Monet Water Lilies

1637 Words4 Pages
bulb-icon

Recommended: Analysis of claude monet

The first piece of artwork that I came encountered with at the Metropolitan Museum of Art was Water Lilies by Claude Monet. This painting was finished in the year 1919 on a medium of oil on canvas. Monet painted this artwork at his home in Paris, France. This piece of artwork is fairly large; its dimensions are 39 3/4 x 78 3/4 inches. There are many colors used in this painting, bringing it to attention of many viewers. The greens, purples and pinks are not seen in many other painting surrounding this artwork. Monet got the idea of painting these water lilies after building an arch bridge in the front of his house in Paris that over looked the pond. The house and water gardens became his dominant place for where he completed most of his artwork. …show more content…

He headed more towards a pastel range with a play of warm and cool colors. At times he would paint in scales of greys but mostly warm and cool colors during this time. He also headed towards a set of harsh red and greens as seen in his garden pictures. By the mid-1870’s he had eliminated black from his works of art and reduced the role of earth tones. At the beginning of the 1880’s there was a notable change in Monet’s choice of subjects, palette and approach to space. He lead towards more refined color strokes and became more interested in warm and cool hues, which varied from pink to orange to blues and greens. Early in his career Monet did most of his work on canvases with a usual grey or light tan background. His method of building up on his paintings was consistent throughout his career. His first strokes consisted of broad and contour defining strokes and then applied more full strokes for the main parts of the artwork. As he painted he would start at the base and move up towards greater definition of line and texture to his palette. His colors would become more complex and the final product usually relayed his hard work and dedication. During the 1890’s he would start bringing multiple canvases to different sights. The light and weather would determine which artwork he was doing that day. As the light and weather changed, so would the canvas he worked on. This is why it would take him months to finish a particular piece of

Show More
Related

  • Claude Monet Research Paper

    1371 Words  | 3 Pages

    Claude Monet played an essential role in a development of Impressionism. He created many paintings by capturing powerful art from the world around him. He was born on November 14, 1840, in Paris, France. Later, his family moved to Le Havre, Normandy, France because of his father’s business. Claude Monet did drawings of the nature of Normandy and time spent along the beaches and noticing the nature. As a child, his father had always wanted him to go into the family grocery business, but he was interested in becoming an artist. He was known by people for his charcoal caricatures, this way he made money by selling them by the age of 15. Moreover, Claude went to take drawing lessons with a local artist, but his career in painting had not begun yet. He met artist Eugène Boudin, who became his teacher and taught him to use oil paints. Claude Monet

    Read More

  • Analysis Of The Promenade Under The Railroad Bridge By Claude Monet

    1281 Words  | 3 Pages

    The first piece of art that really stuck out to me was The Promenade under the Railroad Bridge by Claude Monet. When I first saw it, I felt like the setting was something out of some type of movie. It actually reminded me of a scene from Pride and Prejudice, when Mr. Darcy was walking toward Ms. Elizabeth. The work is an oil painting and was done in 1874. I feel like this made the painting a blurred look and like the day depicted could have been windy from the way the trees and bushes seem to be leaning over to one set side. It caught my attention because it looked like some type of peaceful, relaxing escapade and that the characters in it were having a pleasant encounter.

    Read More

  • Aaron Douglas, The New Negro Movements

    1068 Words  | 3 Pages

    He got a lot of his inspiration from his mother. She loved painting with water colors and making

    Read More

  • Analysis Of Claude-Oscar Monet's Mouth Of The Seine At Hofleur

    1403 Words  | 3 Pages

    I visited Norton Simon Museum in Pasadena, California for the first time hoping to learn more about the European artworks this place has to offer. Norton Simon Museum holds the remarkable amounts of artwork by world-renowned artists: Vincent Van Gogh, Rembrandt van Rijin, Caravaggio, Raphael, and Pablo Picasso just to name a few. I observed many European paintings in the 18th to 19th century; I chose to discuss the artwork by the incredible Claude-Oscar Monet. Claude-Oscar Monet’s Mouth of the Seine at Honfleur, 1865 is an oil painting of a seascape on a canvas. The Parisian artist is considered one of the most influential artists in the late nineteenth to early twentieth century.

    Read More

  • Chuck Close Father

    644 Words  | 2 Pages

    At his later years of life he got a wife and had two little girls. He was still the same artist, he was before. His past helped him out a lot. It made him work a lot harder to achieve his goals cause as a young child he didn't put much effort into anything unlike now. During his life he accomplished many different things, for example, he got one of his paintings in a museum. He

    Read More

  • Pablo Picasso: A Self-Taught Luminary in 20th Century Art

    716 Words  | 2 Pages

    From 1904-1906 Picasso used “rosey” colors to convey his work. During this period, he meets his one-day model, Fernande Olivier. She would eventually become his mistress and thus encouraging the start of The Rose Period. He focused his work on harlequins, circus’s, and street performers. More often then not he showed them, not doing acts but on the side alone. (Fox). The majority of colors used were of pinks and oranges. This is the start of his use of primitivism in work. Primitivism is an expression of unsophistication,

