Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Effects of representation in the media
Sexism in our society definition
The importance of a role model
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Effects of representation in the media
Even in today’s society, sexism is still prevalent and inhibits the people who are affected by it. For the purpose of this essay, sexism will be defined as any action that consciously contributes to a gender stereotyping society. In her essay, Marilyn Frye notes this definition of sexism stating that “making decisions on the basis of sex reinforces the patterns that make it relevant” (846). Therefore, any decision that contributes to the gender binary and its framework is considered sexist. The musical Gypsy has instances in which the main character, Rose, can be considered both going against and contributing to the “patterns that make sex relevant.” In one scene, Rose can be seen subjecting her children to gender roles which feeds in to sexism, …show more content…
June, wearing a very feminine outfit, dances to the song of “Let Me Entertain You” while Louise has a more masculine appearance. This gender division continues in the dance, as June seems to be more elegant then Louise. This is a clear example of Frye’s definition of sexism, as both June and Louise are buying into the gender binary. Extrapolating from how June and Louise are contributing to the gender binary, it can be assumed that June and Louise’s guardian also does the same, which is not the case. Rose, their mother, comes onto the stage to critique the children and make it apparent to the director that her kids deserve the part. The dedication and strong will Rose elicits when talking about her kids is empowering, and contrasted by the other stage moms who emphasize the binary by being pushed around and rushed off the stage. Uncle Jocko emphasizes this strength of Rose’s character in his comment “Decisions, Decisions, Decisions” when Rose is talking about the technical parts of the act, implying that he is actually listening to what she has to say (4:50). Rose is different and refuses to fit into this normal feminine category that allows them to be pushed around and get told what to do. This ambiance of individualism is inspiring, but starkly shows how she does not imbue these values on her …show more content…
The act that Rose has pushed for so long eventually fails. With nowhere to go, June abandons her stage career to get married to one of the stage boys. Rose, Herbie, and Louise find word of this at a train station, on the way to another act. Rose takes this as a complete shock, and doesn’t know what to say. In fact, she sits on the bench at the rail station traumatized, and doesn’t move for minutes. Furthermore, while this is going on, Herbie and Louise repetitively try to convince Rose to quit the show business so that they can settle down as a family. This seems to hurt Rose, who ignores these requests and tries to formulate, in her song “I had a dream”, a plan for Louise to be the new star (1:19:55). Throughout the scenes examined before, Rose’s individualism and self-oriented actions have shown through, but not to this degree. Rose wants to make Louise the star and Louise responds to this by hiding and hugging Herbie, both with a look of dismay on their face. Herbie and Louise are second to Roses ambitions, that point is made clear. Roses actions speak volumes as well. When speaking about her future plans for success, Rose looks upward almost like she can see the peak, and then looks back down at Louise almost as if to include a forgotten, now an important piece of the puzzle. This is also one of the starkest times that Rose has subjected Louise, against her wishes, just
In ‘A Streetcar Named Desire’ Tennessee Williams depicts many of the convictions concerning to American society 's mind-set towards men and women 's gender roles in the mid-twentieth century. He deals with both male and female typecasts as well as society 's reaction to those who question these assumptions. In order to shape understanding of gender labels Williams uses a variety of techniques, such as dictions, stage directions, character foils, symbolism, sarcasm, and character. By signifying these truths Williams poses a question to society, as to whether or not these depictions are
The semiotics of traditional theatrical form reinforce an oppressive patriarchal system. The physical body becomes the catalyst by which gender is assigned and expected. This emphasis on the body is amplified in the theater. Simone Benmussa’s play The Singular Life of Albert Nobbs, adapted from the short story by George Moore, deals with issues of femininity and masculinity and how these are portrayed within the theater as well as how theater is formed by the traditional patriarchal gaze. This play also deals with issues of class and how class status is intrinsically tied to gender, gender performance and sexuality. Through the example of this play it is seen that a form of theater which creates and maintains the woman as subject rather than object (as Sue-Ellen Case proposes) cannot be truly realized until the performative nature and many issues inherent in masculinity are acknowledged and processed. Here also is an excellent case study of how the politics of the theater are deeply rooted in body politics and gender essentialism. All of these factors contribute to the play’s overall complexity in matters surrounding and pertaining to the performative nature of masculinity and the manner in which masculinities are brought forth on stage and how that differs from femininity on stage.
This article describes the sexism that the author, Sam Polk, witnessed while working on Wall Street and how he believes it affects the women working there. The article comments that there was, and is, a great deal of sexism in the workplace, specifically on Wall Street. Polk describes that sexist comments about female coworkers are how he would bond with his male coworkers when women were not present. Polk discusses how he feels that this way of speaking about women contributes to the fact that women on Wall Street do not hold high-level positions. This article suggests that the general attitude men on Wall Street about women, as described by Polk, might contribute to the overt sexism that is reported by women working on Wall Street. This
Women and men are not equal. Never have been, and it is hard to believe that they ever will be. Sexism permeates the lives of women from the day they are born. Women are either trying to fit into the “Act Like a Lady” box, they are actively resisting the same box, or sometimes both. The experience of fitting in the box and resisting the box can be observed in two plays: Lorraine Hansberry’s “A Raisin in the Sun” and Henrick Ibsen’s “A Doll House”. In Hansberry’s play, initially, Beneatha seems uncontrolled and independent, but by the end she is controlled and dependent; whereas, in Ibsen’s play Nora seems controlled and dependent at the beginning of the play, but by the end she is independent and free.
