In the eyes of the general public, all of Hip-Hop is usually categorized in the same way. Labeled as the poison of the Black community because nowadays, most Hip-Hop lyrics all sound the same generic way always talking about money, women, cars, drugs, or some type of beef that all these rappers sooner or later continuously have with one another. But what this new generation doesn’t know about are the positive and creative flows that were spit not so long ago in the 80’s and 90’s. Rappers back in the day like Tupac and Ice Cube both had times when they had to show off their thug sides but they both had reasons or a call-to-arms for that, and indeed were in tune with that era’s problems as well as the society where they were raised. Moreover, even though some new school songs actually look promising, old school songs are still always great classics that anybody in this day and age will most certainly vibe to. Consequently, new school Hip-Hop is much diluted and has no originality about it whatsoever. It has even gone as far as them biting off the old school beats and rhymes and turning them into a lot of the distasteful songs heard today. Old School Hip-Hip songs always had major characteristics that set each and every artist apart and them unique, which inspired some of the best in the game like Snoop Dog, Eazy E, and Biggie Smalls. In new school Hip-Hop there’s a lack of a positive message that’s not being relayed to today’s generation. The only thing you can translate from the Hip-Hop of present is that you need to stack paper, make it rain the club, and what kind of car’s to drive. Old Hip-Hop tried to instill ambition in the children of the ghetto because let’s face it; many believed that once born in the hood that’s ... ... middle of paper ... ...lf within the songs infrastructure. In contrast, one of the main distinctions between the two was that modern day rappers utilize more elaborate patterns; whereas the old rappers would just stick fairly simple patterns. By far the most noticeable deviation from the two would be the sudden variations in the lyrics. In conclusion, since the early 1970s the boom and craze that is Hip-Hop will continue to be on the rise. Notwithstanding such criticisms, regardless of either most people just associate the two together and undermine the progress Hip-Hop has made its popularity remains largely undiminished. But I guess it’s those haters that always bring about the greatest ingenuity, and in this case it was the evolution of Hip-Hop as a whole. So in order to understand the present, one must look to the past to fully grasp the concept of new school and old school
Hip-Hop became characterized by an aggressive tone marked by graphic descriptions of the harshness and diversity of inner-city life. Primarily a medium of popular entertainment, hip-hop also conveys the more serious voices of youth in the black community. Though the approaches of rappers became more varied in the latter half of the 1980s, message hip-hop remained a viable form for addressing the problems faced by the black community and means to solve those problems. The voices of "message" hip...
Since the early to mid 90’s, hip-hop has undergone changes that purists would consider degenerating to its culture. At the root of these changes is what has been called “commercial hip-hop". Commercial hip-hop has deteriorated what so many emcees in the 80’s tried to build- a culture of music, dance, creativity, and artistry that would give people not only something to bob their head to, but also an avenue to express themselves and deliver a positive message to their surroundings.
Hip hop has become one of the most commercially promoted and financially successful forms of media in recent years. But as its profits have risen it has become a scapegoat for the many of the public criticisms of young black people. These topic have been discussed in Tricia Rose’s novel “The Hip Hop Wars What We Talk About - And Why It Matters”. The state of hip hop has fallen because the trinity of commercial hip hop has become main topic and caused a lot of controversy. This book is appealing to a person who want to know how hip hop has changed in the past decade and it points out many different attitudes toward hip hop in the Unites States.
Hip hop is both a culture and a lifestyle. As a musical genre it is characterized by its hard hitting beats and rhythms and expressive spoken word lyrics that address topics ranging from economic disparity and inequality, to gun violence and gang affiliated activity. Though the genre emerged with greater popularity in the 1970’s, the musical elements involved and utilized have been around for many years. In this paper, we will cover the history and
Hip-Hop is a cultural movement that emerged from the dilapidated South Bronx, New York in the early 1970’s. The area’s mostly African American and Puerto Rican residents originated this uniquely American musical genre and culture that over the past four decades has developed into a global sensation impacting the formation of youth culture around the world. The South Bronx was a whirlpool of political, social, and economic upheaval in the years leading up to the inception of Hip-Hop. The early part of the 1970’s found many African American and Hispanic communities desperately seeking relief from the poverty, drug, and crime epidemics engulfing the gang dominated neighborhoods. Hip-Hop proved to be successful as both a creative outlet for expressing the struggles of life amidst the prevailing crime and violence as well as an enjoyable and cheap form of recreation.
Since hip-hop has expanded from the undergrounds in Bronx in the 70’s it has grew into a popular accepted music genre. Consequently, as it progressed from the golden age it gradually grew away from its original roots. If one were to evaluate the change of lyrics in hip-hop, they would see a difference between early hip-hop and today’s hip-hop. The current state of hip-hop is in a stage where things like hey young world are outdated. Instead of broadcasting out a positive message, hip-hop sends out a message of sex, drug, and violence. The early musicians who helped solidify hip-hop, by producing music that told stories on subjects of race, respect, or even music that had a positive message.
