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Lust by susan minot analysis
Lust by susan minot analysis
Lust by susan minot analysis
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We all crave at some point in our lives social acceptance. Either we make an unnecessary joke, imitate others, embellish our style, or forwardly lie into a superficial identification. In the short story "Lust" by Susan Minot, the author creates and develops the main character as a girl who is emotionally disconnected and is craving for significance and attention. The author generates her not by her physical assets but rather by her emotions and actions. Susan Minot keeps the main character “unknown” and with no kosher name in order to construct the character. The narrator seeks acceptance and identity but through an unhealthy number of sexual encounters and as the she tries to find herself, she only loses herself into an even deeper sadness …show more content…
The narrator no longer lives in a fog, but now she sees how vile and cruel her life is. How disconnected the people around her are. Minot demonstrates very clearly how boys’ sexual desire completely dominates the narrator and how girls are compelled by other girls as well as boys to accede to that desire. For example, when the narrator was speaking with her teacher and friends her friend complained about how men always want something from you and another friend replied with “you always feel like you have to deliver something.” Their teacher tells the girls “you do” she continues “babies.” This shows how even the adults in her life are disconnected and don’t carry women’s standards highly with respect. The girls always have to give something while the men just take and in this case, the little bit of dignity the character ever owned was taken from her and the saddest part was that she let it happen. The difference between the character at the beginning and how she was made to be in the end is that at the beginning she showed no feelings, no shame, and no remorse but now. Now she feels shame. She feels guilt. In order to get what she wanted she used sex but by using sex, she only reduced her chances of ever feeling real love and real importance. The narrator demonstrates her agony and detachment with post haste only at the very end of the story. The authors writing is connected to how the narrator feels. As her writing style became less fragmented, it signaled the zenith realization of truth within the main character. "After sex, you curl up like a shrimp, something deep inside you ruined, slammed in a place that sickens at slamming, and slowly you fill up with an overwhelming sadness, an elusive gaping worry. You don't try to explain it, filled with the knowledge that it's nothing after all, everything filling up finally and absolutely with death (Minot 280)”. The main character has grasped all of this, but it’s already too late.
In the small, desolate town of Starkfield, Massachusetts, Ethan Frome lives a life of poverty. Not only does he live hopelessly, but “he was a prisoner for life” to the economy (Ammons 2). A young engineer from outside of town narrates the beginning of the story. He develops a curiosity towards Ethan Frome and the smash-up that he hears about in bits and pieces. Later, due to a terrible winter storm that caused the snow itself to seem like “a part of the thickening darkness, to be the winter night itself descending on us layer by layer” (Wharton 20), the narrator is forced to stay the night at Frome’s. As he enters the unfamiliar house, the story flashes back twenty-four years to Ethan Frome’s young life. Living out his life with Zenobia Frome, his hypochondriac of a wife whom he does not love, Ethan has nowhere to turn for a glance at happiness. But when Zenobia’s, or Zeena’s, young cousin, Mattie Silver, comes to care for her, Ethan falls in love with the young aid. Mattie is Ethan’s sole light in life and “she is in contrast to everything in Starkfield; her feelings bubble near the surface” (Bernard 2). All through the novella, the two young lovers hide their feelings towards each other. When they finally let out their true emotions to each other in the end, the consequence is an unforeseen one. Throughout Ethan Frome, Edith Wharton portrays a twisted fairy tale similar to the story of Snow White with the traditional characters, but without a happy ending to show that in a bleak and stark reality, the beautiful and enchanting maiden could become the witch.
...hey lusted after, as it belonged to a Native woman, something that was beneath them and they were not supposed to want. The destruction of the genitalia allows the young men to realign themselves with their society’s views.
Deviating from the norm within her time, Aphra Behn’s, “The Disappointment,” tackles the concept of sex from the female perspective, something still relatively taboo in the modern world. Behn offers readers a glimpse into the confusion and anxiety that accompany a woman’s loss of virginity, in addition to the heightened expectations of masculinity enforced on the man. By creating sympathetic and pitiable characters out of both Cloris and Lysander, Behn imagines a narrative in which there are no winners or beneficiaries in this uncomfortable exchange, directly resulting from societal expectations. During the specific instance in which Cloris gives into her desires only to discover that Lysander is unable to perform, the narrator illustrates
...rays life through sentimental romanticism and therefore lacks the realism necessary for it to be deemed a tragedy. The setting itself, Grover’s Corners, is merely an idyllic version of an American town playing upon the notion of a simpler time in America. It lacks the sufficient realistic qualities of any negative attributes in order for it to properly exemplify a typical town. The characters also lack the realistic human qualifies of flaws and become mere romantic symbols of youthful innocence. Lastly, romanticism is portraying something better than it actually is, and for Emily being able to be happy and reunited with her family even after death is playing on this very idea. Therefore, Our Town portrays life better than it really is making it a romance rather than a tragedy.
