Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Representation of war in Ernest Hemingways. A farewell to Arms
The Impacts of Wars on Ernest Hemingway in A Farewell to Arms
Representation of war in Ernest Hemingways. A farewell to Arms
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The difference between a man’s and a woman’s mind, in Ernest Hemingway’s Up in Michigan
Many of the narrative strategies Hemingway applied to his war stories in In Our Time he had already practiced or applied in earlier stories not concerned specifically with the war. One such is "Up In Michigan", which Hemingway had originally intended as the first story of In Our Time, but had to exclude because of its controversial presentation of sexual relationships. From his mother to his sisters to his four wives, Hemingway could not help being influenced by the strong, cultured women who surrounded him all his life.
We notice, right from the beginning of his life, that Ernest Hemingway was confronted to two opposite ways of thinking, the Manly way, and the Woman way. This will be an important point in his writing and in his personal life, he will show a great interest in this opposition of thinking. In this short story, Hemingway uses simple words, which turn out to become a complex analysis of the male and female minds. With this style of writing, he will show us how different the two sexes’ minds work, by confronting them to each other in a way that we can easily capture their different ways of working. The scene in which the characters are set in is simple, and by the use of the simplicity of the words and of the setting, he is able to put us in-front of this dilemma, he will put us in front of a situation, and we will see it in both sexes point of view, which will lead us to the fundamental question, why are our minds so different?
Hemingway can be seen as a women's man, he was attracted to women, and marriage did not prevent him from having affairs. Whatever his life was, one of the main themes in his writing remained his determination to understand the difference between the two genders. This difference always mattered in his texts, as we will see in this short story, written by Hemingway, “Up In Michigan”. In this story, Hemingway tries to tell the story in the way he thinks a woman would see and live it, during the story, he will alternate the two point of views, the man’s (Jim), and the woman’s (Liz), and he will end the story on Liz’s view.
*Paragraph Break*Both "Indian Camp" and "Soldier's Home" place young women in a secondary, objectified role. Hemingway takes this approach to focus attention on the psyches of his male protagonists, self-obsessed in their youth or war-weariness. It may not endear the author to feminist readers, but it does make for some powerful short fiction.
Within every story or poem, there is always an interpretation made by the reader, whether right or wrong. In doing so, one must thoughtfully analyze all aspects of the story in order to make the most accurate assessment based on the literary elements the author has used. Compared and contrasted within the two short stories, “Girl” by Jamaica Kincaid, and John Updike’s “A&P,” the literary elements character and theme are made evident. These two elements are prominent in each of the differing stories yet similarities are found through each by studying the elements. The girls’ innocence and naivety as characters act as passages to show something superior, oppression in society shown towards women that is not equally shown towards men.
How does one compare the life of women to men in late nineteenth century to mid-twentieth century America? In this time the rights of women were progressing in the United States and there were two important authors, Kate Chopin and John Steinbeck. These authors may have shown the readers a glimpse of the inner sentiments of women in that time. They both wrote a fictitious story about women’s restraints by a masculine driven society that may have some realism to what women’s inequities may have been. The trials of the protagonists in both narratives are distinctive in many ways, only similar when it totals the macho goaded culture of that time. Even so, In Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing we hold two unlike fictional characters in two very different short stories similar to Elisa Allen in the “Chrysanthemums” and Mrs. Louise Mallard in “The Story of an Hour”, that have unusual struggles that came from the same sort of antagonist.
Stewart, Matthew. Modernism and Tradition in Ernest Hemingway’s In Our Time: A Guide for Students and Readers. Rochester, NY: Camden House, 2001.
In “Mr. and Mrs. Elliot”, he says “Mrs. Elliot and the girl friend now slept together in the big mediaeval bed” (Hemingway 88). Without explicitly admitting it, Hemingway implies that Mrs. Elliot and her “friend” are lovers. Based on the vignette preceding this story, this is due to Mr. Elliot’s lack of masculinity. The vignette tells the story of a man who fails in his attempt to kill a bull in a bullfight, showing that he, too, lacks masculinity. This directly relates to “Mr. and Mrs. Elliot” because they both show men who are not manly enough to perform their respective duties. Another example of this is in “Soldier’s Home”, during which a soldier’s transition from war to home is described. He says “Before Krebs went away to the war he had never been allowed to drive the family motor car… Now, after the war, it was still the same car” (Hemingway 70) and “He had learned that in the army” (Hemingway 72). After this story comes a vignette in which two men are seen showing their prejudice towards certain races. “They 're crooks, ain 't they… They 're wops, ain 't they… I can tell wops a mile off” (Hemingway 79). These prejudices most likely derive from the war. The placement of this vignette directly following the “Soldier’s Home” emphasizes how the war can follow people home and alter the ways in which they view the world around them. Hemingway’s placement of stories and chapters
Hemingway's characters in the story represent the stereotypical male and female in the real world, to some extent. The American is the typical masculine, testosterone-crazed male who just ...