Hip hop culture is known for its negative reputation. It is often thought as an entrance way into gangs, illegal drug activity, and malicious behavior. In today’s culture it is important to lead kids toward a positive direction in life but the hip hop culture of today is not steering youth in that direction. This is because hip-hop has moved away from what it was supposed to be used for. This genre of music was supposed to be used to for personal expression and growth not to create negative images for the youth and encourage them to change their behaviors and beliefs. Hip hop was supposed to give hope to the youth. Give them a reason to pursue their dreams and give them a positive outlook on life. Are there artists who keep it “old school?” Yes there is, but it is never heard on mainstream radio. Hip hop culture has the potential to help the youth follow their dreams and become better people. It just needs to go back to its roots and bring those morals back up again.
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries, and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and content. It will also identify the history of hip hop and its transition into popular music. In particular, this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them.
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
Hip-Hop/Rap is one of the biggest growing genres of today. From its early stages in the 1970’s to today’s pop culture, it has grown quite a lot. Unfortunately, it has developed a terrible reputation of drugs, violence, abuse, and gangs. When people associate Hip-Hop with things it is usually a negative image that comes to the person’s mind. Which is sad, Hip-Hop/Rap has a great artistic quality to them that gets so easily overlooked. There is true poetry and emotion behind these lyrics and beats, but not everyone is willing to sit down and listen to it. They quickly judge this music genre and the immediately dislike it without giving it a second thought. Rappers pour their emotions and their souls into their songs and it really speaks to people who would stop and listen to them. Hip-Hop/Rap has evolved over time. From the early stages of Kool Herc, Afrika Bambaataa, and others to today’s rap stars like Eminem and Kendrick Lamar. Each decades style is different but each style is still good. What really made Rap huge was the Sugarhill Gang’s own song called “Rapper’s Delight” the entire song is around 15 minutes long with just three emcee’s rapping, Wonder Mike, Big Bank Hank, and Master G. An emcee is another word for a rapper. Most emcees are the head of whatever event is being taken place, kind of like people that do skits in a talent show to introduce the next act. Hip-Hop/Rap today is filled with emcees and rappers. Today we find a more complex and more diverse style than what we would find back in the 70’s. There are different styles to different rappers. Each one unique in its own way and it makes that rapper stand out compared to everybody else. Also, another thing today that is different from the past is the flow of a rapp...
Has Hip-Hop given us a warning of change or is it simply a part of musical evolution? In “Hip Hop Planet” by James Mcbride he argues that hip hop is destructive to our society. Hip hop provides a variety of beats, intense rhymes, and yet provocative language. The author has many negative views on the genre but sees some positive influence. With this said, his warning to our future generations can be challenged. Hip hop can have a negative impact on young adults but it also provides large amounts of support to people who struggle with similar complications.
What media mostly highlights in hip hop today is the drugs,sex, and the "thug" appearance, usually that 's most music but hip hop is more blunt about it and is on the radio for people to hear. Others who don 't like hip hop have heard this type of music and found it disgusting so they go ahead and judge the artist which most artists are "black" so they just group it all together. Media is the blame for this because you only see the black males nowadays as "entertainers" like the sports players, the hip hop artist or actors.Most of these people are not near as role models as they should be but as you
To say it lightly, Stanley Crouch does not like the hip-hop genre of music. The dreadlocks, the clothing style, and the "vulgar": gold chains are just a few things he does not approve of at all. (Crouch, 1 ) It astounds him to see how far African-American music has fallen since the days of the Motown. Stanley was quoted as saying this about rap, "It is rudeness, vulgarity, and pornography disguised as ‘keeping it real.'" (Crouch, 1) He also went on to say the hip-hop music genre has the worst impact of all music genres on our culture today. (Crouch, 2) Crouch believes one does not need much talent to become a successful rapper unlike the jazz greats he listens to all the time.
From its conception in the 1970's and throughout the 1980's, hip hop was a self-contained entity within the community that created it. This means that all the parameters set for the expression came from within the community and that it was meant for consumption by the community. Today, the audience is from outside of the community and doesn’t share the same experiences that drive the music. An artists’ success hinges on pleasing consumers, not the community. In today's world, it isn’t about music that rings true for those who share the artists' experiences, but instead, music that provides a dramatic illusion for those who will never share the experiences conveyed. This has radically changed the creative process of artists and the diversity of available music. Most notably, it has called in to question the future of hip hop.
Hip-hop is moving backwards in the sense that it is regaining its revolutionary and activist voice, as more independent artists are claiming control of the spotlight. Hip-hop is moving forward in the sense that it is no longer catering to one general sound, and corporate labels are losing their grip on the images that get displayed to the masses. Hip-hop is becoming more local. Hip-hop is becoming more about the experience, and less about what is hot and on the top 100 right now. Hip-hop is catering more to the individual’s unique taste, rather than mass-producing one sound and one message. Hip-hop, in the future, will be able to truly uphold its title as “the people’s genre” again. Hip-hop is being reborn, and being returned to a state that runs on artistic investment rather than commercial