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New perspective for fairy tales
New perspective for fairy tales
New perspective for fairy tales
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In his article, “On Fairy Stories” written in 1947, author J.R.R. Tolkien informs his readers that fairy-stories are not only for children, but they are also for adults to read and to enjoy. He believes that these stories should be a genre for all ages, but mostly for adults because they are able to legitimize the literary value of fairy-stories unlike children. To illustrate his argument, he poses inquiry questions and at the same time, he answers them to clarify the purpose of fairy-stories. He brings forth three types of questions: “What is a fairy story?” “What are the origins of fairy-stories?” and “What are the use of fairy-stories?” Thus, he asserts his viewpoints on how only adults can give judgement on the literary value of fairy-stories. …show more content…
He emphasizes that fairy-stories are of a realm about “Faerie” that deals with an indescribable and imperceptible perilous land. In other words, for the author “Faerie” has the same meaning as fairy. He simply utilizes the word “Faerie” instead of fairy to distinguish the value of rank and seriousness of these tales. Tolkien explains that the word fairy has been diminutive because fairies are perceived to belong in a “nursery”; therefore, these stories are designed for only children. In addition, Tolkien also highlights the effects of fantasies within these tales and explains that “a fantasy is a human activity which does not destroy nor insult Reason.” (18). For the author, this statement implies that fantasies are created by humans, standing as a sub-creation in
In “The Classic Fairy Tales” by Maria Tator and “Mad Shadows” by Marie-Claire Blais, both texts deal with the idea that suffering and understanding are deeply connected. The authors aim to prove that suffering and understanding go hand in hand in order for change to occur. In “The Classic Fairy Tales”, Beauty and the beast, Snow White and Cinderella, will explore the relation between understanding suffering via transformation, desire, and physical injuries, when compared and contrasted with Mad Shadows.
Imagine yourself in a pre-industrial world full of mystery and magic. Imagine a world full of monsters, demons, and danger, as well as a world full of friends, fairies, good wizards, and adventure. In doing so you have just taken your first step onto a vast world created by author and scholar John Ronald Reuel Tolkien. Tolkien became fascinated by language at an early age during his schooling, in particularly, the languages of Northern Europe, both ancient and modern. This affinity for language did not only lead to his profession, but also his private hobby, the invention of languages. His broad knowledge eventually led to the development of his opinions about Myth and the importance of stories. All these various perspectives: language, the heroic tradition, and Myth, as well as deeply-held beliefs in Catholic Christianity work together in all of his works. The main elements of Tolkien’s works are Good versus Evil, characters of Christian and anti-Christian origin, and the power of imagination.
...n” is a great example of an old myth or tale reconstructed and adapted for a modern audience in a new medium. It is a progression on one hand in its use of modern language, setting, and style but it is also the product of the old myths in that it is essentially the same on the thematic level. In addition, the level of self-awareness on the part of the narrator and, by extension, the author marks it out as an illustration of the very notion of evolutionary changes of myths and fairy tales. Adaptation is the solution to the fairy tale, and fairy tales have been endlessly changing themselves throughout history and, by some strange transforming or enchanting power endlessly staying the same.”
Faerie Tale follows the tale of the Hastings family and their move to a rural mansion in New York. The Hastings family includes; Phil Hastings, a screenwriter working on a novel and his wife, retired actress, Gloria Hastings, Phil's daughter, Gabbie, a wealthy heiress from Phil's previous marriage, and twin boys, Sean and Patrick, who are particularly targeted by the “bad thing” in the story. The “bad thing” is a minion of the evil faerie king who is attempting to re-enter the mortal world before the “moving” closes the temporary portal between worlds on midnight on Halloween. Throughout the story different characters help the Hastings in different ways. Most helpful are the Irish immigrant Barney Doyle who eventually tells Sean how to save Patrick from the faerie realm, and Mark Blackman, an author who provides information along the way every time a new secret about the mansion is revealed. In the end the Erl King is killed only to be replaced by the fairy that kills him, revealing the cyclical nature of the fairy realm and how the creatures are not truly immortal but trapped in a predestined loop that forever repeats the same story; the queen and king to be fall in love, a child is stolen, it is fought over resulting in a demi-war between two factions, with the new king to be sometimes killing the evil king to become a good king or siding with evil king to become an evil king and killing the queen. Various “plot twists” can occur but the faeries know that the end result will always be the crowning of a new king and queen through the shedding of blood.
