Mickey's Loosies

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As mentioned earlier, the expectations for mixtapes have shifted within the past decade, which may work against Y-3 .The project has a traditional mixtape sound, which inherently isn't a bad thing, but may disappoint some. There isn't a clear, cohesive theme or sound that can be found beneath the tracks a whole. Mickey's latest is a collection of loosies which is intent on showing off his skills with little to tie them together. Topics range from social issues to relationships to video game punchlines. Production varies from chaotic (such as on "Syzygy") to slowed down like on "Heaven's Whisper" and everywhere in-between. The variety and diversity can be viewed within a strength once contemporary biases are put aside. The strong lyricism on "Hayworth" with Elzhi and Cyhi along with the relationship woes of "Never Bout Us" gives listeners the best of both worlds. …show more content…

The first several tracks don't sound much like the latter half of the project. "Pendulum" stands out on its own and Emilio's verse doesn't fit into the lyrical chemistry that was established with Chilla Jones. The production choices are questionable, and not to pick on this song, but "Pendulum" is a disappointing beat from Just Blaze that is among the odd instrumentals to start off Y-3. What about the bars, though? The punchline format that battle rappers use on popular formats can be heard throughout the project, which is no surprise given his battling history. Mickey is a lyricist by trade, and the slow-it-down wordplay is only one of the tools at Mickey's disposal. As mentioned earlier, he is able to make conceptual tracks such as "Room 306" which addresses MLK's assassination in intelligent detail. "Never Bout Us" isn't as heavy-handed in lyricism, but is an example of his ability to seamlessly blend vulnerable lyrics with a smooth R & B

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