Unbridled Ambition in Macbeth Where is there a page in William Shakespeare's tragic play Macbeth which does not present the selfish virtue of personal ambition. This paper addresses the problem of ambition in the drama. In "Memoranda: Remarks on the Character of Lady Macbeth," Sarah Siddons mentions the ambition of Lady Macbeth and its effect: [Re "I have given suck" (1.7.54ff.)] Even here, horrific as she is, she shews herself made by ambition, but not by nature, a perfectly savage creature. The very use of such a tender allusion in the midst of her dreadful language, persuades one unequivocally that she has really felt the maternal yearnings of a mother towards her babe, and that she considered this action the most enormous that ever required the strength of human nerves for its perpetration. Her language to Macbeth is the most potently eloquent that guilt could use. (56) Clark and Wright in their Introduction to The Complete Works of William Shakespeare interpret the main theme of the play as intertwining with evil and ambition: While in Hamlet and others of Shakespeare's plays we feel that Shakespeare refined upon and brooded over his thoughts, Macbeth seems as if struck out at a heat and imagined from first to last with rapidity and power, and a subtlety of workmanship which has become instructive. The theme of the drama is the gradual ruin through yielding to evil within and evil without, of a man, who, though from the first tainted by base and ambitious thoughts, yet possessed elements in his nature of possible honor and loyalty. (792) In "Macbeth as the Imitation of an Action" Francis Fergusson states the place of Macbeth's ambition in the action of the play: ... ... middle of paper ... ...iion of Critical Essays. Alfred Harbage, ed. Englewwod Cliffs, NJ: Prentice-Hall, Inc., 1964. Johnson, Samuel. The Plays of Shakespeare. N.p.: n.p.. 1765. Rpt in Shakespearean Tragedy. Bratchell, D. F. New York, NY: Routledge, 1990. Kemble, Fanny. "Lady Macbeth." Macmillan's Magazine, 17 (February 1868), p. 354-61. Rpt. in Women Reading Shakespeare 1660-1900. Ann Thompson and Sasha Roberts, eds. Manchester, UK: Manchester University Press, 1997. Shakespeare, William. The Tragedy of Macbeth. http://chemicool.com/Shakespeare/macbeth/full.html, no lin. Siddons, Sarah. "Memoranda: Remarks on the Character of Lady Macbeth." The Life of Mrs. Siddons. Thomas Campbell. London: Effingham Wilson, 1834. Rpt. in Women Reading Shakespeare 1660-1900. Ann Thompson and Sasha Roberts, eds. Manchester, UK: Manchester University Press, 1997.
Throughout the play, Macbeth’s ambition steadily progresses. Macbeth realizes that his ambition is the only thing that really makes him want to kill the king because it is for his own benefit. This is evident when Macbeth says,
The story of Lady Macbeth throughout Macbeth is one unlike those of its time in its unusually forward-thinking portrayal of a woman with thoughts and actions which would have been considered indecent. This is seen through the representation of her relationship with Macbeth and how they interact. It is also illustrated through Lady Macbeth’s morals and their effect on how she acts and reacts in situations which would weigh heavily on most peoples’ conscious. Her power-hungry attitude is one often reserved for men, especially in this era of literature. All of these factors create a character in Lady Macbeth which is dissimilar to the classic portrayal of women in the seventeenth century.
In the early 1600’s, William Shakespeare penned an Aristotelian tragedy ‘Macbeth’ which provides his audiences both then and now with many valuable insights and perceptions into human nature. Shakespeare achieves this by cleverly employing many dramatic devices and themes within the character of ‘Macbeth’. Macbeth is depicted as an anti-hero; a noble protagonist with a tragic flaw that leads to his downfall. This tragic flaw of Macbeth’s, heavily laden with the themes of ‘fate or free will’, and ‘ambition’, is brought out by Shakespeare in his writing to present us with a character whose actions and final demise are, if not laudable, very recognisable as human failings.
Kemp, Theresa D. Women in the Age of Shakespeare. Santa Barbara, CA: Greenwood, 2009. Print.
The Corrupting Power of Unchecked Ambition The main theme of Macbeth - the destruction wrought when ambition goes unchecked by moral constraints - finds its most powerful expression in the play's two main characters. Macbeth is a courageous Scottish general who is not naturally inclined to commit evil deeds, yet he deeply desires power and advancement. He kills Duncan against his better judgment and afterward stews in guilt and paranoia. Toward the end of the play, he descends into a kind of frantic, boastful madness.
