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Defining The Terms Of Love
Love in twelfth night analysis
Love in twelfth night analysis
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Recommended: Defining The Terms Of Love
According to Merriam-Webster’s Collegiate Dictionary, love is defined as “strong affection for another arising out of kinship or personal ties; attraction based on sexual desire; affection and tenderness felt by lovers; affection based on admiration, benevolence, or common interest; or an assurance of love.” In William Shakespeare’s Twelfth Night, three different types of love are experienced: friendship love, true love, and self love. Each character experiences a different type of love, and in some cases it is not what they originally expected. The twisted, yet intriguing love story allows the reader to get lost in each characters emotions and development throughout the play. Many instances of love in the play are overwhelmed with a feeling of desire, which leads some characters to fall blind to their true love. Viola, Cesario, Orsino, Olivia, Sebastian and Malvolio, all experience love in a variety of different ways, which adds depth to Shakespeare’s comical play.
One example of true love in Twelfth Night is Viola’s love for Orsino. At the beginning of the play, the reader experiences Orsino’s feelings about love. It is a confusing start however, because Shakespeare offers contradicting views on love. Orsino says, “Give me excess of it, that surfeiting, The appetite may sicken and so die” (Act 1, Scene 1, Line 2-3). This means that Orsino wants the musicians to give him so much love, that he gets sick of it and doesn’t love anymore. This shows the depth of Orsino’s desire for Olivia. He loves (or thinks he loves) Olivia so much that he can no longer control himself and wants to be rid of his love for her. The entire speech plays with the idea that love is not something tangible, but more or less an imaginative state of being....
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...fide in each other very deep secrets. With Viola and the Sea Captain, they formed a strong bond because of what they went through together, which is very relatable for the reader. Viola’s true desire to find her brother becomes apparent when she is willing to disguise herself as a man in attempts to find him. The Captain also shares some of her desire by willing to keep her plan a secret. Shakespeare did a great job in speaking about the topic of love in such a compelling, intense, yet comical way. He gives each reader something they can relate to and expresses that everyone experiences love in a different way.
Works Cited
Damrosch, David. Longman anthology of British literature. 2nd ed. Vol. A. New York: Longman, 2004. Print.
Merriam-Webster. Merriam-Webster's Collegiate Dictionary, 11th Edition (Book Only). 11th ed. Springfield: Merriam-Webster, 2003. Print.
Damrosch, David, et al., ed. The Longman Anthology of British Literature: Vol. B. Compact ed. New York: Longman - Addison Wesley Longman, 2000. p. 2256
The William Shakespeare tragedy Othello features various types of love, but none compare to the love we find between the protagonist and his wife. In this essay let us examine “love” as found in the play.
Love is a powerful emotion, capable of turning reasonable people into fools. Out of love, ridiculous emotions arise, like jealousy and desperation. Love can shield us from the truth, narrowing a perspective to solely what the lover wants to see. Though beautiful and inspiring when requited, a love unreturned can be devastating and maddening. In his play, A Midsummer Night’s Dream, William Shakespeare comically explores the flaws and suffering of lovers. Four young Athenians: Demetrius, Lysander, Hermia, and Helena, are confronted by love’s challenge, one that becomes increasingly difficult with the interference of the fairy world. Through specific word choice and word order, a struggle between lovers is revealed throughout the play. In A Midsummer Night’s Dream, Shakespeare uses descriptive diction to emphasize the impact love has on reality and one’s own rationality, and how society’s desperate pursuit to find love can turn even strong individuals into fools.
Doesn't everyone want someone to love, someone to care for you as much as you care for him or her. Someone who will keep you company in lonely times or who will act as if your brains are tuned into the same wavelength. Share an inseparable bond and grow old with. Love is a very powerful emotion and can be misused because it is thrown around too casually, and be swept up in it very quickly like Viola is with Orsino when she says,” Thy tongue, thy face, thy limbs, actions and spirit, Do give thee five-fold blazon: not too fast: soft, soft! Unless the master were the man. How now! Even so quickly may one catch the plague?” (1.5.48).
Unlike the other characters in Shakespeare's "Twelfth Night", Viola's feelings of love are genuine. She is not mistaken about Orsino's true nature and loves him for who he really is, while the other characters in the play seem to be in love with an illusion. Viola's love for Orsino does not alter during the play, nor is it transferred to another person.
Naturally, one of the most reoccurring themes in Shakespeare is romantic love. It is perhaps not a coincidence that he put so much emphasis on this elusive and enigmatic emotion. In the Elizabethan age when he was writing, the arts were being explored more fervently, and thus raw human emotions began to surface in the mainstream culture. In Twelfth Night, love is a confusing and fickle thing, as demonstrated in the relationships between Duke Orsino and Olivia; Olivia and Viola/Curio; Malvolio and Olivia (she certainly has an effect on men doesn't she?); Duke Orsino and Viola/Curio. However, the characters seem to have a love-hate relationship with Cupid. Within the first line of the play, it is glorified: "If music be the food of love, play on..." (Duke Orsino, I:I). And while Olivia is annoyed with Orsino's affection, she craves Curio's.
