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Macbeth character analysis
Macbeth character analysis
The play macbeth characters analysis
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Humans have an instinctual desire for what others possess. However, when these desires are acted upon, it can lead one to stray from their true human character. In William Shakespeare’s Macbeth, greed and ambition cause characters to deviate from principled behaviour to an evil nature. Ambition freed from moral guidelines may fulfill one’s desires, but at the cost of distancing oneself from their true personality. Each character’s ambition results in selfish tendencies and causes them to focus on futile wants, which poorly reflect what truly matters in life. Within the play, paranoia, guilt, and loss of innocence are direct consequences of unchecked ambition and evidence of the deterioration of one’s essence. Heightened paranoia indicates that …show more content…
His ambition corrupts his judgment and rationality, leading him to make impulsive decisions out of desperation to secure the throne. Paranoia, in the wake of unchecked ambition, drives Macbeth to an unstable mental state as he attempts to remove evidence of his past crimes. After committing regicide, Macbeth is filled with the paranoia of being overthrown as king, causing him to be overly suspicious of others. Unlike Duncan’s heavily debated murder, Macbeth chooses to kill Banquo and Fleance with fear as his only motive. Deciding to murder his best friend for the temporary satisfaction associated with power is evident when Macbeth states, “Our fears in Banquo / Stick deep, and in his royalty of nature / Reigns that which would be feared / … / My genius is rebuked, as it is said / Mark Antony’s was by Caesar” (Shakespeare III.i.53-62). Alluding to Mark Antony’s betrayal of his friendship with Caesar, Macbeth contrasts his violent nature to Banquo’s good character and he recognizes that his decision to murder Banquo is immoral and solely based on fear. Macbeth’s paranoia of Banquo is a disease that disfigures his true nature and transforms him into a tyrant. Paranoid thoughts in the wake of immoral crimes contribute to the destruction of the human character and exemplify the treachery caused by excessive ambition and …show more content…
In reality, these feminine qualities can help maintain a level of innocence and internal goodness. Lady Macbeth, unaware of the dangers of casting off her feminine attributes, loses her purity and innocence in favour of indulging in her greed and ambition. By embodying a lack of femininity, she no longer possesses compassion and instead nurses aggression and violence, thus leaving herself open to immoral actions. This is depicted through her statement to Macbeth: “I have given suck, and know / How tender ’tis to love the babe that milks me. / I would, while it was smiling in my face, / Have plucked my nipple from his boneless gums / And dashed the brains out” (Shakespeare I.vii.62-66). Through this quote, Shakespeare hints at the loss of femininity and innocence Lady Macbeth once possessed when she was a mother. The audience is introduced to Lady Macbeth the moment her ambition is sparked by Macbeth’s letter, which hides her previous empathetic and loving nature. Unlike Macbeth, where we bear witness to his character before and after his ambition takes over, Lady Macbeth is only depicted following her corruption of innocence. This falsely portrays her as completely evil, when in reality she suffered from the same character change as Macbeth. Although her innocence was corrupted faster than Macbeth’s, the dangers of unchecked ambition and the destruction it can have on the human character remains
Throughout the play, Macbeth, by William Shakespeare, Macbeth continuously decides bad choices and the consequences of these decisions catch up to Macbeth and result in his mental deterioration, however with Macbeth’s almost infant feel for ambition this makes him susceptible to manipulation, which then grows into an insatiable appetite for power. The acts of this with the manipulation from outsiders, causes his blind ambition, his false sense of security and then finally his guilt, which all contribute to his derangement.
William Shakespeare’s Macbeth is a tragedy in which the main characters are obsessed by the desire for power. Macbeth’s aspiration for power blinds him to the ethical implications of his dreadful acts. The more that Shakespeare’s Macbeth represses his murderous feelings, the more he is haunted by them. By analyzing his hallucinations it is possible to trace his deteriorating mental state and the trajectory of his ultimate fall. Throughout the play Macbeth is never satisfied with himself. He feels the need to keep committing crime in order to keep what he wants most: his kingship. The harder Macbeth tries to change his fate the more he tends to run into his fate. His ambition and struggle for power was Macbeth’s tragic flaw in the play. Macbeth’s rise to the throne was brought about by the same external forces that ensure his downfall.
