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The role of motivation in the classroom
The role of motivation in the classroom
The role of the teacher in motivating learners
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Fear is one of the greatest motivators of all. In this particular essay from Sedaris’ book, he's having difficulty learning the French language after his move to Paris from the United States. His teacher, with a stone cold and belittling personality, only makes learning the language more frustrating. In “Me Talk Pretty One Day” David Sedaris shows the power of intimidation through the structure, quality, and the applicability of the information shared. This piece outlines a sequence of events and encounters in the class that led to the writer, David Sedaris’ motivation to learn the French language. The French teacher uses what many would consider very traditional means of motivation to teach her students the French language. The …show more content…
Anyone who has ever been a student, which would be virtually anyone who would read this book, could recall a memory from school of a teacher who attempted and often succeeded in putting the fear of God in them; a teacher who made them too afraid to fail; a teacher who gave them the incentive to learn against all odds. Sometimes fear can establish a commonality between peers that may not have formed without it. “My only comfort was the knowledge that I was not alone. Huddled in the hallways and making the most of our pathetic French, my fellow students and I engaged in the sort of conversation commonly overhead in refugee camps. “Sometimes me cry alone at night”” (Sedaris 14). Sometimes we learn to confront our fears on our own. When we were very young our parents would worn us not to touch something that was hot. They may even have given this advice as we were reaching for the stove. “Don't touch that, its hot!” This is good advice and the high pitched scream may also have helped get our attention, but the permanent memory from the burn you received by the temptation to find out for yourself, worked even better. Fear and the memory of pain or anguish, teaches us to never touch something that is hot without protection. Humans learn from and are driven by fear; fear of pain, fear of failure, and fear of embarrassment. That isn't to say using fear as a means of motivation is the best way to teach a student. An intimidating teacher may also have a lot of failing students. Some students may avoid asking pertinent questions, some may drop out of the class, others may simply fail because they loss the confidence needed to
where the author wants to become proficient in speaking French. He studies language instructions only to end up being embarrassed by the teacher. This results to him being more culturally confused. David Sedaris finds humor in situations that are humiliating.
When people are scared, they tend to follow a routine, or pattern. In "Night" this is shown when a prisoner tries to steal soup during an air raid. Elie states "Hundreds of eyes were looking at them, shining with desire. Two lambs with hundreds of wolves lying in wait for them. Two lambs without a shepherd, free for the taking. But who would dare? Fear was greater than hunger." (Wiesel 59) This shows the way that fear can cause conformity in a society because the prisoners were too scared to go out and even attempt to try and get some food. They were
Fear is a powerful emotion. Wikipedia.com describes fear as “an emotion induced by threat perceived by living entities, which causes a change in brain and organ function and ultimately change behavior, such as running away, hiding or freezing from traumatic events.”Most people tend to avoid fearful situations, not realizing that something positive may come out of the event or experience. Victor Villaseñor focuses on the topic of fear in his novel titled Burro Genius. Villaseñor demonstrates to readers how growing up he was extremely fearful of any situation. Victor also tells his readers how he turned his fear into motivation into motivation to keep going and reach his ultimate goal of becoming a published author.
David Sedaris, an American author from New York, in his piece “Me Talk Pretty One Day” uses humor and exaggeration to explore what it means to learn a foreign language. His piece transports us to a French course in France taught by a draconian woman. Sedaris uses many devices, particularly anti-climax and hyperbole to hook the reader to his storyline while also conveying his cardinal message. His carefully chosen literary devices effectively teach us about persistence and challenging our comfort zones through his traumatic and often humorous horror stories of being yelled at, and verbally abused by the “wild animal.”
Finally, within the syntax of the novel, Sedaris has interlocked various arguments together with the choice of his words. He skillfully crafts a very sarcastic and humorous piece through applying an argument that is intermingled with generalizations. Thus, it means that the syntax is direct and declarative. For instance, the author states that the teacher is exhausting him with her foolishness and is rewarding her efforts with barely anything but pain. However, the syntax that the author used in some parts of the essay can be said to be confusing because he is fond of changing the topics or employing a different approach of transition in order to make his point of view clear to the readers. This is evident because at some point of the story, he would insert the earlier events or apply metaphors to describe a given occurrence.
Voltaire. (n.d.). The Punishment of Fear. (BookRags Media Network) Retrieved November 20, 2013, from http://www.culturality.net/culture/cul_punish_fear.htm
4. Sedaris language is beyond effective, his sentences are full of considedness and snobby comments. “When asked most people say my greatest asset is my skin, which glows it really does! I have to tie a sock over my eyes in order to sleep at night. Other’s like my eyes or my perfect ,gleaming teeth my thick head of hair or my imposing stature, but if you want my opinion, I think my most outstanding feature is my ability to accept a compliment.” His conclusion to the story makes up for all the nonsense he had mentioned before.
