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Music in our life essay
Music‘s influence on life
Role of music in our life essay
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Mark detested himself – for being so brainless at times, for the lack of ideas within his head when there was meant to be enough time to think. Our man reassured himself that he was not totally in blame. Song writing is a passion for him. The enjoyment of the gust and agony within the lyrics of songs by hard-rockers had served as a form of inspiration. He felt empathy, similarity to how the rockers feel about life. Mark’s collection of self-composed songs have hints of vulgarity every now and then, even though the man knew that he will never get his sensitive fellow Singaporeans to hear them.
A talent left undiscovered. Sighing, Mark resolved in attaining some peace. He broke from his mess of thoughts, closing his notebook- his personal “Thoughts from a cynic – with no reference to Confucius’ sayings”. He kept the compact book in his underwear drawer, which is an impossible reach from his nosey younger sister. Mark grabbed his guitar, strummed to some nonsensical tune and sang his personal favourite production. “My Maths teacher, she gave… me detention!” he wined, having nostalgic moments of secondary school life, “I sat on the bench… staring at the girls from basketball….” He went on until his sister shouted ‘shut up’ from the next room. He turned to his clock. Eleven-thirty. “Time to sleep,” he muttered to himself, dropping dead on his bed.
As usual, Mark’s friend, Aaron – a man who strongly believes that punctuality is a virtue, was before time. Aaron was waiting under the sign, which showed directions to the different sectors of the campus of Singapore Polytechnic, resembling a mannequin of what latest fashion was. He prefers keeping up to trend.
“Hey, morning, Aaron!” Mark greeted cheerfully.
“You moron,” Aaron muttered. “You made me wait for fifteen minutes. I looked like an idiot standing under this hot, burning sun.”
The duo strolled their way to the school canteen, receiving several stares and glances from the girls, which passed along the way. Both were not totally pleased with all that attention.
“I feel like we’ve been stalked,” Mark grumbled, adjusting his spectacles, “ I guess that’s the consequences of having some Prom King for a best friend,”
“That was in Secondary school!” Aaron insisted.
“Don’t be modest,” Mark said, reaching out his hand to pull his friend’s green-streaked fringe. “Now I hope those first-year girls are not at the canteen,”
“Oei, don’t pull my hair, leh!” Aaron retorted.
American singer-songwriter and folk musician Bob Dylan describes in his autobiography, as well as his life and music in general, the ambiguity of folk songs and their ability to be openly shared, interpreted, and even fabricated, and he believes that human nature is such that we are most comfortable with this opacity. The work of African American artist Kara Walker reinforces this belief, and applies it to history with the exploration of cultural ideas regarding race, sexuality, identity, gender roles, repression, and violence.
Chris Lilley’s successful application of the satirical device, parody, undoubtedly emphasises the effect drug abuse had on a particular student’s life. The musical, “Mr. G: The Musical”, is very loosely based around a student at Summer Heights High who abused drugs, in particular ecstasy, and incorporates the apparent role Mr. G played i...
Under the orders of her husband, the narrator is moved to a house far from society in the country, where she is locked into an upstairs room. This environment serves not as an inspiration for mental health, but as an element of repression. The locked door and barred windows serve to physically restrain her: “the windows are barred for little children, and there are rings and things in the walls.” The narrator is affected not only by the physical restraints but also by being exposed to the room’s yellow wallpaper which is dreadful and fosters only negative creativity. “It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide – plunge off at outrageous angles, destroy themselves in unheard of contradictions.”
Occasionally a strobe awakes from its narcoleptic slumber to wink at the nocturnal nation cavort across fog flooded floors. I sit in the shadows. I am an island ( not in the geographical formation sense, but rather in the Simon and Garfunkle sense). Music seems so tainted; its freshness extracted by the incestuous industry. Get an acclaimed producer, and make a video to show how pretty your band is. Become a whiney lesbian folk singer professing cynical prophesies with an acoustic ax, a violent criminal that uses his vehemence as an art form, a diva whose love songs are darker than her exposed panties, or perhaps a greasy haired bar-chord master with a chip on his shoulder and a heroin needle in his arm proclaiming how hard life is in suburbia. There must be something new in rock's tepid arena, and not just another "underground" sound that is this week’s salt-lick style. There must be a band out there in the very nucleus of pop music that will not take its precious history and throw it away. That will endure to "stand on its shoulders," understand it and explore its depths to form new music (Percy 49). There must be a band that has a lead singer who wrote a poem about Neil Young vomiting, and then had the audacity to name the band after it (Park). There is. This is Soul Coughing.
For centuries, writers of both poetry and prose have sought to entertain and educate their readers as well as evoke specific emotions by detailing events from the human experience to which they can relate. Similarly, composers have sought to do the same albeit through the combination of music and lyrics. In his 1982 release, “Goodnight Saigon,” singer/songwriter Billy Joel, through the use of sound, imagery, symbolism and the juxtaposition of opposites, brings images of the Vietnam War to the forefront and in so doing, provides his audience with insight into the human experience.
