In Lust, Caution by Eileen Chang, Wang Chia-chih is a young actress who devises a plan with other conspirators her age to seduce Mr. Yee, the head of intelligence services, so she can have him assassinated in a plan to undermine the corrupted government. However, despite having a set plan with her co-conspirators that she will remain strictly acting in order to achieve the final goal of his assassination, Wang has a sudden change of heart and alerts Mr. Yee to run and save his life. Wang’s instantaneous decision leads to the execution of her entire conspiracy group, including herself. Why Wang decides to alert Mr. Yee is not clearly stated, however, she clearly ends up losing her understanding of her internal understanding that she is with …show more content…
Yee. Wang’s costume must be elaborate to fit in with the social elite, so it is understandable as to why Chang would go into great detail to describe them. However, besides the costumes playing into making the imagery seem real, there is a hefty amount of symbolism within what she wears. In the opening of the novella, Wang is seen to be wearing a “sleeveless cheongsam of electric blue moire satin reached to the knees, it's shallow, rounded collar standing only half an inch tall… a brooch fixed to the collar matched her diamond-studded sapphire button earrings.” (E. Chang 4). In Wang’s depiction, she is clearly seen to be wearing blue, a color that represents someone who is calm and collected. At this point in the …show more content…
Chang 32). On the inside, the shop is no more impressive with “cream colored” walls and a mirror too large for the shop ceiling, so it must be propped up against a wall (E. Chang 34). The rather bland setting parallels with Wang’s no-nonsense work ethic: she is the only person in her group who takes charge of the situation even when Mr. Yee moves to Shanghai and their funding for their scheme is cut (E. Chang 25-26). The mirror propped up against the wall parallels Wang’s ability to take a situation that seems like it will be failing and make it work out in her favor. Her ability to act as a socialite despite the dingy “stage” she is left within the jewelry shop really embodies the strength and determination she carries as an actress and just a powerful female in general. Wang’s power is definitely notable in the story and Sung-sheng Yvonne Chang notes that: “Unlike the other women writers who sought to be assimilated into the male-dominated mainstream tradition, and thus necessarily developed a sense of self-denial [Chang] by choosing to deal with a "feminine" genre, and hence inevitably with the specific ideology of the form, have gained valuable ground in coming to terms with their own socially determined feminine experience.”(S. Chang 205). In this instance, Wang could quite possibly not be seen as any more “socially determined” to make a statement: she is working with
Tony Horwitz’s book titled, “Midnight Rising: John Brown and the Raid That Sparked the Civil War” is about the crucial invasion in U.S. history that resulted the start of the Civil War and describes how John Brown helped plan the invasion of Virginia. At the start of the book, Horwitz begins with depicting John Brown’s early life including childhood to adulthood. John Brown was born on May 9, 1800 in the unfriendly peaks of Torrington, Connecticut. When he was eight years old, his mother passed away which made him go through a drastic trauma such as feeling nervous and awkward towards other women.
In many scenarios, it is the younger generations who represent new times and challenge old tradition to be left in the past. Considering the reading of “Hangzhou” by Chang, Shitai, the fortune teller exhorts Chanyi, the illustrator grandma, to adapt to the modern generation where their “own ideas of love and power” (Chang 103) will decide the faith of their future. Taken by surprise, Chanyi disagrees, rationalizing and remaining silent on the topic. In similarity, Alice Walker relates to this reaction by echoing the illustrator of “Everyday Use” as she is informed of her daughter’s name change from Dee to Wangero. Asserted by Dee, it was a burden to be named after the people who oppress her” (Walker 318). This proves to the reader that in both families an adaptation is required by the mother. Therefore, both families have been driven to the similar situations regardless of their origin or ethnicity. Modern times request for new changes, a difficulty that families must
A sinful nature is an aspect in man that makes him rebellious against God. Everyone has a sinful nature and it affects every part of us. Sin corrupts the human mind and has consequences for doing wrong in the eyes of the Lord. Every individual on Earth sins, and this is represented in the novel The Scarlet Letter. Nathaniel Hawthorne uses Hester Prynne and Arthur Dimmesdale to portray how different people cope with their sin and the consequences of that sin.
Madame Liang is a character with many different complicated aspects. All of the other characters in the story revolve the mother. As the novel begins and ends, the mother is described as strong and beautiful. The description of the mother created a symbol of the power and ability for women, which is shown through her daughters. In the beginning the author says, "There were too many men and women who were jealous of the famous Madame Liang, who managed, no one knew how, to keep open a restaurant whose daily menu carried the finest gourmet foods" (1). This shows ...
