In Langston Hughes’s Salvation, Hughes makes describes many differences between the his and the congregation’s perception of biblical acceptance. As a boy, Hughes was vividly told by his aunt that in accepting Jesus, he would “see a light, and something happened to you inside”. Being young, he believed that he had to actually see an incarnation of Jesus in order to be saved. When surrounded by the older crowd in church, Hughes anticipates a kind of “great awakening” but his expectations are met with nothing. He does not understand why he can not find Jesus while the congregation is in the midst of praising. Hughes uses several examples of sensory details in order to recall his experiences of the night. For instance, he describes his aunt …show more content…
White’s Once More to the Lake, White recounts the events which occured during his week with his son at the lake his family used to frequent as a boy. Several years had passed since White had been to the lake, and he recalled many aspects being the same as they were all that time ago. White cites that the lake was an “utterly enchanted sea” in which you could leave for hours only to return to the same seen. He also expresses that the bedroom still smells of the same wood as it did when he was young. However, White also informs the readers that the previous three-track road had been transformed into a two-track road, which he expresses his frustration …show more content…
Here, White is describing the lake and the dock. White captures the timelessness of the lake as he describes it as being exactly where he left it and “the same number of inches from the dock, and there was only the merest suggestion of a breeze”. In the same paragraph, he describes the shallows as dark, with smooth and old sticks and twigs near the clean sand. He also describes a school of minnows as their shadows chase them across the water. His use of sensory language is especially effective in that it allows the readers to craft a visualization of their own solely based upon his vivid descriptions of the
In the beginning we find the family and its surrogate son, Homer, enjoying the fruits of the summer. Homer wakes to find Mrs. Thyme sitting alone, “looking out across the flat blue stillness of the lake”(48). This gives us a sense of the calm, eternal feeling the lake presents and of Mrs. Thyme’s appreciation of it. Later, Fred and Homer wildly drive the motor boat around the lake, exerting their boyish enthusiasm. The lake is unaffected by the raucous fun and Homer is pleased to return to shore and his thoughts of Sandra. Our protagonist observes the object of his affection, as she interacts with the lake, lazily resting in the sun. The lake provides the constant, that which has always been and will always be. As in summers past, the preacher gives his annual sermon about the end of summer and a prayer that they shall all meet again. Afterward, Homer and Fred take a final turn around the lake only to see a girl who reminds Homer of Sandra. “And there was something in the way that she raised her arm which, when added to the distant impression of her fullness, beauty, youth, filled him with longing as their boat moved inexorably past…and she disappeared behind a crop of trees.
The lake itself plays a major role throughout the story, as it mirrors the characters almost exactly. For example, the lake is described as being “fetid and murky, the mud banks glittering with broken glass and strewn with beer cans” (125). The characters are also described as being “greasy” or “dangerous” several times, which ties the lake and the characters together through their similarities. The narrator explains, “We were bad. At night we went up to Greasy Lake” (124). This demonstrates the importance that the surroundings in which the main characters’ choose to be in is extremely important to the image that they reflect. At the beginning of the story, these characters’ images and specifically being “bad” is essentially all that mattered to them. “We wore torn up leather jackets…drank gin and grape juice…sniffed glue and ether and what somebody claimed was cocaine” (124). They went out of their ...
Authors often use details that evoke a response in readers to produce an effective description. Their aim is not simply to tell readers what something looks like but to show them. Katherine Anne Porter’s “The Grave” and E.B. White’s “Once More to the Lake” are essays that use subjective language to illustrate the principles of effective description. Porter’s “The Grave” describes a childish afternoon of rabbit hunting that brings death close enough to be seen and understood, while White’s “Once More tot he Lake” is a classic essay of persona; reminiscence in which he recreates the lakeside camp he visited with his son.
Within the essay “Once More to the Lake”, E.B. notes that “I bought myself a couple of bass hooks… returned to the lake… to revisit old haunts… When the others went swimming my son said he was going in… As he buckled the swollen belt, suddenly my groin left the chill of death (White 464). The essay “Once More to the Lake” brings a significant amount of attention towards the author’s attempt to secure personal satisfaction. It becomes quite obvious in the first few paragraphs, that the main character is on this vacation with his son, to recreate the careless feeling he use to have while vacationing with his dad as a child. Even though E.B. does not come out clearly and say it, the author is chasing some type of nostalgic feeling he clearly needs to feel better about life. On each page, White uses comparison and contrast to explain to the reader how the trip resembles the one he use to experience with his dad. By the end of the reading, the father begins to realize his vacation trip with his son will never be the same as the one he has dreamt about. He is no longer a child who can only notice the positive components of life. At this point, the father is an adult who will never have the innocence he once clung too. It takes some reflection for him to finally realize his place as a father in the situation. Comparison and contrast displays the idea that even though everything may look the same, it does not mean it feels the same. This mode rhetoric reflects back to the theme at the end of essay, as it concludes the author’s failed attempt to find some satisfaction from the
This vacation spot White describes through memories of his boyhood days always seemed to be so wonderful no matter what had gone wrong. White recalls the time when "[his] father rolled over in a canoe" and another time when "[they] all got ringworm" but none of this mattered in the long run, after all, this was the best place on earth. To White the mountain lake is seen as "constant and trustworthy", and on the trip back there with his own son, White wondered if "time would have marred" the appearance of the lake. Thoughts of the time spent there summer after summer continued to revisit White throughout the trip and everything from thunderstorms to the stillness of the water
On the other hand we have a story that is also humorous; however, his literary devices achieve a more childlike tone and his story concludes with a sympathetic effect on the reader . In “Salvation”, by Langston Hughes he takes us back to his inner thirteen year old self and his experience with being “saved” in a church. He explains the internal struggle he faces when he is pressured by a whole congregation to “see jesus” and the ironic effect it has on his perspective towards Jesus.
