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More handpicked essays just for you.
Gender identity masculinity and femininity
Kimmel masculinity as homophobia
The concept of Gender identity
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When you’re small, you often either get a pass to do wrong things or you don’t. Typically, that depends on whether or not you are a boy. For as long as its been humanly possible to hear things, mother’s across the world have held that their precious sons could not and should not be accountable of their actions because, “boys will be boys”. It was a way for men to grow up acknowledging that that just simply could not control themselves. Which ultimately allowed the rest of society to accept that same behavior from them. Media always encourages this type of male cluelessness by always giving the male lead the opportunity to do as he pleases so that his role as male can never feel threatened. In Michael Kimmel’s essay “Masculinity as Homophobia”,
Boys are told to not cry when they get hurt and are given the greenlight to pull a girl’s braids or push another person around. Manhood is seen as an eternal and essence that resides deep in the heart of every man (58). As men, they are not expected to comply to sissy stuff. Manhood means the constant rejection of anything associated with femininity (62). This idea is seen throughout the movie as King Leonidas prepares for battle along with his men. The King is constantly puffing out his chest and showing his strength and that not even a God-king could dare threaten him and his kingdom. Along with being a man that is ruling a kingdom that is facing defeat, Leonidas is expected to remain calm, cool, and collect throughout the whole movie. And as he tries to reassure his kingdom of what he is doing, he seeks comfort in having relations with his queen. It Kimmel argues that manhood is a constant fight of proving you have reached the highest level of man there is (63). Since women don’t find the need to prove their womanhood, men always take a very macho approach so that he can be accept by her fellow males even during times of need
Throughout the movie, it is clearly seen that masculinity and violence have a direct correlation. For a man to die in a battle is the most noble way to die. The queen even explicitly tells King Leonidas to “come back with your shield or on it”. But if violence is something that is not expected in the real world, why do movies feel the need to demonstrate it to the degree for which they do? Kimmel explains that men are under constant scrutiny of other men (63). They are ranked, watched, and compared to all the others. And violence is often the single most evident marker of manhood (65). As young men, they are constantly being monitored by their fellow peers waiting to see what they’ll do so that they can be exposed as sissies. So a man’s desire to fight is perceived as being the farthest thing to being seen as feminine (65). The domination of women also comes into play here. The abuse of women often times enriches the masculinity of men and sadly enough, movies represent women as knowing this for a fact. The queen is seen being raped during the movie so that the king would have a better chance standing against the council. Although she has the highest position a woman could have in the kingdom, she still feels that she must be violated so that one man could feel a stronger sense of manhood and so her husband’s story could advance.
According to Schrock and Schwalbe understanding a man is being able to clearly identify that they have traits of hegemonic masculinity. Masculinity is defined by Schrock and Schwalbe as “a set of conventional signifying practices through which the identity ‘man’ is established and upheld in interaction.” (131) However, Bird defines a man, through the three different acts of hegemonic masculinity, which includes emotional detachment, competiveness, and sexual objectification of women. Women in many different films are known for being subjugated by men. Some women are able to overcome being subjugated and are able to have control and dominance when it comes gaining power. Women are able to achieve this through both manhood acts and their own actions. In
As young men grow up, they would generally learn and integrate within a box of codes which shows them how to be a man, known as the Guy Code. The Guy Code is a set of rules prevalently applied among men groups about how a man behaves with other men and his girlfriend. It mainly teaches guys to be dominant, aggressive and fearless. In Michael Kimmel’s “ Bros Before Hos: The Guy Code”, he indicates that men disguise their emotions and inner beings to be like a man, particularly among their peers. It imposes a consciousness that timidity is not a characteristic that men should have.
This shows that the idea of being the most masculine is embedded deep inside and is almost like a disease whose symptoms can become domestic violence.
Men are seen as superior, while women are the inferior sex. The two are sorted into their specific gender roles as they were many years ago, and still are today. Jobs and duties are especially gendered in the show. For example, men are seen as warriors and are very strong. Women, on the other hand, are only meant to cook the food and clean the house, or in the case of highborn women, provide heirs for their husband. Noble women’s opinions are not completely trusted the way the men’s’ opinions are: “My mother wishes me to let Lord Eddard join the Night 's Watch. Stripped of all titles and powers, he would serve the realm in permanent exile. And my Lady Sansa has begged mercy for her father. But they have the soft hearts of women. So long as I am your king, treason shall never go unpunished. Sir Ilyn, bring me his head” (“Game of Thrones”). In this particular scene, Lord Eddard is to be shown mercy so long as he swear featly to King Joffrey. His mother, Queen Regent Cersei had previously advised him to not execute the prisoner, as it would start a war that he would not be able to win. Nevertheless, the King believes that the opinions of the women are not valid and executes Eddard, starting a war. In this society, gender roles are very divided, but not as much as they used to be: “We typically accept ‘masculine men’ and ‘feminine women’ as normal. That is, we expect
The documentary is mainly about the perception of what the definition of masculinity really is. Our society has developed schemas as to how men should express their emotions, which is practically not at all. Since we as a society have set these schemas for men, they have to constantly try to prove their masculinity over other men. Likewise, boys in this society also have to hide their softer feelings and
Homophobia has been a problem for a very long time, all across the world. For example, during the Holocaust, in which homosexuals were forced to wear the “Pink Triangle”, a pink, upside down triangle, on his or her coat for identification. Of course, the pattern of homophobia is not only shown throughout world history, but American history as well. For example, sodomy laws, laws that rule certain sexual acts as crimes, were established as early as 1963. The penalty for these laws varied from state to state. Some of the punishments include: two to ten year imprisonments or two thousand dollar fines. The cruelty of these homophobic actions should not be accepted any longer. It encourages bullying, denies human beings their civil rights, and continues to foster a mentality of indifference and intolerance towards our fellow man.