The performance sets up the scene with the female dancers dressed as prominent women throughout history such as Rosie the Riveter, Nillie Bly, Mother Teresa, Amelia Earhart, and Florence Nightingale. The women take turns in the spotlight, using their movements to tell their story and significance in history. The story of Amelia Earhart was told symbolically through the performer’s actions. The audience are introduced to Earhart’s love of flying and her aspirations to be a renown female pilot through the performer’s imitation as a graceful plane flying across the stage with glee. However, her story takes a dark turn when she embarks on a quest to prove herself as a capable pilot in spite of being a woman. We see her downfall when her character, as a plane, struggles to stay in flight and eventually tumbles and falls, exiting the stage soon after to show her mysterious disappearance during her quest. The performer playing as Earhart succeeded in portraying her story and her downfall. The dancer’s performance as Earhart was followed by another significant performance which was the dance of Mother Teresa, who took the spotlight with her reserved yet expressive dances. During her dance, Mother Teresa made a notable move where she wanders the stage and places a hand on each of the women in a caring way, like a mother would do to her child. This action she performed in her dance
Ultimately, The Gender Knot provides explanations regarding misogynistic practices, and the protagonists of “Girl” and “Mona Lisa Smile” demonstrate how damaging these practices are. The caustic effects of the limitation of female sexuality are observed in the multitude of rules for women in “Girl,” and in the prohibition of birth control in “Mona Lisa Smile.” These two works also provide insights into the ways that gender roles constrict the lives of women. Through Johnson’s theories, one can come to a better
Males have always fiddled with the lives of women for years, they play it well and society is the audience asking for an encore, it is society that says it’s okay. They take advantage of their circumstances and the other gender has to endure the harsh results from that. Janie, a black woman in Hurston’s “Their Eyes Were Watching God and Edna, a white woman in Chopin’s “The Awakening” live in two
Many different depictions of gender roles exist in all times throughout the history of American culture and society. Some are well received and some are not. When pitted against each other for all intents and purposes of opposition, the portrayal of the aspects and common traits of masculinity and femininity are separated in a normal manner. However, when one gender expects the other to do its part and they are not satisfied with the results and demand more, things can shift from normal to extreme fairly quickly. This demand is more commonly attributed by the men within literary works. Examples of this can be seen in Tennessee Williams' “A Streetcar Named Desire”, where Stella is constantly being pushed around and being abused by her drunken husband Stanley, and also in Charlotte Perkins Gilman's “The Yellow Wallpaper”, where the female narrator is claimed unfit by her husband as she suffers from a sort of depression, and is generally looked down on for other reasons.
Throughout various mediums, queer and gender portrayals are not shown in the best light. Majority of media show clear negative connotations of homosexuals and queens while constantly being a target of discrimination and ridicule. Though as time went on many writers decided to speak up and gain awareness for queer and gender biases by incorporating messages of societal discrimination in their plays. Much of their ideals were that of how sexual/gender identity portrayal, lifestyle stigma, and preconceived notions of the homosexual community. These ideals were combined in what is called gender studies and queer literary theory. Some of these concepts and ideas of queer and gender theory can be seen throughout the play
Constitutional patriarchy instilled by the government in Central Europe greatly affected women during the time period following World War I. Communism attempted to give women more rights and promote their equality among men, but it failed to do so often. As a regime, patriarchy favored masculine gender roles throughout numerous aspects of society. Loves of a Blonde, Man is Not a Bird, Daisies, and A Woman Alone display the effect of patriarchy on women and how women could be successful or unsuccessful on attempting to go against it. The women in the films showed how women were pressured by society to accept relationships and a role in family, which were repressive. However, not all women conformed to the pressure and attempted to change their lives by taking different attitudes and actions toward the situation. By observing these films, a viewer can receive a viewpoint on how patriarchal society affected women and how women acted on their positions.
Yet a survey in 2015 showed that our women are making 21% less than our men.
In today’s world, men and women are perceived equally by the society. In the past, authority and control define men while women are given the characteristic of helplessness. Men are able to get hold of high positions while women usually are subservient to them. In movies, we would usually see women portray roles that are degrading due to the stereotypical notions they associate with this gender group. Moulin Rouge, a movie set during the 1900s narrates the story of a courtesan woman, Satine, as she undergoes hardships to earn money, experiences love but unfortunately, due to her irrational choices, faces tragic consequences at the end. Satine is a symbol of how women are being treated by the society during the era before post-feminism, where men have superiority over women. As the plot develops, Satine transforms from a worthless prostitute to someone who is courageous and willing to face her fears in order to attain her aspirations. Psychoanalyst theory and feminist analysis are apparent throughout the film. The male gaze, fantasy and feminism are three topics that will be covered in depth in this essay through relating it to the movie.
The films message to viewers about gender and power is that women are meant to take care of the home and play the supportive role, while men go out to their jobs and provide. Men are strong and burly and women are naïve and domesticated. Women need men and men always come to the rescue to save women and give them a happy ending. Power is portrayed in the film both visually and through the film’s script and dialogue. The common idea that women are inferior to men is placed subtly in this movie throughout the plot and how these charac...
Through discourses in theatrical, anthropological and philosophical discussions, Butler portrays gender identity as being performative rather than expressive. Gender, rather than being drawn from a particular essence, is inscribed and repeated by bodies through the use of taboos and social
The role of women has changed significantly throughout history, driven by women who took risks in setting examples for others to follow. Henrik Isben, author of A Doll's House, said “ A woman cannot be herself in society of the present day, which is an exclusively masculine society, with laws framed by men and with a judicial system that judges feminine conduct from a masculine point of view” (Innes 147). This proves that Isben was aware of male dominance in society during that time period. In his drama, “A Doll's House,” it deals with gender favoritism and male dominance.