For a moment, imagine being in young Hughes’ place, and hearing, “Langston, why don’t you come? Why don’t you come and be saved? Oh, lamb of God! Why don’t you come?” (Hughes, 112), being whispered into your ear by your aunt as tears rush down her face. Would you not take the easy way out? How could someone at the age of twelve understand the torment that follows such an event? Hughes learned that night just what he had done, and what it meant, as he mentions in his essay when he says, “That night, for the last time but one- for I was a big boy twelve years old- I cried. I cried, in bed alone, and couldn’t stop. I buried my head under the quilts, but my aunt heard me….I was really crying because I couldn’t bear to tell her that I had lied, that I had deceived everybody in the church, and that I hadn’t seen Jesus, and that now I didn’t believe there was a Jesus anymore, since he didn’t come to help me” (Hughes, 112). At the first moment he was alone in silence, he understood what he had learned, and what it meant. That not only did he lie to his aunt, and to the church, but in his time of need, no one was there to help. There was no God by his side as he knelt on the church
Yet throughout White’s essay you see how peaceful he keeps the tone the entire time. With the subtle approach White has on the parts of his memories he thoroughly explains to this audience. Look at the melodrama of the storm White uses. While in The Pond the tone is more spiritual and religious. For example in The Pond, Thoreau is using The Pond as a spiritual symbol. Then there is the dominant impression. In both The Ponds and Once More to the Lake they share something. The way they share their views. The views of the memories, environment around them, and the way they felt throughout the entire thing. Once More to the Lake is on the memories surround the lake White has always known of as a boy and that is his dominant
In most people's lives, there comes a point in time where their perception changes abruptly; a single moment in their life when they come to a sudden realization. In Langston Hughes' 'Salvation', contrary to all expectations, a young Hughes is not saved by Jesus, but is saved from his own innocence.
Another example of Hughes’s constant struggles with racism and his inner and thoughtful response to that is clearly seen when he recalls being denied the right to sit at the same table. His point of view identifies that he was not able to sit at the table because he was an African-American. Yet, he remains very optimistic in not letting his misfortune please what is considered the “white-man” in the poem. Langston Hughes’s states,
In Langston Hughes’ essay “Salvation,” Langston talks about the first time he is going to be saved from sin. Langston is a young boy around the age of thirteen. He is going to church to see Jesus for the first time. In which case, he truly experiences religion for the first time in his life. Throughout this essay Langston uses many narrative techniques such as, imagery, metaphors, and irony to explain his interpretation of that one night when he did not see Jesus.
In Langston Hughes 's definition essay entitled "Salvation" he discusses the social and emotional pressures that effect young people. He pulls in his own experiences from being an active member in his church, and the moment he was supposed to experience revival of twelve. Hughes 's purpose for writing this definition essay is to show the peer pressures and internal conflicts that come from both church and the religious community, and his personal experiences that led to the pressures that were put upon him in his youth. The audiences that “Salvation” was pointed towards are adults; it shows the pressures that are put upon the youth, while the child does not fully grasp the idea being expressed to them. Langston Hughes 's overall message to
The man had experienced adulthood, and therefore could never experience the lake as he did when he was a child. Except for the sound of outboard motors, the lake was pretty much the same as it had been before. "The only thing that was wrong now, really, was the sound of the place, an unfamiliar nervous sound of the outboard motors" (White 153). This "nervous" sound suggests the nervousness of adulthood; the anxieties that sweep through the minds of people who have matured. The noise created by the outboard motors reflects the noise inside the man's consciousness. Instead of the "sleepy" sound of the inboard engines used when the man was a child, there were now noisy engines, which cluttered the air around the lake. These sounds constantly reminded the man of the restlessness of his adult life. Due to constant obstacles like the sound of the outboard motors or the internal struggles that come with adulthood, the man could only return to the lake as a guest of his own mem...
Hughes wrote two poems that generated a lot of discussion about religion and African-Americans. One was “Drama for Winter Night (Fifth Avenue),” the other was “Goodbye Christ.” Once when Hughes was asked about religion, he responded, “ I grew up in a not very religious family, but I had a foster aunt who saw that I went to church and Sunday school” (qtd. In Emanuel 914). Even though Hughes grew up attending church and Sunday school he could see how religion and churches treated his race. This is evident in “Drama for Winter Night (Fifth Avenue)”. The poem begins:
Second, in the poem “Once by the Pacific” there is a lot of nature expressed. Frost changes his nature view from woods to water.