Men are allegedly competitive, aggressive, dominant, and strong and if these attributes are not acquired a man is not a man. When other men recognize a man failing in those four areas of “manliness” they compare him to a female with negative connotation as expressed in the following quote, “The worst insult one man can hurl at another-whether its boys on the playground or CEOs in the boardroom-is the accusation that a man is like a woman.” These actions create perceptions that women are unworthy and pitiful. Jensen mentions that because of masculinity men are thought to seek control over women resulting in an increase of physical violence towards women. However, masculinity has harsh effects on men as well. Men are constantly trying to prove their dominance to each other, while competing against one another for ultimate dominance. This creates a never ending cycle of competition and unease for
What really grinds my gears is seeing homophobia in the modern world. Yes, I acknowledge that it is seen as a sin—especially in the early times when people believe in witchcraft. Seriously, it’s 2016 and we’re having a little fit over who uses what bathroom? We’re having worse things going on! We have ISIS, we have a potential war coming up, we have school shootings and gang violence, and worse of all we have the possibility of Trump being our president and people are losing their marbles over who uses what bathroom? It’s just a bathroom! If it makes you so uncomfortable to go into a bathroom that is gender neutral, then don’t use it! Simple! Being a gay boy in school made me uncomfortable going to the boy’s bathroom/locker room. I grew up in a small town—Oroville, WA—where homosexuality wasn’t really seen, and some people felt uncomfortable by it. I hated going to the boy’s bathroom/locker room because I constantly felt I didn’t belong with them, but I didn’t belong with the girls either…I didn’t know where I belonged. I felt if I went into the boy’s bathroom/locker room, then they would judge me or feel uncomfortable with me in there—I used to think that boy’s hated me in there because they felt that I was looking at them or checking them out
A significant part of the examination and approach in feminist studies of men has been critical of men 's forcefulness and brutality, however there is a space where men are indicating sustaining abilities and eagerness to take part in the domestic obligations with the women in their lives (Lorber, 2012, p.271) For instance, in the film Mrs. Doubtfire, Robin William 's character Daniel is unable to see his kids. In order to connect with them he is compelled to dress as a lady, and becomes employed in an occupation where a male figure would not be utilized. The involvement in the child’s life aids to reclaim fatherhood and help alter the view people have on men in general. Moreover, men themselves have already begun the push to alter masculinity. For example, a video shown in lecture demonstrates, men in Japan, transforming masculinity through herbivorous ways. Instead of conforming to the stereotypical male – aggressive, tough, strong – they change the way in which they act focusing on the ways in which they look in terms of their fashion etc. thus undermining hegemonic masculine ideals. It highlights many Asian women’s dissatisfaction with conventional male roles/behaviours while likewise signalling a growing desire in Asian men for a less aggressive and corporate lifestyle (Talahite – Moodley,
As a society there are a lot of qualities that men have been socialized to uphold when it comes to how they act or react, what they support, and what they suppress. This movie produces a harsh critique of male socialization early on and continues
When look at the video “Tough Guise” I see Katz central argument being that the definition of manhood being communicated to our young boys and men is the problem within our society. Katz brings up the issue of men being taught not to express emotion or show vulnerability. Our society has taken the compassion and feeling out of our men; men must live up to the standard of being cold and emotionless otherwise they will be assumed to be gay and ridiculed for
The beginning of Act one opens with a brawl in the street between the servants of the Capulets and the Montagues. The origin of the fight introduces the important theme of masculine honor. Sampson, one of Capulets servants, shows this masculinity by saying, “Draw, if you be men.” (I.i.64). Later on in the play in Act II, scene i. the display of honor and masculinity comes up again during the fight between Mercutio and Tybault. As Mercutio lay slain Romeo says to him, “Courage, man. The hurt cannot be much.” (III.i.96). Even as his friend is dying the two men try and act masculine because they did not want to show their fears. But on the other side of this masculinity is love. For Elizabethan society believed that a man who loved too much lost his masculinity. Romeo clearly subscribes to that belief when he states that his love for Juliet made him “effeminate.”
She seems to believe that manhood is the ability to perform acts of “direst cruelty” without remorse. Throughout the play we see that she worries her husband will not be man enough to do what she and him deem necessary to attain the throne. “Yet do I fear thy nature; / It is too full o' th' milk of human kindness . . .” She says. Constantly we see her telling her husband to “man up” - to stop feeling remorse or guilt or fear and to start behaving like she believes a man should; like a being with no guilt or remorse. However, it is this wish for her to lose all “passage to remorse” that eventuates in her death - her corruption - from the madness that comes upon her i...
In Othello, the titular character is a visible minority who holds a high position in the army but falls victim to manipulation by his seemingly trustworthy ensign and friend. While the theme of jealousy remains the main reason for the eventual death of both Emilia and Desdemona, the preservation of honour and reputation also fuel the characters’ actions toward the women. Therefore, the men in the play act cruelly and unjustly in order to defend their honour. While the conflicts between the Othello and Iago seem to be due to jealousy, the play suggests that the men are scared of the women and their power to destroy their honour and reputation.
In multiple instances throughout the film, female characters violate gender norms by acting as both warriors and leaders because they are adapting typically masculine traits. In the film, women are the majority of the labor force in Iron Town. Men are merely there to do the labor that needs the most physical power. “Americans oversimplify Japanese women as demure, submissive, and oppressed” (Kyu Hyun, 2002, 38). This quote shows that the stereotype of women in Japanese culture was just like the western perspective where they were below men.