Harney is attracted to Charity and the fact he has not accomplished his goal of sex, and that make the chase all the more exciting for him. His position in society made him think of her in lesser terms and made him think of her sexually without much guilt for having no intention to marry her. The societal norms did not allow a man of Harney’s stature to marry a girl not from similar privilege. Unaware of any of the politics that surrounds Harney’s decision making Charity grows deeper in love.
. her narrow silk suit with hamburgers and french fries printed on it will glisten in the brilliant air . . .” (13-15). The majestic image of the girl illustrates the mother’s pride in her daughter’s confidence during the predominantly male party. As a result of the girl’s poised demeanor, the mother is likely to be pleased with her daughter’s ability to uphold the expectations of an adult. Rather than feeling apprehensive and uneasy about a party favoring one gender, the girl overlooks this distinction and carries herself admiringly. In addition to developing an adult-like composure, the girl also experiences an awakening of her sexuality. Her seductive feelings and allurement toward the boys is becoming more conscious in her thoughts. Emerging from the pool, the water from the girl’s body is described to “sparkle and fall to the power of a thousand . . .” (22). The girl is beginning to understand sexual attraction and her appeal to the opposite sex. The mental image of prestige that is suggested by her newfound “power” heavily contradicts the representation of innocence and naivety of what was once the girl. The girl is no longer oblivious to sexual desires and hesitant of change. Instead, she carries around her femininity and allurement as a badge of
...tionship has completely evolved and the narrator somewhat comes into her own a natural and inevitable process.
For example, the narrator writes, “Though she was but seven years her husband 's senior, and he was only twenty-eight, she was already an old woman” (Wharton 57-58). The narrator paints an unattractive, unappealing picture of Zeena with hopes that the audience will deem her unfeminine and grotesque. Perhaps compared to the young Mattie Silver, Zeena appears to be much older than she really is. Since the narrator is a male, the female audience of this novel can especially sympathize with Zeena and take offense to attacks on Zeena’s appearance. Secondly, the narrator uses the words “narrow minded”, “ignorant”, and “bitter” to describe Zeena (Wharton 108-109). In this chapter, Ethan still feels burdened by her presence and calls her ignorant, even though she is aching from his adulterous actions. He is about to leave, yet he still desires to immediately escape Zeena. Even though he deems her as a burden and the bane of his existence, he finds it convenient to use Zeena’s illness as an excuse to ask a friend for money. This selfish act gives the audience a reason to see through Ethan’s hateful insults and sympathize with Zeena. Ethan’s harsh diction told through the biased narrator creates a false image of Zeena and shows the effects of the plaguing personality of Ethan
Initially, Rios illustrates a young boy perplexed by a new-found maturity. As the maturation from childhood to adolescence begins, he is facing unfamiliar feelings about the opposite sex. An example of this is apparent as Rios explains that the boy cannot talk to girls anymore; at least “not the same way we used to” (Rios 453). Since his emotions have new depth and maturity, the young boy realizes the nature of his friendships has changed. Innocence is further lost as the girls who are former friends, “weren’t the same girls we used to know” (453). The boy has matured from his casual, youthful interactions, and is now seeing the girls in a new light. Another example of his maturity manifests sexually as he reflects about the girls, “and all the things we wanted to do with them” (454). Although he is unsure how to act upon his thoughts, the innocence is none the less tainted by his desires for mature relations with the young girls. The maturity and sexual maturity bring forth a storm of emotions that prove to be both exhilarating and confusing for the young boy.
