Masculinity In The Great Gatsby By Ernest Hemingway

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Hemingway’s male feminization allows for emotional masculinity to emerge as an opportunity for men to resign themselves to their new modern powerless societal role. Although Hemingway often presents Brett as more of a man than Jake in certain ways, despite Jake’s impotence he still remains more physically masculine. Robert Cohn, serving as a foil to Jake, is followed throughout the novel by emasculation and embarrassment. Cohn is often ridiculed by Jake and his feminization begins before the narrative as Jake indicates through Cohn’s previous relationships. Jake comments that Cohn’s first wife’s “departure was a very healthful shock;” suggesting that Cohn’s wife was the dominating force in this relationship (12). After his divorce, Cohn …show more content…

As the novel progresses, Brett becomes the driving force behind Cohn’s insecurities – much like with the other men. Cohn’s insecurities are exploited when Brett moves on to another man, Pedro Romero. In attempts to “win” Brett back, Cohn attempts to overcome his male counterparts through violence. Through this violent exchange between Cohn and Jake, Hemingway reveals another layer to his “man code;” that masculinity is expressed through violence. However, Cohn is overpowered and ends up crying on his bed in his hotel room. Thus, Cohn is forced to resign himself due to his inability to adequately perform as a man should according to Hemingway. Moreover, Cohn is overcome by his emotions and unlike Jake, completely departs from the narrative. Through the constant belittlement of Cohn, Jake makes himself appear even more powerless. Yet, Jake becomes more and more comfortable with his new social role as the novel proceeds such that by the end, he has accepted that he will never be adequately assured of his masculinity. Jake comes to understand that due to his impotence, he will never be the true physical man in all the ways Romero may be or the ways in which Brett …show more content…

In her article, "We Could Have Had Such a Damned Good Time Together": Individual and Society in "The Sun Also Rises" and "Mutmassungen über Jakob," Sara Lennox believes that Hemingway attempts to represent a thoughtful cultural pessimism in relation to the possibility for human happiness in the society his characters find themselves immersed in. Lennox states that Hemingway demonstrates “that for Western civilization in the twentieth century, even love is no longer a successful solution to human estrangement” (83). It is through Jake’s disengagement from his male counterparts and acceptance of their power that he comes to understand himself. Lennox, however, disagrees that Hemingway’s novel explores the maturation of Jake over the course of the novel and asserts that “by linking the impossibility of Jake's and Brett's love to a specific historical event Hemingway indicates that his novel is the exploration of a particular historical development rather than an existential statement on the nature of human being” (84). Although Hemingway explores the “Lost Generation” in a post-war world, the progression of Jake’s internal thoughts reveal his self-perception as a human being in a

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