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Among the several characters in "The Story of an Hour," Mrs. Mallard is the only dynamic, round character: a dynamic character usually undergoes some sort of fundamental change as the result of one or more plot elements, and a round character generally exhibits inconsistencies and problems that affect most of us. Dynamic, round characters are often difficult to summarize easily because they are, like many real people, complicated. Social conventions are the main cause making us repress what we really think and feel. "The Story of An Hour" by Kate Chopin reflects the dramatic development process of Mrs. Mallard's character through the death of her husband; it demonstrates that the true identity cannot be sheltered forever.
Mrs. Mallard is the character we know the most about by far. Of course, that's not saying much. She's the protagonist, the center of attention, and the person around whom all the other characters revolve. At the beginning of the story, when Mr. Mallard dies, the other characters (Richards and Josephine) put aside their personal grief to console Mrs. Mallard. Their first priority is taking care of her – making sure she gets through the hard news without dying herself. Likewise, at the end of the story, the other characters try to take care of her first, rather than concentrating on their own feelings about seeing Mr. Mallard alive and well after all.
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Mallard? We know from the beginning that she is "afflicted with a heart trouble" (1). She's unwell, with a genteel condition, which means she can still act like and be treated like a lady. We can tell from the description of her "two white slender hands" (10) that she doesn't work, or engage in manual labor. It seems like all the people in her life are looking out for her and trying to take care of her, at least during the hour in which we get to know
An important detail is that Mrs. Mallard has a heart disease so Josephine, her sister, has to be very careful telling her the news. Josephine learned of Mr. Mallard’s death
described from the outside quite differently since she is “young with a fair, calm face” and has “two white slender hands.” (Choplin 15). Now that Mrs. Mallard has lost her own life and is truly freed from all the world , that doctors would say that the powerful feeling of happiness overpowered her struggle for freedom.
Kate Chopin's "Story of an Hour" proves to be a timeless short story. Although this story was written in the nineteenth century, it is still reflective and relevant of today's society. It is still popular in many high schools and college classrooms. A critical examination of this piece of literature can be done using character analysis. This is an important tool in analyzing the meanings "between the lines" in this story. Mrs. Mallard is the main character and therefore plays the most important role in the story. This makes it necessary to examine her character in order to gain insights into the story's meaning. Several key elements relating to her personality surface in the story. These elements give insights into her feelings and her thoughts. The character analysis shows Mrs. Mallard is portrayed as insensitive, selfish and a wishful thinker.
Mrs. Mallard in 'The story of an hour', is a woman that has had to live her life composed and in control as the wife of her husband, Brently Mallard. Chopin details Mrs. Mallard's reaction to the news of her husband's death with convolted emotions that were considered appropraite and yet horrifying to the reader. At the end of the story, her death came as no surprise.
Mallard is excitable. This trait allows Mrs. Mallard to focus on what is good regardless of how bad things may initially appear. Although being easily excitable may not always be the best trait to have, it certainly came in handy when Mrs. Mallard has needed to cheer herself up. The following is an excerpt that surely describes the role Mrs. Mallards excitability plays in the story, “When she abandoned herself a little whispered word...and the coursing blood warmed and relaxed every inch of her body” (Chopin 2). Mrs. Mallard responds suddenly to her realization. She has little control as she whispers the word “free”. Mrs. Mallard is brought aback by her own words and yet she suddenly begins to pep up. Mrs. Mallard’s excitability is what ultimately turns the situation around. She begins to focus on the good even though she knows the bad. Although in a horrendous situation, Mrs. Mallard was able to cheer herself up due to how easily excitable she
We also learn in the first paragraph that she lives in a man's world, for, though it is her sister that tells her the news, it is her husband's friend who rushes over with the story. Even after his death, she is confined to the structures she adopted with her married life, including the close friends of her husband. It can also be assumed that Brently Mallard was fairly well off, because they live in a home with an upstairs, comfortable furnishings, and he has occasion and reason to travel. Also, they can afford a doctor's diagnosis that she has a "heart condition. " The most important idea that is conveyed in the story is summed up in two sentences, near the end of the story, "There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature.
... Mallard opens the door very much alive. After it is all said and done, it seems like her body gives her what her mind wants the most: freedom.
The story begins on a very sad note especially in the eyes of a reader. Mrs. Mallard is said to have a “heart
Mallard does not really interact with the other surrounding characters. She, instead, secludes herself in her room where she finally becomes conscious of her independence by embracing her newfound freedom, “the strongest impulse of her being” (Chopin,128). But before becoming aware of her identity, we are introduced to Louise’s inner life, which depicts a gloomy portrait of marriage. Now, the open window in her room is a very important element, for it represents Mrs. Mallard’s hope, an aperture to the “long procession of years to come that would belong to her absolutely” (raza and saghaei, 303). “Spring days, and summer days and all sorts of days that would be her own” (raza and saghaei, 303).
Most women in Mrs Mallard’s situation were expected to be upset at the news of her husbands death, and they would worry more about her heart trouble, since the news could worsen her condition. However, her reaction is very different. At first she gets emotional and cries in front of her sister and her husbands friend, Richard. A little after, Mrs. Mallard finally sees an opportunity of freedom from her husbands death. She is crying in her bedroom, but then she starts to think of the freedom that she now has in her hands. “When she abandoned herse...
In Kate Chopin's "The Story of an Hour," Josephine and Mrs. Mallard are foil characters. The behaviors and values of one contrast with the other. Josephine is presented as a content woman in the nineteenth century. Mrs. Mallard is struggling for freedom. The differences in these women are seen in their reactions to Mr. Mallard's death and return. Chopin uses this story to point out the importance of being an individual and developing oneself.
Mallard’s emotions over the presumed death of her husband. The author used both dramatic and situational irony to mislead the reader and surprise them with a plot twist ending. By utilizing both external and internal conflict the author expresses the internal debate of Mrs. Mallard’s true feelings and those of the people around her. The author used symbolism to display Mrs. Mallard’s desire for freedom from her marriage. In the end it was not joy that killed Mrs. Mallard but the realization that she lost her
Mrs. Mallard is described as being young and having "a fair, calm face" symbolizing the beauty and innocence of a child. Brently Mallard had repressed her, and now through this seemingly tragic event she is freed of his rule over her and she is able to go on with her life.
She realizes that this is the benefit of her husband’s death. She has no one to live for in the coming years but herself. Moments after this revelation, her thought to be deceased husband walks through the front door. He had not died after all. The shock of his appearance kills Mrs. Mallard.
She has defied her husband, instead of being better, she is now worse. In “Story of an Hour” Mrs. Mallard now truly believes her husband is gone, “There was a feverish triumph in her eyes, and she carried herself unwittingly like a goddess of Victory” (“Story of an Hour”). She is happy at last. Through these characters, actions we can see their feminist side. They all had tragic endings; two died and one went insane all because of their oppression.