By comparing their familial attractiveness, Sedaris makes it clear that in this life, he values not the relationship that he has with family, but qualities that family has given him. He has inherited a lot more than skull shape from his father, but he specifically chooses those words to emphasize his shallow interpretation of the meaning of family. This idea is further developed by a similar statement, in which Sedaris’ braggadocio further exemplifies this parental relationship. He continues his description of his family’s talents, by boasting “because we are so smart, my parents and I are able to see through people as if they were made of hard, clear plastic.” (1) In addition to putting value in the things his parents have given him, rather than the relationship they have, Sedaris’ diction borders on patronizing. He specifically uses the word “we” in order to subliminally
“Our fears make us defensive. We’re afraid to reveal ourselves. When people point out weaknesses, we retaliate and defend ourselves” (Warren). The problem faced here is how the person who has fear is afraid to tell the other person in the relationship their weaknesses and they don’t want to reveal themselves. By having hope and courage, you can overcome those fears and fix the problem in the relationship. The second thing that fear does to us is, “Our fears keep us distant. We don’t let people get close to us. We want to withdraw and hide our emotions. We don’t want to be open and honest” (Warren). The last thing that fear does to us is, “Our fears make us demanding. The more insecure we are, the more we try to control or dominate things. We try to have the last word in a relationship. This is always a symptom of fear and insecurity” (Warren). All these problems faced can be solved by using hope and
I agree, in my view, fear is very powerful “it paralyzes you from doing the work” , it makes everything seem “harder” or impossible to do when
Comparing apples to oranges is not always futile. This statement is clearly proven to be true when comparing David Sedaris 's essay, "Me Talk Pretty One Day," and Dave Barry 's, "Lost In the Kitchen." Both of these essays are humorous examinations of human experiences. While Barry 's, an essay about men 's innate disadvantages in the kitchen (compared to women), relies on unjustified stereotypes, obviously false assertions, lame hyperbole, and overwrought imagery to convey his purpose, Sedaris utilizes a plethora of varying rhetorical devices and strategies to convey his purpose throughout his essay about taking a french class in France under the tutelage of a tyrannical and cruel teacher. He uses devices such as; vivid diction, credibility
Fear is the emotional state that someone goes into when they feel threatened or endangered. The fact that we do not know everything makes us think that everything we do not know is feared. There are many stories that include the fear of the unknown. Each poem, story, and drama include some type of fear. In “The Yellow Wallpaper”, “Hills Like White Elephants”, and “Poof” there is an extensive amount of fear for the unknown. Charlotte Perkins Gilman, Ernest Hemingway, and Lynn Nottage all used the fear to their advantage while writing and making an entertainment for the readers.
One of the major revolving themes throughout the collection is the relationship between Sedaris and language. This relationship represents his obstacle of speech impairment in his childhood in Go Carolina and his French language class in Jesus Shave which emphasize Sedaris’s inability to conform to or use the language spoken by the people around him. It played an important role of presenting Sedaris as someone who is outcast and different
In the words of Bertrand Russell, “Fear is the main source of superstition, and one of the main sources of cruelty. To conquer fear is the beginning of wisdom” (Russell). Fear causes many problems in our lives. Fear influences many of a person’s actions and decisions. However, people usually regret the decisions or actions they made out of fear. Also, these actions and decisions can cause problems for those people in their future. Fear is a harmful emotion, for it clouds people’s judgement, disables them from taking action, and causes them to make decisions that they will regret later.
The field of composition studies has worked to define and make sense of the "basic writer" for decades. In 1977, Mina Shaughnessy called basic writing the "pedagogical west," a frontier, "unmapped, except for a few blazed trails that individual teacher propose through their texts" (4). Since Shaughnessy, the work of David Bartholomae, Min Zhan Lu, Bruce Horner, and others, has expanded upon, and called into question, the term "basic writer." In this paper, rather than do away with the term altogether, I will offer a study of a writer who would be typically labelled "basic." This study will place her work beside that of an acclaimed and historical "expert," Michel de Montaigne. Through a series of close readings, I hope to illustrate the rhetorical oves from dialogue to performance that "Studentessa" (a former and anonymous student of mine) undergoes in her writing. At the same time, I will mark moments in which Montaigne reinscribes these rhetorical moves into his own writing. Ultimately, these points of intersection will reveal the richness inherent in study of writers we call "basic," and allow greater appreciation for the performative abilities of Montaigne.