In his evaluation of Little Red Riding Hood, Bill Delaney states, “In analyzing a story . . . it is often the most incongruous element that can be the most revealing.” To Delaney, the most revealing element in Little Red Riding Hood is the protagonist’s scarlet cloak. Delaney wonders how a peasant girl could own such a luxurious item. First, he speculates that a “Lady Bountiful” gave her the cloak, which had belonged to her daughter. Later, however, Delaney suggests that the cloak is merely symbolic, perhaps representing a fantasy world in which she lives.
The origins of fairy stories are as ancient as language itself. In the “On Fairy Stories”, J.R.R. Tolkien attempts to provide answers to the questions
Fantasy, in return, also had a significant impact on the Primary World as a tool of “Recovery, Escape and Consolation”. These two worlds, one reality and one created, affect each other in a close relationship. Therefore, the existence of fairies-stories is critical for our universe. The universe
The simplicity of fairy tales and non-specific details renders them ideal for manipulation allowing writers to add their own comments often reflecting social convention and ideology. Theref...
In literature, genres are often ambiguous because they are independent in creating their own conventions, as well as dependent on borrowing from others. According to author J.R.R Tolkien, the genre of fairy stories act in the same regard, functioning to create conventions like escape and recovery through eucatastrophe, as well as borrowing ideas of sub-creation from other literary styles like mythology (“On Fairy Stories,” 8). In his works of fiction, including the Silmarillion and The Lord Of The Rings, the idea of genre ambiguity stays consistent, with Tolkien using conventions of horror in his creation of a second world. Thus, an analysis of the horrific imagery in The Lord Of The Rings will identify horror as a pivotal device in the creation of his second world. This will be shown by his use of monsters as the source of villainy, the hobbits as the character interacting with the monsters in a perilous realm, and their reactions as internally consistent with both the horrific paradox and fantasy.
Fairy tales have been read to children for many years by parents hoping these tales of heroines and heroes would provide a fun and interesting way to teach moral and values. Fairy tales provide children with a fun and entertaining way to deal with strangers. Children learn that when you don’t follow the rule and talk to mysterious strangers you’re put into situation that can cause pain or suffering to others.
I am writing this paper because I was assigned to write it as a class project. Along the way I realized the importance of sharing the real meanings of all these stories. Stories are important because in the society we live in things are constantly changing. Fairytales change but the base of the story always remain the same no matter how many times it has been retold. It’s important to reveal the true meanings of these stories, even with its dark characteristics, because the world is dark .Children need to know that there are people that have told stories relatable to what they are going through. Fairytales help the development of children; it helps their maturity as they confront someone else’s tough situations, instilling hope of a more positive ou...
The imagery in a sense encapsulates most everything in the short tales, however, when broken down into genres of the technique the analysis of what each method is implemented will allow for unexplored concepts to be developed and for an appeal to the senses. Perception is a key element in the development of all literature. When fairy tales are studied, creativity is an enormous factor. This is often a byproduct of other authors literary and stylistic choices that in this case are implemented to embody paganism. The commonality between all tales is the pagan concepts, these various appeals to senses and images created are done in which a way that the authors will achieve the goal of critiquing society while drawing comparisons to paganism.
..., Maria. “An Introduction to Fairy Tales.” Writing and Reading Across the Curriculum. Ed. Laurence Behrens, Leonard J. Rosen. Toronto: Longman, 2013. 230-235. Print.
The origin of the fairy tale derives from oral tradition. These tales vary depending on the culture, time, and purpose of the teller, hence why there are multiple versions of a single tale. Every narrator reinvents the tale to meet their needs. The familiar themes, images, and symbols associated with the fairy tale tradition have been recycled by film makers and writers alike. This is because fairy tales are not only the most recognisable narrative worldwide, but they have a certain quality that captivates both the adult and child reader. While the narratives may not necessary contain fairies, they have a supernatural element to them, and often a moral message. In addition, they explore social concerns and identity formation without being threatening, hence the universal appeal of such tales. However, since these tales were not scripted till the early nineteenth century by the Brothers Grimm, their original narrative intended for adults has been watered down and made appropriate for children. Often the happy endings we see today were not present during their original circulation. Hence the fairy tales adaptability to various genres such as horror, romance, and fantasy.
Zipes, Jack. Why Fairy Tales Stick: The Evolution and Relevance of a Genre. New York: Routledge, 2006. Print.