Lisa Radford

325 Words1 Page

Writing is everywhere. In terms of friendship, space and appropriation kind of all underpin a concept of fieldwork. Lisa Radford rationalises her method of writing as an exercise in mapping. A map which manifests from a central point through perception and subjectivity, unearthing itself to find a befitting point of origin and end, however expedient. Encapsulating the process of how she mentally puts words to a page; drawing upon social connections as well as the frequent conversations between students, Radford outlines a method both highly resourceful and subjective while placating her own conflicts upon the issue, avoiding the grasp of authorship and experiencing the writing as a compelling structure rather than direct manifestation.
Explaining that she is constantly writing, Radford describes her own writing process as something she undertakes in response to someone or something. Clearly outlining the notion of an encounter as that which allows her writing to occur, Radford establishes herself as a person who is …show more content…

Radford’s writing resembles more a mercurial performance than a sequential composition, one that juxtaposes and exposing relationships between vastly different disciplines.
Radford gives credence to an essay written by Jan Verwoerk titled ‘All writers are liars’ and by not distinguishing her own testimony of writing itself deprives one of forming opinion that would categorise her work and the processes she uses. In Verwoerks essay he states “all writers are liars, they won’t lie to your face. Best reflected in the above essay by Verwoerk, Radford incorporates her surroundings inter her story emphasizing the leanings that underpin her body of writing and

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