Shakespeare’s play Twelfth Night revolves around a love triangle that continually makes twists and turns like a rollercoaster, throwing emotions here and there. The characters love each another, but the common love is absent throughout the play. Then, another character enters the scene and not only confuses everyone, bringing with him chaos that presents many different themes throughout the play. Along, with the emotional turmoil, each character has their own issues and difficulties that they must take care of, but that also affect other characters at same time. Richard Henze refers to the play as a “vindication of romance, a depreciation of romance…a ‘subtle portrayal of the psychology of love,’ a play about ‘unrequital in love’…a moral comedy about the surfeiting of the appetite…” (Henze 4) On the other hand, L. G. Salingar questions all of the remarks about Twelfth Night, asking if the remarks about the play are actually true. Shakespeare touches on the theme of love, but emphases the pain and suffering it causes a person, showing a dark and dismal side to a usually happy thought.
In his A Midsummer Night’s Dream, Shakespeare contrasts the love existing in the relationships of friends and of lovers. Love here does not refer to romantic emotion exclusively; “love” means connection and empathy with another being. The female relationships in the poem, between Hermia and Helena, and Titania and her fairies, exist with a love based on connections between the females. However, the lovers’ relationships arise from a love produced by desire for another’s differences. The females produce a strong bond with each other that exists to provide the other person with a better version of themselves and protection from destruction. Love can only exist in this relationship because it exists away from outside forces, such as sight. True love does not originate from desire but connection. This connection cannot exist romantically because lust and perception interfere. Shakespeare contrasts the love existing between the same sex versus opposite sexes to reveal the female friendship’s importance in love and virginity: the love between two females in friendship exists independent of outside forces, without domination or penetration, therefore providing the sole form of true love.
William Shakespeare’s Twelfth Night, which is commonly believed to criticize society’s romanticized idea of love, demonstrates that even though love may seem unachievable, it is still possible to find it even in the most unlikely places. Shakespeare illustrates this idea in Twelfth Night through the characters Antonio and Sebastian by subtly suggesting that Antonio and Sebastian are more than just friends. It is Sebastian’s physical beauty that attracts Antonio to him, which leads him to devote himself to Sebastian as a sign of love. Antonio’s love for Sebastian grows to obsession; however Sebastian considers their friendship to be completely plutonic. In addition Sebastian generally tries to save Antonio from his own desire; however he does a bad job by leading him on unintentionally due to his passive nature.
In Shakespeare’s comedy Twelfth Night the great bard uses humor and mistaken identity not only to poke fun at romantic stories of “perfect love” and the foolish behavior of the aristocrats, but also to reveal man’s anxieties surrounding courtship, gender performance, and love as a whole. The portion of the play I have chosen to analyze are lines 188-256 in Act 5 scene one when Sebastian enters the stage and discovers Viola alive. The siblings give information about themselves to determine each other’s identity before Viola finally reveals herself to be female, allowing the farce to come to an end and the characters to return to their normal roles. Viola then declares her love for Orsino and he accepts her affections. While this scene is certainly
In "A Midsummer Night's Dream," William Shakespeare explains the difficulties of the nature of love. Both false love and true love prevail in the end, leading the reader to come to the conclusion that all types of love can triumph. Hermia and Lysander represent the existence of a "true love", while Helena and Demertrius represent the opposite extreme. Shakespeare presents the idea that love is unpredictable and can cause great confusion. Love is something that cannot be explained, it can only be experienced. Shakespeare challenges us to develop our own idea of what love truly is.
There is more of this behavior going on than there is love in this play. Although, this deceptive type of behavior begins to manifest because of the love stories, it still becomes a major theme throughout the play. The reader is pulled into the love stories early on as they show up early and are quite entertaining to read as we see the characters poking fun and the game of leading on with each other. At one point or another every character of this story is either the victim of deception or is trying to deceive someone. This in it’s self is another comedic side of this story, I think Shakespeare was wanting to play with how deception can hurt people whether it is malicious or in good
Transcending the Societal Role of Women: The Revolution of Natural Love in William Shakespeare’s Twelfth Night
Love however, is the source of much confusion and complication in another of Shakespeare’s comedies, Twelfth Night. Men and women were seen as very different from each other at the time the play was written, they were therefore also treated in very different ways. Because of this Viola conceals her identity and adopts the role of a man, in order to better her safety whilst being alone on the island, and to get a job at Count Orsino’s court. In the play Shakespeare uses the gender confusion he has created from obscuring characters identities to explore the limits of female power and control within courtship, and their dominance within society. Violas frustration surrounding her inability to express her feelings to the Count because she is a woman is an example of the limiting rules of courtship which were upheld at the time. (Aside) ‘yet, a barful strife! Whoe'er I woo, myself would be his wife.’ Here she is already expressing her anxiety and emotion at being a woman, and having to keep her emotions hidden from those around her. She longs to be able to express her love as a man could, and in her disguise as Cesario she finds an opportunity to vent her feelings for the Count, but concealed as his words and towards Olivia. Viola is unaware of how her words may sound to Olivia because she is aware of their gender boundaries however Olivia isn’t and soon falls for Cesario. Because Olivia is a Lady and head of the household, and especially how she lacks a father figure, she has a lot more freedom in courtship. Duisinberre comments on this saying, ‘...Viola and Beatrice are women set free from their fathers, and their voice is that of the adult world.’ This is seen when Olivia immediately takes the dominant role in her and Cesarios relat...
Longman. The Longman Anthology of British Literature, vol. B. Damrosch, D. (ed.). NY, LA: Addison Wesley Longman, Inc. 2000.