wilde, an Irish poet and dramatist, spoke well of this when he noted that, “Mere color, unspoiled by meaning, and unallied with definite form, can speak to the soul in a thousand different ways. (qtd in “color”)”. Vincent Ward had a similar understanding of this impact when, in 1998, he directed the movie What Dreams May Come. Looking at this film, one can easily imagine being inside a living painting. The use of color to emphasize the emotional state of a character or event is common in films; nevertheless, Director Ward goes even farther in using color to represent the actual characters themselves. Red is the shade chosen to signify Annie and likewise, blue is used for Chris. Both of these, as will be shown, are accurate in defining these fictitious people. However, it is the profound use of purple in this film that is the true focal point. When mixing red and blue paint, one would find that, after being mixed, they cannot be separated. Likewise, this is true of the life and love these characters build and share. Purple represents the many ways in which Chris and Annie are melded, and joined.
...e light and shadows. The room the boy is in is very dark, and a strong beam of light shines on the boy. Space is illustrated in how Murillo places the objects in the painting. The boy appears to be far back against the wall, while a water jug is towards the front. Texture is seen on the walls, the boy’s skin, the jug, and the basket of apples. Shape is displayed by the light and shadows in the picture. Without the light, everything would blend together. The light shines and casts shadows off of the objects and boy, giving him and the objects form. The color scheme Murillo uses are dull earthly colors, adding to the dull, sad mood of the painting. I like the emotion portrayed in this work. Looking at the boy and his surroundings, you can almost feel his sadness and emotion. I like paintings that display strong expression and emotion. The painting is pictured below.
From first impressions of this painting, I was captivated by his ability of using lights and darks. Photographs of this work...
The surreal scene takes place in the early morning while the moon is still out. Heavy brush strokes and a limited color palette gives the painting a more abstract feel rather than a realistic one. The vastness of the early morning sky depicts a sense of grandeur and remarkable beauty. The light of the sun is just starting to creep over the mountain range in the distance. At the foot of those mountains is a sleepy little town. There is a little white chapel on the edge of town. You can almost hear the church bells ringing telling the townspeople it’s time to wake up. A few townspeople must have heard the bells because some of the little houses have candles burning