By juxtaposing the implications of this sale with Xiao Hong’s exaggerated innocence, Yuan appeals to his audience’s emotions, stoking anger toward social values that could enable such barbaric exploitation of the poor. Yuan employs a similar juxtaposition later in Street Angel, when Wang visits a lawyer’s office in a skyscraper – an environment so divorced from his day-to-day realities that he remarks, “This is truly heaven.” Wang soon learns otherwise, when the lawyer rebuffs his nave plea for assistance by coldly reciting his exorbitant fees. The lawyer’s emotionless greed – a callousness that represents capitalism at its worst – contrasts strikingly with Wang’s nave purity, a quality betrayed by his awestruck expression while inside the skyscraper. Again, this juxtaposition encourages the film’s audience to sympathize with a proletarian victim and condemn the social values that enable his oppression.
Sanki (Japanese and Koya’s friend) started off as a banker forced to protect his corrupt boss and when fired from his job at the Joryoku Bank, he ended up working in the Trade Division of Far East Cotton Mills zaibatsu. Fang Qin-lan was the beautiful Chinese-female communist spy/ factory worker for the Far East Cotton Mills company. Qian Shi-shan is an opium addicted Chinese pro-capitalism/Nationalist who believes that China must support Chinese capitalism to become world power and no longer be exploited by European imperialist powers. These characters best represented the opposing sides in Shanghai during the timeline of the novel. Their struggles gave a look into the personal experiences of the day to day workings of the every aspect of life for the residents of Shanghai.
There are many norms associated with being a woman and being a man, especially during the time period of which Strong Poison by Dorothy Sayers was written in. These include, but are not limited to, the following (feminine and masculine counters are separated by a / ): one must always obey males because they are the superior sex/one must not allow women to hold any form of power because they are the weaker sex, one must obey her husband/one must not let his wife do whatever she pleases, and one must not live with another of the opposite sex unless they are relatives or married. Despite these norms being set in place for most of the characters in Strong Poison, there are a few exceptions for on both the feminine and masculine side.
However, Chunming possesses a different approach on searching for a better life. Not only that, Chunming stresses the real meaning of “purpose” moving to the city. However, the difference with Chunming is, she does not only promote self-purpose to herself, but to other struggling Chinese workers as well. This is evident on the diaries she makes. On one of her diary, she states, “What’s important is: What kind of person do you want to become in the future? For what purpose have we traveled thousands of miles and left our homes behind to come out to work---To earn money! (68). Chunming using the word “we” suggests that she does not only speak for herself, but she encourages for Chinese workers to look for their purpose as well. For Chunming, without purpose means there is no point in moving to the city. This complicates her economic exigencies because say readers assume that she is feeling as though she lost her purpose---she can also go back to her diary for self-motivation which can lead to success. Therefore, her diary is a symbol for her bold imagination or even great ambitions. However, Chunming’s diary is not the only thing that defines her bold imagination. Trying to make her quality of life better, Chunming chose a different path to make money. Due to her impressive imagination, she started working for a company that requires selling hangers and molding parts. It is almost like
Zhu Ying was a member of the military’s theatre troupe, and about to be a member of the party, until she refused to sleep with party members. After that, they transferred and then imprisoned her. While her role in the military could have made Zhu Ying an androgynous figure, an emblem of communist gender equality, the party’s expectation that she have sex with party members makes her a sexual object, which is its own form of feminization. Zhu Ying is allowed to retain her femininity only if she consents to being a sexual object; when she does not, she is sent to be a laborer, and later imprisoned. Moreover, by being separated from her boyfriend, her chance at domestic happiness is taken away. After imprisonment, she has no opportunity to fill the traditional female role of marriage and children (which she may or may not have desired). Thus, the party halts the “natural” order of marriage and
Nobody understands what really took place that night, the night that John Brown launched his raid on Harpers Ferry. Why it was done, what caused it and what the actual event itself caused was later discovered and well known by people centuries after it even took place. This raid, was one of the biggest reason a nation was left divided. The Southern part of America was its own “nation” where as the Northern part was thought of kind of as the same but opposite. “Midnight Rising” gives an in depth explanation and feel for the events leading to and the events caused by this raid. The book is based around the time period pre civil war ( circa 1859), In the first part of the book and overview and a little bit of background information is provided. Explaining where and when the raid was being planned and where it was going to be executed, and all of this being told through the perception of one of John Browns men .Prior to this event, Bleeding Kansas had happened and it caused an immense amount of outrage, blood shed, fear and frustration amongst almost every single person part of the U.S at the time. Nat Turners rebellion caused an uproar filled with fear, in the south and that was one of the things that had led up to the main event discussed in the book ( the raid on Harpers Ferry). During the time period the book took place, the southern part of America was pro slavery where as the North was not, and due to these discrepancies neither side could or would compromise and neither would be able to come to any sort of agreement on what to do with laws and rules and with the slaves either. Events such as Nat Turners Rebellion are what caused people in the south to become more fearful of slaves
