Mankind´s Descent in Lord of the Flies by William Golding

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When freed from the moral manacles of society, humans must embrace moderate, disciplined lifestyles in order to avoid a fatal plunge into barbarism. In William Golding's Lord of the Flies, marooned schoolboys exchange the confines of civility for an unrestrained, iniquitous lifestyle. Joseph Conrad depicts a steamboat captain's voyage down the Congo River and realization of mankind's intrinsic evils in Heart of Darkness. Both Golding and Conrad construct microcosms to chronicle the dangers induced by both engaging in a decadent existence and denying mankind's capacity for evil.
William Golding's Lord of the Flies exemplifies mankind's descent into transgression with the isolation of schoolboys on an island paradise. The boys survive an attack that cripples their transport aircraft and initially become acquainted when the pragmatic Ralph sounds a conch shell's "strident blare" (Golding 16). The assembled, albeit disoriented, youth hold a parliamentary session and elect Ralph as chief. Ralph adamantly insists upon both the maintenance of a signal fire and the construction of shelters. However, the other boys, led by the seditious Jack Merridew, prioritize fun over practicality. Jack transforms his "wearily obedient" regiment of choirboys into an avid band of hunters, sacrificing the signal fire for the prospect of meat as a ship passes by the isle (20). A deceased parachutist becomes "tangle[d] and festoon[ed]" in the island's jagged cliffs, its undistinguishable presence confirming the boys' notions that a beast inhabits the island (96). When the acutely perceptive Simon suffers an epileptic seizure, the grotesque head of a pig enlightens the boy to the beast's intangible presence in all humanity. Simon scrambles from the forest in...

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...nd serves as a scaled down version of reality's tragic savagery. The naval sailors rescue Ralph from a manhunt and then hypocritically assume the roles of predators in a manhunt of global scale. The boys' murderous presence on the island corresponds with the savagery and futility of warfare, simply removing heroic stories, propaganda and desensitization. Analogous to the negative effects of imperialism, the journey to the heart of the African darkness allows a disturbing glimpse of humanity's historical manipulation. For example, Marlow enlightens his listeners with the Roman's corrupt occupation of Europe. In modern times, humans rationalize warfare with external reasons to avoid the acceptance of fighting for primitive, instinctive reasons. Both Golding and Conrad condense reality to illustrate the dangers of overindulgence and eschewing mankind's internal darkness

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