    Read More

  • Art Analysis Of Claude Monet: The Art Of Art

    849 Words  | 2 Pages

    We can see a clear representation of the impressionist that tended to completely avoid historical or allegorical subjects. In this painting, Monet’s painted very rapidly and used bold brushwork in order to capture the light and the color; include relatively small, thin, yet visible brush strokes. An insistence on what Monet called “a spontaneous work rather than a calculated one” – this in particular accounts for the sketchy and seemingly unfinished quality of the Impressionist paintings. In the texture, he played with the shadow and light and created variation in tone, he employs patches of depth and surface. The light in the painting come from back to the windmill, it is a light shines softly behind the houses and the windmill. He was shown each brushstroke in the painting. Balance is achieved through an asymmetrical placement of the houses and the most important the

    Read More

  • Meaning Of Coposition IV By Wassily Kandinsky

    794 Words  | 2 Pages

    time. Through everything, he realized the power that art could express. He had many viewpoints

    Read More

  • Story Of Joseph Vs. The Market Place

    1391 Words  | 3 Pages

    The location of the artwork was located on the 2nd floor of the museum. It was kind of difficult to find as it is not listed on the map. The painting is framed and placed near the corner of the entrance to another room. The artwork measured about 3 feet by 6 feet. It is placed near paintings of portraits. This was one of the reasons why I choose this painting. As soon as I walked into the room, it caught my eyes right away as not only was it different from the other artwork in the room but it also consisted of many colors in the paintings. It was also one of the biggest artwork in the room. The room itself was fairly large. There was enough lighting to get a good look at the art work but much dimmer compare to the other rooms. The lighting fits perfectly with the period. Every artwork in the room was spread out evenly with enough spacing between them. There were about 2 artworks near the center of the room but most of the artworks were hung up against the wall.

    Read More

  • Joann Vermeer's A Woman Holding A Balance

    728 Words  | 2 Pages

    This gave the painting a sense of light and color. His work showed his knowledge of both French and English art theory. He adopted the work of modern rural landscapes. The colors consist of mainly dark plain colors such as various shades of browns, blacks, and greys. On one side you see the fast pace while on the other is the clam snowy park.

    Read More

  • Monet Vs. Degas: Impressionist Aesthetics

    1022 Words  | 3 Pages

    Monet chose to depict exquisite landscapes from his own gardens and elsewhere, particularly in France. He uses small, elegant brush strokes and vibrant colour to match the scenes he paints. In the mid-1870’s, Monet’s influence over Degas lead Degas to lean his colour choices nearer to those of other Impressionists. In addition to this, Degas began employing pastels, which gave his works a more granular affect that more closely resembled those of other Impressionists. For numerous years in his life, after attempting to paint his the first of his famous “Haystacks” ,and, being unable to seize the right shading or colours due to the rising sun, Monet was intrigued by the affect of weather and light on his outdoor projects. On the other hand, Degas, although also concentrated mainly in France, based his works on people, nudes and ballerinas in particular. Monet never painted a nude.

    Read More

  • Claude Monet

    1284 Words  | 3 Pages

    Claude Monet made the art community address a revolutionary type of art called impressionism. In a style not previously before painted, impressionism captured a scene by using bright colors with lots of light and different shades to create the illusion of a glance. The traditional method of working in a studio was discarded and the impressionist artists carried any needed supplies with them into the countryside and painted the complete work outside. The manufacture of portable tin tubes of oil paints as well as the discovery of ways to produce a wider range of chemical pigments allowed artists to paint in a way unimaginable before this period in time (Stuckey 12). Monet and others, such as Pierre Auguste Renior, Paul Cezanne, Edgar Degas, Berthe Morisot, Edouard Manet, Camille Pissarro, and Alfred Sisley, took this style of art to a new level never seen before.

    Read More

  • Exploring Human-Nature Relationships through Posthumanism

    1861 Words  | 4 Pages

    He used rich naturalistic color to create gently, winding forms and silhouettes creating a picturesque scene on the left, and local color creates a hazy unifying blanket of light in the scene on the right and delivers a beautiful, peaceful mood. His harmoniously balanced compositions evoke the tranquil, undisturbed celebration of sublime nature. Van Gogh used color to express feelings and spirituality, and this coloristic composition creates a joyful, yet peaceful mood. The omnipresent strokes of yellow flowing from the sun provides the feeling of continuous energy and warmth. Van Gogh’s vibrant colors in the painting range from cool blues and greens to singed reds and bright yellows, a hue that he used to great effect. There is an inherent variety of colors in the dense green foliage. In the shade, the bark and leaves appear to have bluish-grey

    Read More

  • A Comparison of Impressionism and Post-Impressionism

    2196 Words  | 5 Pages

    Claude Monet is often considered one of greatest most dedicated of the Impressionist painters. His aim was to catch the light and atmosphere, something that was scarcely done before. He enjoyed painting outdoors and developed a free and spontaneous painting technique. His brushwork is remarkably flexible and varied. He often changed his technique, sometimes broad and sweeping other times dappled and sparkling.

    Read More

  • Starry Night Over The Rhone Analysis

    1255 Words  | 3 Pages

    Vincent Willem van Gogh was a Dutch Post-Impressionist painter, who traveled between Hague, London, and Paris, where he created some of his best works of art. Van Gogh began to paint in 1885 and continued to paint up until his death. Out of his nine hundred painting, one of van Gogh’s famous paintings was the Starry Night Over the Rhone. This famously recognized piece of art was constructed using an oil base paint on a 28.5 inch by 36.2 inch canvas. Oscar-Claude Monet was also a painter and painted during the French Impressionist movement of the 1870s and 1880s. Monet lived in Giverny, where he painted various different landscape projects that later became subjects of some of his best-known works. Considered to be one of Monet’s “most poetic

    Read More

More about Monet Water Lilies

Open Document