Today, youth are surrounded by different influences from friends, family, social media, etc. During person’s youth, they are trying to figure out their identity. Nigerian hip-hop music is growing in popularity and has a lot of influence on the Nigerian youth and beyond. It has a large emphasis on incorporating English and Nigerian Languages in their song which allows them to connect with youth all over. Nigerian music today is able to send out positive or negative messages to the youth. It can send out music about women, money, power, and sex or holding your government responsible for their promises. Since the youth are searching for their identity, they could either be influenced negatively of positively for the music. Some artists that have big influence on Nigerian music are Tuface, D’banj, and P-square. These men are able to incorporate English into their music by using code-switching. Tuface, D’banj, and P-square are able to reach more youth with the use of code-switching in their music. The men are also able to influence the identity of the youth through their music and how they present themselves. With that amount of influence they have, comes a great responsibility to use their power to be a positive role model and to lead the youth towards a positive identity.
Nigeria is located on the west coast of Africa, bordering the Gulf of Guinea, and between Benin and Cameroon. Nigeria was named after the Niger River that runs straight through it. It is sometimes referred to as the "the Giant of Africa", because of its large population and economy (CIA, 2014). Nigeria was at first colonized by the British. It gained its independence on October 1, 1960 and was declared a Republic on October 1, 1963. There flag has three equal ...
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Hip-hop culture has been a global phenomenon for more than twenty years. When introduced into the American culture, the black culture felt that hip-hop had originated from the African American community. The black community was being denied their cultural rights by the supremacy of the white people, but hip-hop gave the community the encouragement to show their black pride and televise the struggles they were facing in the world. The failure and declining of the movements, the influential, rebellious, and powerful music is what reshaped Black Nationalism, unity and to signify the struggle. The African Americans who suffered from social and political problems found that they similar relations to the political movements, which allowed the blacks to be able to voice their opinions and to acknowledge their culture openly.
When looking at the landscape of Hip-Hop among African Americans, from the spawn of gangsta rap in the mid 1980s to current day, masculinity and an idea of hardness is central to their image and performance. Stereotypical to Black masculinity, the idea of a strong Black male - one who keeps it real, and is defiant to the point of violence - is prevalent in the genre. This resistant, or even compensatory masculinity, encompasses: the hyper masculinity rife in the Western world, misogyny, and homophobia, all noticeable in their lyrics, which is in part a result of their containment within the Black community. The link of masculinity and rap music was established due to this containment, early innovators remaking public spaces in their segregated neighbourhoods. A notion of authentic masculinity arose from the resistant nature of the genre, but the move to the mainstream in the 90s created a contradiction to their very image - resistance. Ultimately, this in part led to the construction of the masculinity defined earlier, one that prides itself on its authenticity. I’ll be exploring how gender is constructed and performed in Hip Hop, beginning with a historical framework, with the caveat of showing that differing masculine identities in the genre, including artists
It goes without saying that hip-hop has changed. It began as a social practice of African-centered liberation to transform the black community or bring the youth together in unity, but towards the 90’s and onto the hip-hop scene in todays day and age, it is anything but that. The youth of today will know Tupac Shakur and beautify or streamline his self-destructive “thug life” but remain in the dark of figures like Mutulu and Afeni Shakur. Although this is a sad reality to live in, it is not hip-hops responsibility to change this. It is the responsibility of artists alike representing an oppressed populace to speak meaningfully in their art, in someway or another, for the liberation of their people.
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Since the beginning of hip hop culture, its music, its style of art, and style of dance has had a major effect on the world and it has increased. ...
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
Gail Hilson Woldu, author of “The Kaleidoscope of Writing on Hip Hop Studies,” emphasizes the importance of cultural theory, urban history, and black feminism in the study of Hip Hop and its influence over the last several decades. The cultural theory aspect throughout the studies of hip hop, specifically in Houston Baker’s Black Studies, Rap, and the Academy, focuses on the importance of the “classic black sound” and the ability for the rap industry to be a profitable resource for an alternative American authority (Woldu 16). The cultural theory helps expand the knowledge of “hip hop” as an idea and influence on society. Mark Anthony Neal discusses the development of the understanding of hip hop by dissecting the layers and complexities of
Imagine our youth all over the country being exposed to this explicit kind of language. There is no need to imagine, because it is already happening. Ever since the rise of Rap and Hip Hop music, teens have been turning to them to help solve their problems. However these kinds of music can be very destructive to teens. It is not the youth’s fault; it is the content that the music contains. Although Rap and Hip Hop music can be a force for good, they can also have an extremely negative impact on the attitudes and behaviors of our youth.
Music played a very important role in the lives of people is diaspora communities. It served as a reminder for the immigrants of their homeland, which allowed them to proudly express their national and cultural identities. Diaspora refers to an international network of communities linked together by the identification of a common ancestral homeland and culture. People in these communities are no longer living in their homelands, with no guarantee of a return either. (Bakan, 19). Music played a large role in African diaspora communities. This was first started by the slave trades many years ago when slave traders traveled to the coast of West Africa to capture Africans and brought them back to the United States to be slaves on plantations. Slaves were more prone to loose a sense of their own culture because every new aspect of their lives was forced upon them, therefore they were undoubtedly forced to abandon their n...
People are surrounded by music every day of their lives. They hear it in their homes, on the radio on their way to work; some people have even caught themselves humming the tune of their favorite song to themselves. But how many people actually listen and not just hear the music they are listening to? Teens in particular don’t realize the message behind the music they are quoting the lyrics to, or the effect it has on them. In today’s culture where rap music has become increasingly popular, many teens aren’t realizing what they are listening to. A lot of teens would argue that the music they listen to has no effect on them, but they are wrong. Rap music, especially, has had a major impact on teenagers in today’s society.
Throughout the 1970’s, the United States entered a period of tentativeness due to the upheaval of drugs, violence, and gang dominated communities, but took a huge leap and worked its way to transition into a more fair, just, virtuous, and an all together united society. Hip-Hop is a subculture that was created by African American and Hispanic teens that came from the streets in New York. Hip-Hop was a type of rap music and high energy dance style that these teens formulated to depict their African American culture, customs, and ideals. The art movement, “Hip-Hop” tremendously sparked a change as it began in the streets and underground areas of the Bronx in New York and gradually became a widespread popular and media culture worldwide. The origins
In this chapter, Warikoo focuses mainly on youths’ tendency to determine one’s taste in music and style based off of his or her ethnicity. Warikoo interviewed youth of different ethnicities, trying to understand the presumed tie between ethnicity and tastes, and why phrases like “acting Black” are used when a non-Black youth listen, dance, and dress to the hip-hop and R&B style and music usually associated with the African-American culture. In this chapter, she determines from her research
Nigeria, an African country on the Gulf of Guinea, is known for its natural landmarks
Not only is hip-hop a way of expressing ones feelings or views, but it is a part of the urban culture and can be used as a communication tool. Slang originally came from hip-hop music and has become a very popular use in today’s society, especially the urban parts. Hip-hop is a standout amongst the most compelling musical sorts on the globe. There are rappers everywhere that know what amount of an impact their music can have. Some entertainers attempt to utilize that force of impact to do great (Ruiz INT).
Oti, Adepeju; Ayeni, Oyebola. (2013) Yoruba Culture of Nigeria: Creating Space for an Endangered Species Cross - Cultural Communication9.4 : 23-29