Yunior starts to become conscious of “what a f*cking chickensh*t coward [he is] and admits to be “astounded by the depths of [his] mendacity” (14). Yunior realizes that he is selfish and inconsiderate towards the feelings of other women. Yunior is shocked of himself and his tendency to lie. He notices that his lying and cheating ways can really hurt women and he feels bad about himself. After a long time of suffering, the narrator finally gains a true understanding of his wrongdoings. The protagonist is filled with regret with the way he treats women and the fact that his cheating ways gets him nowhere. He confesses the truth that his ex “ did the right thing” by leaving him (14). Yunior starts to register that he is unable to ever get over his ex fiance and he regrets cheating on her. He is saying that he does not deserve her because all that he ever gave her were lies and deceit. She is fortunate enough to be able to escape the pain and hurt that he brought along with him. This creates the central idea that cheaters are the ones who really play themselves. The narrator expected that his cheating manner will be beneficial to him, but it is like a slap to the face. Cheating does not get you anywhere in life and only brings suffering in the end. He now understands that when you do something bad, bad things will come back to you. What goes around comes back around. Achieving a lasting relationship comes
From what seems like the start of time, there has been a divide between those who are considered normal and those who are not. Usually, it is those who are considered to be normal who set further standards on who else can be considered normal. If one does not fit this set standard, he/she is considered abnormal and often frowned upon. An example of this situation is provided in Elizabeth McNeil’s response to Sapphire’s Push. In this essay, McNeil discusses the development of Precious, the protagonist in Sapphire’s piece, as she transforms from a freak to just an average woman facing shared struggles. Such a huge transformation pushes the question: what is it that manages to “un-freak” Precious?
Schnitzler’s stream of consciousness style of writing is extremely effective in conveying the onslaughts of hysteric thoughts. Not only does it help that he intertwines Else’s thoughts with the dialogue she partakes in, but he also contrasts her thoughts with each word or action she says or performs. This technique allows the readers to see the different internal conflicts she feels and how her thoughts fall deeper and deeper into hysteria the more she forces herself to comply with her family’s matters. Overall, Fräulein Else is an impressive, vivid depiction of the loss of innocence and confusion present in an inexperienced, young maiden Schnitzler presents through his writing.
As portrayed by her thoughts after sex in this passage, the girl is overly casual about the act of sex and years ahead of her time in her awareness of her actions. Minot's unique way of revealing to the reader the wild excursions done by this young promiscuous adolescent proves that she devalues the sacred act of sex. Furthermore, the manner in which the author illustrates to the reader these acts symbolizes the likeness of a list. Whether it's a list of things to do on the weekend or perhaps items of groceries which need to be picked up, her lust for each one of the boys in the story is about as well thought out and meaningful as each item which has carelessly and spontaneously been thrown on to a sheet of paper as is done in making a list. This symbolistic writing style is used to show how meaningless these relationships were, but the deeper meaning of why she acted the way she did is revealed throughout the story.
In Millay's poem " What Lips My Lips Have Kissed, and Where and Why" she laments over lost lovers. Ironically, she is described as both fondly remembering and regretfully forgetting them. In the second and third lines, the speaker recalls the lips and arms, of the young men, that have embraced her in the past, rather than their faces, suggesting her ignorance of their identities or names. She continues, "the rain is full of ghosts tonight." (3-4) In this octave she uses raindrops hitting a windowpane to stand for the sighs of lost lovers. She also compares raindrops to ghosts as a metaphor for memories of lost lovers, whose absence she feels, though who have faded into a vague abyss. In this comparison, she also uses the windowpane to show the separation between the present and past, or a border which allows insight but not interference. She is able to look back at her past but not change anything she has done thus she can only reminisce and unfortunately only regret. She describes "a quiet pain" (6) in her heart "for unremembered lads" (6-7) emphasizing her loneliness and sorrow caused by these meaningless trysts. In the sestet Millay compares herself to a "lonely tree," (9) "with birds vanishing one by one" (10) and "boughs more silent than before." (11) The tree is an analogy for her lost chances at true love. The lack of leaves and singing birds on the boughs of the trees stand for the loss of youth and lovers. In the last few lines of the poem Millay's character realizes that nobody young desires the her, now that she has aged.
... is romantic and at ease, but he turns brisk and honest as time disintegrates. This image becomes crystal clear with words and phrases such as, "heart", "beauty", "youthful hue sits on thy skin", "our sweetness", "virginity", "breast", and "pleasures". All of these words provide the reader with an illustration of the man's desires. The use of imagery permits the author to fully describe the necessity of time, and allows the reader to visualize the thoughts and feelings that the characters experience.