Throughout the play Macbeth, by William Shakespeare, the reasoning of Macbeth and Lady Macbeth is completely subverted and undermined by their insatiable ambition. Macbeth was at first reasonable enough to keep his ambition in check, however it eventually became to strong for even Macbeth and therefor over powered him. To the contrary, Lady Macbeth was overcome by her ambition from the very beginning. Reasoning was abandoned after the decision to kill Duncan was made. At that point we see no serious questioning of the motives of the three witches when they told their cunning and misleading predictions. Macbeth even went as far as to ask for their advise a second time - this second time would of course lead to his downfall. The decision to kill Duncan also signified the last serious attempt at moral contemplation on the part of Macbeth. Throughout the novel we see that the Macbeth's ambition completely subverted their reasoning abilities and eventually lead to their downfall.
Just like any of us, Macbeth’s ambition caused him to be easily influenced. Based on the text, the witches say to Macbeth and Banquo, “All hail, Macbeth! Hail to thee, Thane of Glamis!” “All hail, Macbeth! Hail to thee Thane of Cawdor!” “All hail, Macbeth! Hail to thee, that shalt be king hereafter!” After the witches speak his prophecy, Macbeth with great interest and desire then asks to here more about what the witches have to say. Soon after Macbeth was given the name Thane of Cawdor, he believed what the witches said had some truth to it causing his ambition to be influenced by the wicked weird sisters. When Macbeth tells his wife, Lady Macbeth about the prophecy, Macbeth’s ambition then faces Lady Macbeth’s influence. According to the
For every occurrence there must be a motivation; this ideal is exemplified in Macbeth by Shakespeare. As this story progresses many ghastly murders unfold, furthering the ideal of how a simple drive for ambition can turn dark very quickly. Throughout this illustrious play, both Macbeth and Lady Macbeth develop, and then suffer the consequences of their cold-blooded corruption of ambition.
Macbeth is plagued with paranoia and a thirst for power. Macbeth fears that Banquo has discovered his unclean hands and he will turn him in. “Our fears in Banquo stick deep, and in his royalty of nature reigns that which would be feared. ‘Tis he much dares…” (III, 3, 53-56) Macbeth knows that he could wipe out Banquo on his own, however he knows there would be obvious consequences for him. “And though I could with barefaced power sweep him from my sit and bid my will avouch it, yet I must not, for certain friends that are both his and mine…” (III, 1, 134-137) In order for Macbeth to wipe out Banquo without suspicion, he schemes to have other men take care of the matter by convincing them that Banquo is at the heart of their problems. “Know that it was he, in times past, which held you so under fortune, which you thought had been our innocent self.” (III, 1, 84-86) Macbeth’s desire for power is his downfall.
Where is there a page in William Shakespeare's tragic play Macbeth which does not present the selfish virtue of personal ambition. This paper addresses the problem of ambition in the drama.
Shakespeare's Macbeth is a heroic tragedy that shows the damaging physical and psychological effects of political ambition for those who seek power for its own sake. These psychological effects can be seen in many characters, but are most clearly displayed in the main character Macbeth. Macbeth begins the play as a noble and stable character- a loyal husband, subject, and the Thane of Glamis. However, as Macbeth receives more power and becomes more ambitious, he loses his mental stability. Macbeth’s mind deteriorates from his strong ambition, his guilt of killing, and the paranoia that comes of power. You can also see Macbeth’s mind deteriorate by examining his visions, attitude toward fear and death, and how
Gender roles in Macbeths society automatically expect men to be physically and emotionally stronger than women, however, lady Macbeth plays as a juxtaposition to Macbeth; encapsulating the emasculating woman prototype. She wants to abandon all her feminine qualities as she recognises that the characteristics she wants are not acceptable for females. She asks the spirits to "unsex" (1.5 46) her and to fill her "from the crown to the toe, top-full/ Of direst cruelty" (1.5 46). It is in gaining these ‘masculine’ characteristics in Lady Macbeth ultimately attacks Macbeths biggest insecurity- his masculinity. Lady Macbeth is more ambitious and power hungry than Macbeth, and uses him as a vice for her own power conquests. It is at times when he doubts what is right and wrong for his own ambition, that Lady Macbeth uses her power of manipulation to call his manhood into question. At first, Macbeth suggests that killing the King would make him less a man and would cause him too loose his humanity, however, he changes his mind as Lady Macbeth proposes that a real man keeps promises and acts on his ambitions: "When you durst do it, then you were a man;/ And, to be more than what you were, you would/ Be so much more the man" (1.7 54-56). Macbeth therefore murders Duncan to prove that he would be defeated neither by his fear
In the play of “Macbeth”, Shakespeare gradually and effectively deepens our understanding of the themes and most importantly the relationship between Macbeth and Lady Macbeth. The main theme of Macbeth is ambition, and how it compels the main characters to pursue it. The antagonists of the play are the three witches, who symbolise the theme appearance and reality. Macbeth and Lady Macbeth’s relation is an irony throughout the play, as most of their relation is based on greed and power. This is different from most of Shakespeare’s other plays, which are mostly based on romance and trust. There is also guilt that leads Macbeth and Lady Macbeth to the final consequences of the play. As the progresses, the constant changes in Macbeth and Lady Macbeth are exposed.