Alternative rock music of the nineties successfully captured the distress of a young generation afflicted by multiple struggles. First and foremost, this music genre accurately voiced the concerns of those who could not imagine a thriving future as prosperous members of society, and for whom the American dream was nothing but a distant notion. For instance, in his song “Loser”, Beck Hansen skillfully described the apathy that overtakes an individual’s being when he is faced with life´s unavoidable grim prospects. Similarly, this kind of music resonated with all those individuals who were struggling to feel comfortable in their own skin. To illustrate, in one of its most popular songs, “Creep”, the alternative rock band Radiohead managed to convey the excruciating angst experienced ...
Song lyrics have set off a great generation of our leisure time than reading poetic devices, therefore song lyrics are better than poetic devices. Song lyrics have dropped numerous lines that attach to us now a days and make us listen to the line over and over unlike poetic devices. Song Lyrics have so much meaning by word choice and by relations.”Mr. Rager” by Kid Cudi, is about people fed up with society and plan on taking a journey. “Dreams” by Edgar Allen Poe, is about a man who dreams of a greater life. Mr. Rager, the song by Scott Cudi, has a better meaning than Dreaming, the poem by Edgar Allen Poe, by personification, allusion, and symbolism.
In conclusion the deeply rooted homophobia that is mistakably reflected in Banton’s lyrics and that, more importantly, pervades the Jamaican society, is a very controversial issue. Not only is there the question of whether Banton is correct because he is singing about his culture but despite the fact that he is expressing his beliefs does he have any right to threaten the lives of human beings.
There is one universal language: the language of music. Music has a special quality and ability to bridge both social and cultural divides. A proposed theory by Dr. Gray, Founder and Director of National Musical Arts’ BioMusic Program; describes music has been around longer than human-beings have. Music is the one thing human beings from various backgrounds can relate to. Every living creature would agree. Music is heard everywhere not just among humans, but in nature as well, through the twitting of birds, winds blowing, the soft sound of raindrops against a windowpane, the ocean waves moving back and forth and the hum of the ocean rushing in a sea shell. There is no escaping it; music lives in and surrounds us steadily. While there are countless songs which confer social or cultural consciousness, this paper will analyze and address the dynamics of M.I.A.’s “Paper Planes”, video. Stylistically, the paper will examine the artist point of view, the unique use of lyrical analysis and sound description in relation to its historical, social, political and/or cultural context. This essay will also trace the lyrical analysis and sound description of song and discuss how the elements (visually, sonically, and lyrically) interplay with the theme of immigration and/or violence.
For many of us, one of the most accurate and effective ways to express the feelings that really matter to us is through music. We don’t only grow to attached to songs that are catchy, but also those with lyrics that we can relate to. It is not uncommon to feel like sometimes, artists can convey the way we feel better than we could ourselves. The storybook-like lines you read at the start of this page are a collection of lyrics
I was always a creative child; it was something I just could not not be. Back then I didn’t know how to be ‘normal.’ While the other children wrote their essays about their mothers and pets or their best friends, I wrote about becoming birds or about ducks building robots. Truly. I suppose I could blame it on my parents – my father for trying to teach me how to read when I was too young and my mother for reading The Hobbit by JRR Tolkein to me as my bedtime story – but I know, truthfully, that it wasn’t their fault. It is no one’s fault, for I do not see my strange imagination as a terrible, abnormal thing. I do know that no one in particular influenced my creativity when I was younger, but I remember being obsessive about certain stories. I remember when I got my first computer – a 16-color piece of, well, garbage that barely ran. But even though it was so old and primitive, it opened new doors for my imagination, and I spent my childhood either playing games about knights and dragons or running around outside and acting out my own unscripted scenari...
The youth of today are more likely to have a favourite song rather than a favourite poem. Although the feelings and hidden meanings expressed in songs are often unacknowledged by the listener, they often have qualities that resemble those of a typical poem. These qualities include word choice, mood, hidden meanings and imagery. Using the songs “Luka” by Suzanne Vega, and “April Come She Will” by Simon and Garfunkle, I am going to prove that songs can be considered a form of modern day poetry.
The Web. 17 May 2010. http://www.tabootunes.com/gallery.html>. This gallery was not one of taboo songs as much as taboo album covers, giving a new outlook on music-related censorship. The gallery also shows another method censorship could be used to limit creativity.
But that was the school's main problem for today's generation. Students, especially the girls, refused to wear their uniforms properly, claiming that most of them are having hard time breathing. And that was the first thing that Charlie had noticed when she first entered the large, green campus. Some girls didn't bother to wear their blazers anymore, and their blouses weren't even buttoned completely, leaving their chests exposed.
The lyrics of music play an important part of interpreting the meaning of the song. The roles which women have been allowed by the society to embody have changed drastically. Women may question their roles because of what they see portrayed by popular culture or media. Change in female’s identity can be seen in how women are viewed or how they portray themselves in popular culture specifically through music. In general, music continues to...