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Impressionism and post impressionism compared
Impressionism and post impressionism compared
Vincent van Gogh and his
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A Comparison of Impressionism and Post-Impressionism
In this essay, I will contrast and compare the two art movements, Impressionism, and Post-Impressionism. I will be concentrating on the works of the two leading artists of these styles Claude Monet and Vincent van Gogh.
The impressionist movement is often considered to mark the beginning of the modern period of art. It was developed in France during the late 19th century. The impressionist movement arose out of dissatisfaction with the classical, dull subjects and clean cut precise techniques of painting. They preferred to paint outdoors concentrating more on landscapes and street scenes, and began to paint ordinary everyday people and liked to show the effects in natural light.
Claude Monet is often considered one of greatest most dedicated of the Impressionist painters. His aim was to catch the light and atmosphere, something that was scarcely done before. He enjoyed painting outdoors and developed a free and spontaneous painting technique. His brushwork is remarkably flexible and varied. He often changed his technique, sometimes broad and sweeping other times dappled and sparkling.
Le Grenouillere is a typical example of how much the style of painting had changed. The piece has been painted outdoors using light and bright colours, and is of a fairly ordinary everyday scene. It is a work in which we see his art losing the last of its stiffness and clean cut edge.
The composition concentrates mainly on the foreground .It has three main points of interest, the small rowing boats, the artificial island and the floating barge .It also has a stretch of trees and foliage in the background painted in a much lighter fashion. Monet?s painting has a very different composition from Renoir?s painting of Grenouillere, which was done at the same time; Renoir?s painting is focussed much more on the artificial island and the people on it. Monet uses a combination of thick bold brushstrokes and small short soft brushstrokes; this creates a nice varied look and helps give a good impression of perspective. The tone is also very varied as it is Very light in some areas, but it is also quite dark in others, such as the shades on the barge. The use of dark shades in the foreground makes the boat look so realistic and quite 3D. Although the middle ground is flatter this helps add to the perspective. The water ho...
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...m each other. I like the way in which the Impressionist painters managed to break away from the traditional ways of painting. Their careful ways painting which show the effects of light (especially on water) so well are really to be admired. Their use of light bright colours made the way for future painters to become free and express their artwork how they choose. They used short sharp brushwork similar to the Post-Impressionist painters and I feel that Post-Impressionism seems to be almost like a more extreme version of Impressionism. However of the two styles I think that I prefer the Post-Impressionist style as I feel it is freer, bright and shows more emotion. I especially like the long broken and sometimes swirly brushwork which gives everyday scenes a more interesting and exciting feel .The use of bright and vibrant colours brings the paintings to life and creates a range of moods .The artist which I like the most is Van Gogh as I feel his artwork is really quite outstanding .He creates whole new and exciting visions of his interpretations on the things he sees. Not only did he create vivid and intense paintings but also he could express his moods and feelings through them.
During Vincent Van Gogh’s childhood years, and even before he was born, impressionism was the most common form of art. Impressionism was a very limiting type of art, with certain colors and scenes one must paint with. A few artists had grown tired of impressionism, however, and wanted to create their own genre of art. These artists, including Paul Gaugin, Vincent Van Gogh, Henri de Toulouse-Lautrec, and Paul Cezanne, hoped to better express themselves by painting ...
Starting with visual elements I saw lines, implied depth, and texture. I see lines by him using lines created by an edge. Each line is curved not straight but it works with the piece. By using this he creates the piece to make it whole. He uses many curved lines within the painting I don’t know if there is a straight line in the whole thing. The next element I saw was implied depth. Using linear perspective you can see the mountains but they look smaller than the rest of the piece. They are the vanishing point in the back making it look as if you can walk down and they will get closer and closer to you. The last element that I saw was texture. They talk about Van Gogh’s painting, The Starry Night having texture through a two- dimensional surface, in which this painting has that similar feel. Van Gogh uses thick brush stokes on his paintings to show his feelings. There is actually a name for this called, Impasto,
Georges Seurat used the pointillism approach and the use of color to make his painting, A Sunday Afternoon on the Island of La Grande Jatte, be as lifelike as possible. Seurat worked two years on this painting, preparing it woth at least twenty drawings and forty color sketched. In these preliminary drawings he analyzed, in detail every color relationship and every aspect of pictorial space. La Grande Jatte was like an experiment that involved perspective depth, the broad landscape planes of color and light, and the way shadows were used. Everything tends to come back to the surface of the picture, to emphasize and reiterate the two dimensional plane of which it was painted on. Also important worth mentioning is the way Seurat used and created the figures in the painting.
The story “The Tell-Tale Heart” by Edgar Allan Poe is a short horror story about the narrator going insane and ends up killing a old man. It first starts off by the narrator going into the old man’s house spying on him. At night, exactly at midnight the narrator goes into the old man's house and watches him sleep. The narrator has a deep hate for one of the old man’s eye, he states it by saying, “One of his eyes resembled that of a vulture-a pale eye, with a film over it. Whenever it fell upon me, my blood ran cold; and so by degrees- very gradually-I made up my mind to take the life of the old man and thus rid myself of the eye forever” (Poe, 355). One night while spying on the old man his thumb slipped on a tin, which frightened the old man. The narrator then stayed quiet for a long time, but then instantly killed the old man. He hid the body all around the house. A neighbor heard a scream during the night so they called the police, which arrived at the house. The narrator acted calmly and let the police in to search the house. Then the police wouldn’t leave the
Beyond what they painted, Impressionists conveyed the modern city through their style of painting. They used techniques that emphasized that the scene was a moment in time. Many of their paintings were sketch-like, using thin but visible brushstrokes. They depicted light and shadows accurately, which often set the painting at a certain time of day. Also, they conveyed a sense of movement in their paintings, especially in human figures. These factors allow viewers to believe that the subjects of a painting w...