In Ernest Hemingway’s work “Up in Michigan” the question of consent arises. The character Liz Coates has romantic feelings for a Jim Gilmore, the town blacksmith. Liz thinks her existence is unknown to Jim but, in the text it says, “He liked her face because it was so jolly but he never thought about her.” Liz goes as far as watching him wash up and thinking of him at night instead of sleeping. Liz’s feelings for him go unrequited for a time until Jim’s return from a hunting trip. The men are drinking and celebrating the hunt in the front room with four-gallons of whiskey. After supper Liz waits in the kitchen for Jim, in the text it says that she wants to take the way he looked up to bed with her. When Jim emerges from the front room he goes
Through this brief anecdote, Hemingway presents the readers the social dilemma of male domination over his counterpart. The women's fight for equality changed some "old traditions" but there are still many Jigs in our society that shouldn't be treated as inferiors. Women are the most beautiful beings in life, but they are not to be possessed ,but loved and admired.
When a writer picks up their pen and paper, begins one of the most personal and cathartic experiences in their lives, and forms this creation, this seemingly incoherent sets of words and phrases that, read without any critical thinking, any form of analysis or reflexion, can be easily misconstrued as worthless or empty. When one reads an author’s work, in any shape or form, what floats off of the ink of the paper and implants itself in our minds is the author’s personality, their style. Reading any of the greats, many would be able to spot the minute details that separates each author from another; whether it be their use of dialogue, their complex descriptions, their syntax, or their tone. When reading an excerpt of Hemingway’s A Moveable Feast one could easily dissect the work, pick apart each significant moment from Hemingway’s life and analyze it in order to form their own idea of the author’s voice, of his identity. Ernest Hemingway’s writing immediately comes across as rather familiar in one sense. His vocabulary is not all that complicated, his layout is rather straightforward, and it is presented in a simplistic form. While he may meander into seemingly unnecessary detail, his work can be easily read. It is when one looks deeper into the work, examines the techniques Hemingway uses to create this comfortable aura surrounding his body of work, that one begins to lift much more complex thoughts and ideas. Hemingway’s tone is stark, unsympathetic, his details are precise and explored in depth, and he organizes his thoughts with clarity and focus. All of this is presented in A Moveable Feast with expertise every writer dreams to achieve. While Hemingway’s style may seem simplistic on the surface, what lies below is a layered...
Through the characters' dialogue, Hemingway explores the emptiness generated by pleasure-seeking actions. Throughout the beginning of the story, Hemingway describes the trivial topics that the two characters discuss. The debate about the life-changing issue of the woman's ...
Every work in literature is open to interpretation, and every person is entitled to their opinion. In a story shorter than 1,500 words, less than that of this paper, Ernest Hemingway’s A Clean, Well-Lighted Place has garnered serious debate and criticism. Written and published in 1933, Hemingway’s story containing a theme about nothing in several contexts has definitely given many critics something to talk about, but not about the usual theme, irony, or symbolism. For the past 55 years, the critics continue to debate the conflicting dialogue between the two main characters, and whether the inconsistency was intended by Hemingway or a mistake by the original typesetter.
Hemingway’s writing style is not the most complicated one in contrast to other authors of his time. He uses plain grammar and easily accessible vocabulary in his short stories; capturing more audience, especially an audience with less reading experience. “‘If you’d gone on that way we wouldn’t be here now,’ Bill said” (174). His characters speak very plain day to day language which many readers wouldn’t have a problem reading. “They spent the night of the day they were married in a Bostan Hotel” (8). Even in his third person omniscient point of view he uses a basic vocabulary which is common to the reader.
The novel, The Sun Also Rises, by Ernest Hemingway is an example of how an entire generation redefined gender roles after being affected by the war. The Lost Generation of the 1920’s underwent a great significance of change that not only affected their behaviors and appearances but also how they perceived gender identity. Lady Brett Ashley and Jake Barnes are two of the many characters in the novel that experience shattered gender roles because of the post war era. The characters in the novel live a lifestyle in which drugs and alcohol are used to shadow emotions and ideals of romanticism. Brett’s lack of emotional connection to her various lovers oppose Jake’s true love for her which reveals role reversal in gender and the redefinition of masculinity and femininity. The man is usually the one that is more emotionally detached but in this case Lady Brett Ashley has a masculine quality where as Jake has a feminine quality. Both men and female characters in the novel do not necessarily fit their gender roles in society due to the post war time period and their constant partying and drinking. By analyzing Brett, Jake, and the affects the war had on gender the reader obtains a more axiomatic understanding of how gender functions in the story by examining gender role reversal and homosexuality.
In a symbolic reading, the opening paragraph describes the crisis that exists in the marriage of the couple. In other words, the description of the bad weather, of the "empty square"[1](l.10) and of their isolation, reflects this conflict and also sets the negative mood. In fact, since the beginning, Ernest Hemingway insists on the isolation of the couple that "does not know any of the people they passed" (ll.1-2) and are "only two Americans"(l.1). Here it is interesting to notice that they are isolated from the outside world but also from each other. There is no communication and they have no contact, they are distant from each other.
In Hemingway’s novel, For Whom the Bell Tolls, the role of women is something one can not avoid noticing. Although only two women appear in the book, the distinction of their characters, and their influence on the situation are apparent from their introduction.