Feng Meng-long’s story, “Du Tenth Sinks the Jewel Box in Anger,” authentically represents how money is valued between Du Tenth and Li Jia. The classic story brings forth how tradition and family values are upheld in the highest honor. The young master Li Jia, who is the son of a prominent local official, embarks on a journey to the Ming capitol of Nanjing with the intention of taking exams. During his travels he meets the beautiful courtesan named Du Tenth who is bound to her madam in a house of ill fame in what is known as the pleasure district. Li Jia, being an immature and unmotivated by any type of responsibility, finds himself splurging all of his travel funds on pleasures with the beautiful Du Tenth. The couple find themselves to have fallen in love with one other. Du Tenth proves to be a very smart and loyal character. She cleverly devises a plan to escape her bind to her madam and leave to be with her love. When the couple make their departure, they go on their journey to their new life together as husband and wife. Du Tenth continues to prove how smart she is by showing time and time again to Li Jia that she was very prepared for their future. The story tragically ends when the gullible Li Jia is tricked by the manipulating Sun Fu to trade his love, Du Tenth, for a thousand pieces of white silver.
In analyzing these two stories, it is first notable to mention how differing their experiences truly are. Sammy is a late adolescent store clerk who, in his first job, is discontent with the normal workings of society and the bureaucratic nature of the store at which he works. He feels oppressed by the very fabric and nature of aging, out-of date rules, and, at the end of this story, climaxes with exposing his true feelings and quits his jobs in a display of nonconformity and rebellion. Jing-Mei, on the other hand, is a younger Asian American whose life and every waking moment is guided by the pressures of her mother, whose idealistic word-view aids in trying to mold her into something decent by both the double standards Asian society and their newly acquired American culture. In contrasting these two perspectives, we see that while ...
"They turn casually to look at you, distracted, and get a mild distracted surprise, you're gone. Their blank look tells you that the girl they were fucking is not there anymore. You seem to have disappeared.(pg.263)" In Minot's story Lust you are play by play given the sequential events of a fifteen year old girls sex life. As portrayed by her thoughts after sex in this passage the girl is overly casual about the act of sex and years ahead of her time in her awareness of her actions. Minot's unique way of revealing to the reader the wild excursions done by this young promiscuous adolescent proves that she devalues the sacred act of sex. Furthermore, the manner in which the author illustrates to the reader these acts symbolizes the likeness of a list. Whether it's a list of things to do on the weekend or perhaps items of groceries which need to be picked up, her lust for each one of the boys in the story is about as well thought out and meaningful as each item which has carelessly and spontaneously been thrown on to a sheet of paper as is done in making a list. This symbolistic writing style is used to show how meaningless these relationships were but the deeper meaning of why she acted the way she did is revealed throughout the story. Minot cleverly displayed these catalysts in between the listings of her relationships.
...ime. Majority of the women in the novel overcame the tough traditions of women treatment in ancient Chinese culture. The ancient Chinese culture believed that women should fall under patriarchy and strict ethics. This gave women no opportunity to move up the social class ladder. Being treated poorly effected would often affect women. Women like Lindo represent the power of escaping the oppressive atmosphere. Lindo decided to leave when she saw the Huang couldn’t control her anymore. Women had to be able to find their own independent identity. Ying-Ying is an example of this since she always wished to be found by someone, but inevitably she realized that she was her solution to finding her wholeness. Today modern women can express their thoughts, independence, and creativity. Aid should be continually provided for liberating women from oppression and discrimination.
Shan Te has hard time saying no to whoever comes to her asking for help, but men like Yang Sun take advantage of her generosity and loving personality to exploit her. Despite all the good deeds shen Te does to Young Sun, He bravely tells Shui Ta that “Shen Te is a woman: she is devoid of common sense. I only need to lay hands on her and church bells ring.”(56). Yang Sun statement shows no respect to woman probable because of the way the society has been stereotyping women to be devoid to common sense. The same statement can mean that in that society, a women can not hold important government position that involves making laws and policies. Yang Sun believes women are predictable and easily manipulated. He says ‘because I lay my hands on her breasts’’ (56) to be enough justification to why Shen Te is devotional to him. He thinks women are just like a machines that need to be touched on buttons to execute function. It is very shocking for Shui Ta, Shen Te’s double self of to hear a man’s perspective on a woman position in her society through her