Monet's pictorial style is the quintessence of Impressionism -- an investigation of the transformational properties of light. Emile Zola, the 19th-century French novelist and critic, wrote that Impressionism is a perception of the world "through a temperament." A scrupulous observer of light and color, Monet could define what he was feeling with loose brushwork and
Multiple important artist came out of the impressionism era, for example Claude Monet, Vincent van Gogh, Pablo Picasso, Berthe Morisot, ect. Each of these artist are well known and have made a huge impact on the world. They created artwork that was out of their time and really created an “impression”(pun intended). Out of all of the important artist of this time, two really stood out, they were Claude Monet and Berthe Morisot. Monet is one of the most remembered artist of this time, one of his most famous works is Water Lilies. It is a huge, beautiful painting, created with lots of cool tones. Morisot was also well remembered, one of her paintings is In the Garden at Maurecourt. It is quite a bit smaller than Monet’s painting but is equally as beautiful. The two paints have similarities and differences throughout them. Water Lilies and In the Garden at Maurecourt are similar by
We can see a clear representation of the impressionist that tended to completely avoid historical or allegorical subjects. In this painting, Monet’s painted very rapidly and used bold brushwork in order to capture the light and the color; include relatively small, thin, yet visible brush strokes. An insistence on what Monet called “a spontaneous work rather than a calculated one” – this in particular accounts for the sketchy and seemingly unfinished quality of the Impressionist paintings. In the texture, he played with the shadow and light and created variation in tone, he employs patches of depth and surface. The light in the painting come from back to the windmill, it is a light shines softly behind the houses and the windmill. He was shown each brushstroke in the painting. Balance is achieved through an asymmetrical placement of the houses and the most important the
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
Impressionism grew out of and followed immediately after the Barbizon school. A distinctive feature of the work of the Impressionists was the application of paint in touches of mostly pure colour rather than blended; their pictures appeared more luminous and colourful even than the work of Delacroix, from whom they had learned the technique. To the modern eye, the accepted paintings of the salon artists of the day seem pale and dull.
Through the first person narrator, Edgar Allan Poe's "The Tell-Tale Heart" illustrates how man's imagination is capable of being so vivid that it profoundly affects people's lives. The manifestation of the narrator's imagination unconsciously plants seeds in his mind, and those seeds grow into an unmanageable situation for which there is no room for reason and which culminates in murder. The narrator takes care of an old man with whom the relationship is unclear, although the narrator's comment of "For his gold I had no desire" (Poe 34) lends itself to the fact that the old man may be a family member whose death would monetarily benefit the narrator. Moreover, the narrator also intimates a caring relationship when he says, "I loved the old man. He had never wronged me. He had never given me insult" (34). The narrator's obsession with the old man's eye culminates in his own undoing as he is engulfed with internal conflict and his own transformation from confidence to guilt.
Though the narrator just murdered the innocent old man, he believes he is justifiably sane and calm. This ironically, is not the case in retrospect. After burying the evidence of the murder the police arrive and question the narrator of the screams the neighbor reported. Still during this time, the narrator thought he was completely justified and sane. He kept reassuring himself they knew nothing while chatting and answering their questions. Just as he thought he was in the clear for the murder of the old man, the narrator begins to hear a thumping and beating noise. He is alarmed by the noise, worried the police who are questioning him are hearing the same noise he is. The noise he is hearing is of a heart. Not his own heart, nor the heart of the old man he just murdered, but is the cadence and realization of his own guilt. Throughout this story, it is obvious that he is either criminally insane and this story is real and has happened, or it is all in his imagination. The setting of this story is not known, so he could either be in prison telling this story, or in an insane asylum. Regarding the beating heart he is hearing, it symbolizes and shows satire in the murder that he has committed. After hearing the noise loudly and clearly, the narrator confesses to the police who he thinks also can hear the noise. The irony of his
Comparing the two paintings we can see how different Pierre-Auguste Renoir was from a typical Impressionist artist such as Claude Monet. Even though both artists supported Impressionism, Claude Monet focused more on the nature part and on the effect of light and shadow rather than the...
One of the most prominent Post-Impressionist artists was Vincent Van Gogh. His work is best known for its rough ascetic and bold colors. Van Gogh favored fauvism, which was a movement that implemented vivid expressionistic and non-naturalistic color. Van Gogh’s color was typically saturated and arbitrary. Most of Van Gogh’s paintings show gestural brushwork and examples include: Starry Night and Wheatfield with Cypresses. Also, he often experimented with different perspectives.
In conclusion, the art of the 19th century was composed of a sequence of competing artistic movements that sought to establish its superiority, ideologies and style within the artistic community of Europe. These movements, being Romanticism, Realism, Impressionism and Post-Impressionism, ultimately spread far beyond the confines of Europe and made modern art an international entity which can still be felt in today’s artistic world.