Modern Day Film Adaptation Of The Cinderella Film Review

Will modern-day film adaptions overcome the staple fairy-tale plot that makes romantic comedies so endlessly appealing? Yasmin Perry Reports.
Despite the increased demand for more relatable adaptations of predicable plots and whirlwind romances, directors and screen writers refuse to appease modern day audiences. Preferring to construct a storyline that plays heavily into the cliché rescue of a female protagonist from her helpless existence by a wealthy, handsome hero. It is the use of this foreseeable outcome that producers know will make for an effective movie, as it succeeds in portraying a picturesque ending that feeds our idealistic dreams of romance. Regardless of modern aspiration, audiences will always care for this timeless formula

That is evident from the opening scene when single mother and maid Marisa Ventura meets her prince charming Christopher Marshall, the handsome heir to a political dynasty. The political prince played by Ralph Fiennes, falls in love with Marisa (Jennifer Lopez), who by a twist of fate and mistaken identity he believes is a guest at the first-class Manhattan hotel. The classic fish out of water concept is played with when Marisa's true identity is revealed and the two find that they are worlds apart, forced to overcome the social restrictions and status gap between them. This blend of modern and tradition events are enhanced by Wayne Wang’s choice of stirring music, engaging sets and costuming, and of course a highly respected cast. This concludes with the expected fairy-tale ending, a dramatic declaration of love that fulfils our expectations as we desperately cling to the ideal that just like our hero and heroine we too can a stroll into the sunset and live happily ever

Music plays a momentous role in this film with Alan Silvestria’s discerning selection of classical blues that highlight the timeless romantic nature of this story. Upbeat modern pop songs by Kelly Rowland allow for a more contemporary feel and the combination of both genres are successful in complementing the unfolding drama occurring in the happily ever after ending. Karl Walter Lindenlaub’s careful cinematography employs the use of occasional long shots that capture the characters’ boisterous surroundings and rough background. This allows the audience to predict what sort of life Marissa might lead, while also giving the traditional tale the appeal of a contemporary setting. Lindenlaub also incorporates fast paced moving shots that are designed to symbolise Marissa’s desperate attempts to catch up with the wealthy. Eye-level medium shots are utilised during scenes with dialogue and an appropriate close-up, is used to capture the raw emotion between the couple as they share a passionate embrace. Clever costuming and soft light is also put in place to enhance the audiences’ enjoyment of the romantic