Among the greatest gifts that the renaissance produced was the eloquent and incredible Shakespearean plays. Written mostly in the 1590s these plays have been performed and admired countless times; entertaining mass audiences by providing interesting tales that explore the depth of human insights and the different universal themes. Among the many Shakespearean plays Macbeth, written in 1606, stands out with its short composition but multiple themes. This tragedy narrates the tale of Macbeth and Lady Macbeth’s quest to grasp ultimate power by ignoring their morals and succumbing to their dark desires, which ultimately leads to their downfall. This tragic play portrays the desires, needs, and temptations that accompany ambition in men and women. However the ambition in Macbeth is blind, it does not abide to the morals, but it allows space for dark actions as means necessary for accomplishment. Blind ambition serves as the main driving force that drives Macbeth to subdue to his dark desires, defy his noble behavior, and ultimately his downfall.
There were several aspects of Shakespeare’s novel ‘Macbeth’ that led to the downfall of Lady Macbeth. The mentality of Lady Macbeth in the play changes dramatically from the wife a Noble General, to an evil aggressive murderer (brought upon by the witches predictions), and finally a woman who had de-graded to such an extent that she took her own life.
In the play of “Macbeth”, Shakespeare gradually and effectively deepens our understanding of the themes and most importantly the relationship between Macbeth and Lady Macbeth. The main theme of Macbeth is ambition, and how it compels the main characters to pursue it. The antagonists of the play are the three witches, who symbolise the theme appearance and reality. Macbeth and Lady Macbeth’s relation is an irony throughout the play, as most of their relation is based on greed and power. This is different from most of Shakespeare’s other plays, which are mostly based on romance and trust. There is also guilt that leads Macbeth and Lady Macbeth to the final consequences of the play. As the progresses, the constant changes in Macbeth and Lady Macbeth are exposed.
William Shakespeare was born in Stratford upon Avon in 1564. One of the most influential writers of all time, still remembered today for his enigmatic plays. The zeitgeist of England in the 17th century did nothing but intensify his success. In an age of acute paranoia and a morbid fascination surrounding the supernatural, plays like Macbeth' were the forbidden fruit craved for by the public of that era. Also as feminism was yet to be invented Macbeth' was also controversial in relation to the character of Lady Macbeth, and her almost masculine temperament. In a time where men were the dominant gender, Lady M's domineering character was intriguing. Shakespeare's plays are grouped into three categories; histories, tragedies and comedies. Macbeth is ultimately a tragedy. He was thought to have written The Scottish Play' for King James I, who had a personal interest in witchcraft and the supernatural. In this essay I intend to explore Macbeth and Lady Macbeths fall from grace and the deterioration of their relationship throughout the play.
From ancient empires to the inheritance of simple family farms, the passing down of kingships and property has depended on patrilinearity. Maternity is essential to maintain this patrilineage. In Macbeth, Shakespeare vilifies Lady Macbeth as the anti-mother because she rejects patrilineal expectations. By both vilifying her maternal agency and using Lady MacDuff as a foil to Lady Macbeth’s anti-maternal attitudes, Shakespeare endorses traditional maternal values of Early Modern England.
The vigorous desire to achieve and willingly attain something holds the capability to greatly affect one's life. William Shakespeare's play Macbeth establishes the immense effect and influence of ambition. After gaining power over his country Scotland, the protagonist, Macbeth, experiences an internal downfall as he battles between his wants and moral judgement. He struggles to maintain stable relationships with others as his selfish desires and goals hurt those around him when achieved. In addition to clashing with himself and others, he is seen as a tyrant leader and is slowly turned against by Scotland's nation as well as England. Shakespeare's play Macbeth provides the reader with a clear understanding of ambition's corrupting power in Shakespeare's tragic character Macbeth, through his inner conflicts, struggle to maintain stable relationships with those surrounding him, and clash with society.
Macbeth is a brave general who fights for his country Scotland, defeating the King of Norway. He is loyal to his king Duncan, but Macbeth has ambition to take over the kingdom for himself. He has lots of doubts of if he is doing the right thing, but still murders Duncan and then Banquo who is another general who fought with Macbeth. These murders and guilt about his treason are leading Macbeth to become insane. This essay shows that although Macbeth’s strong desire for power is influenced by the three witches in the play and also the planning and ambition of his wife Lady Macbeth, in the end he is responsible for his self-destruction.
In conclusion, Macbeth directly focuses on the universal and powerful themes of ambition and insanity. These themes are considered most confronting for audiences due to their unanimous relevance. Throughout the play audiences are encouraged to see that ambition should only be achieved through ability or good fortune, otherwise it will be the cause of disaster; in this case the cost of ambition was life.
Shakespeare draws an amazing psychological portrait of a man who became a villain by means of ambition, desire and an imbalance of good and evil. “Macbeth” is a play composed of the disintegration of a noble man’s world. The play begins by offering the audience Macbeth, a war hero, with a high regard from Duncan, the king of Scotland. By the end of the play Macbeth transforms into a universally despised man without a place in the social community. Shakespeare draws an amazing face of a man made to be a villain by ambition, desire and an imbalance of good and evil.
Elloway, David. A. Tragic Ambition at Macbeth Macmillan Education Limited. 1985. The. Nostbakken,.