In Macbeth, Shakespeare uses character development as a key literary device. In the beginning of the play, it is clear that Macbeth is very humane and has high morals. On the contrary, Lady Macbeth had no to very low morals and has an evil side. Lady Macbeth states “I have given suck, and know, How tender ’tis to love the babe that milks me. I would, while it was smiling in my face, Have plucked my nipple from his boneless gums And dashed the brains out, had I so sworn as you ,Have done to this.”(Act 1, Scene 7) To convey that some things must been done if you commit to it, even if you do not want to. Lady Macbeth goes on to guilt trip him and manipulates him a little to get him to kill King Duncan. This quote also conveys how easy Macbeth is manipulated by Lady Macbeth.
After Duncan’s death, Macbeth feels that Banquo is suspicious of him because he knows about the prophecy. With the goal of eliminating a possible threat, Macbeth hires two murderers to kill Banquo and his son Fleance. Macbeth convinces the murderers that he is not only their enemy but, “so is he mine; and in such bloody distance/ that every minute of his being thrusts/ against my near’st of life,” (III.i.119-121). Here Macbeth explains that Banquo is also his enemy, and that every minute Banquo is alive, is a threat to his own life. While Banquo may be suspicious, this is far from the truth. Banquo is Macbeth’s closest friend, and his willingness to kill him without hesitation shows how much he has changed. He is willing to harm not only his best friend, but also Banquo’s innocent son who may pose a threat in the distant future. Macbeth’s instinct for self-preservation outweighs his morals, and his extreme caution leads to the downfall of others. In doing so, he digs himself into an even deeper hole, and is surrounding himself in secrets in order to protect himself. This takes a toll on Macbeth mentally, because he fears that everyone is his enemy, and that he can only trust
Macbeth shows how greed and ambition can bring down a person as well as others and how the changes of power occur because of loyalty and betrayal. Macbeth is the play’s main unhappy character. The play tells of Macbeth's greedy thirst for power is a dangerous trait.
Her personality traits are more like a man's than a woman's. Another example of Lady Macbeth going against her gender roles is when she tells Macbeth she would take a joyful infant and demolish it if she swore to: “I have given suck, and know/How tender ’tis to love the babe that milks me./I would, while it was smiling in my face,/Have plucked my nipple from his boneless gums/And dashed the brains out, had I so sworn as you Have done to this" (Shakespeare 1.7.55-60). This quote shows that Lady Macbeth is willing to go against her domestic behavior trait of caring for her children. Furthermore, the act of killing one's baby shows a lack of emotion and accommodation, which are two personality traits a woman should obtain. In result of this, Lady Macbeth descends into insanity, and takes her own
Words are the basic elements of the English written language. With words, one can say precisely what one wants to say, a skill that Shakespeare has mastered. In Macbeth, he carefully chooses each word so as to say exactly what he wants to say, and often leaves these words open to the reader’s interpretation. One such carefully chosen word is the word “slave,” a simple word meaning “someone entirely under the dominion of a person or an influence” (Random House, 674). Although this word appears only four times within the play, it’s importance should not be underestimated. Every time that Shakespeare chooses to use the word “slave” he is using it to show a “slave of ambition,” an important symbol within the play.