Clash of Virtues in Othello Perhaps it is just human nature, but people have a way of going to absolute extremes. Whether exhibiting severity in the way one loves, or the way one is loyal, or the way one strives for ambitions, people, in general, have a tendency to take their emotions or actions "all the way." It's an exhibition of passion. Being an expert on the human condition, no one knows or can illustrate this better than Shakespeare. Particularly in his tragedies, Shakespeare very
General named Othello unravels in tragic form as he falls victim to the lies created by Iago. Once revered as a war hero and wed to the beautiful Desdemona, Othello’s life spirals downward with the untimely death of his beloved in his own hands, ultimately ending with his own demise. Love is the force behind this tragedy. Tragedy is the main driving force that brings happiness and tragedy to the characters within the play. But even as such a prominent force, it lacks clear definition. Love has a different
1102 02 December 2017 Love in literature featuring Othello Love is a force that can overtake large adversities and can stumble over small challenges. Love is an intense feeling of deep affection. Love is eternal, but can be deflected. Different forms of love are expressed by Othello, Desdemona, and Iago in Shakespeare’s play Othello. As a result of romantic love, Desdemona splits from her family, and Othello slays his wife. Next, familial love, not as dominant as romantic love, is evidenced in Desdemona's
William Shakespeare's Othello Every artist needs a subject to draw inspiration from—an idea to develop into a masterpiece. Leonardo da Vinci had Madame Lisa to portray in paint. The Beach Boys had Rhonda to render in rhyme. And William Shakespeare had one of one hundred stories written by Giraldi Cinthio to help him create his masterpiece, Othello. Each artist creates his own interpretation from his source. Shakespeare transformed the core of Cinthio’s story into a tragedy. A tragedy is
The play 'Othello' is an epiphany of the ultimate battle between appearance versus reality in the respect that Iago is the complete opposite from what he appears to be. Everyone involved with him separately thinks that he is doing them favors, when actually he is a backstabbing, conniving person who is the essence of evil and is often referred to as half-man, half-devil. Contrary to Iago, Othello is often referred to as a God-like figure, innocent in every way: trusting and naïve. Unfortunately
Shakespeare’s play, Othello, tells the story of jealousy ruining a noble man’s life. Throughout the play, Iago fools Othello with multiple deceptions that eventually force Othello to think that his lover and wife Desdemona is cheating on him with another. The play exposes the downfall of Othello in stages of overwhelming rage and jealousy, he loses sanity in his own judgements and places virtually all of his faith in others. Instances of Othello’s nobility transformation can be represented in acts
Jealousy in Othello The tragedy of Othello is the story of jealousy. It is Othello's public insecurity that makes him jealous of Cassio and allows him to believe that Cassio has slept with Desdemona. Also, it is Iago's jealousy of Othello that drives him to destroy both Othello and Desdemona. What is fascinating about Shakespeare's Othello is the way in which jealousy between the major characters is sexualized. Perhaps what makes Othello so disturbing is how quickly this sexualized jealousy
In the play, The Tragedy of Othello, judging from the relationship between Desdemona and Othello, seems to say that marriage based on an innocent romantic love is bound to fail. There is a common thread of betrayal and deceit among many characters. Othello and Desdemona being the most vividly portrayed. The two appear to love one another romantically at first, but it soon after transforms into a secular love. This comes to pass because there is no foundation for a relationship. There
The Theme of Control in Othello Throughout history, powerful empires with boundless control have had a tendency to fall victim to corruption. It is common knowledge, among political scientists and historians, that power corrupts and absolute power corrupts absolutely. William Shakespeare's "Othello, the Moor of Venice" (reprinted in Laurence Perrine and Thomas R. Arp, Literature: Structure, Sound, and Sense, 6th ed. [Fort Worth: Harcourt, 1993] 1060-1147) contains several
Othello and Desdemona In the play, The Tragedy of Othello, Shakespeare really tests our conception as to what love is, and where it can or can't exist. Judging from the relationship between Desdemona and Othello, the play seems to say that marriage based on an innocent romantic love or profane love is bound to fail. Shakespeare is pessimistic about the existence and survival of a true type of love. There is a common thread of betrayal and deceit among his female characters, especially