Chris Marker is a filmmaker, novelist, poet, editor, photographer, videographer, and digital multimedia artist that has exhibited his complex ideas about time, memory, and the increasing advancement of life on this planet. He has had several successful works that tend to differ in style from the modern standard. Marker emphasizes the false perception of the standard film movement by greatly slowing down the pace of the still images. La Jetee is easily one of his most influential and fundamental science-fiction films, exemplifying a story of time travel told in still images.
La Jetee, a 1962 French science fiction produced by Chris Marker, is a very interesting film illustrated in a unique manner. Although it’s only twenty-eight minutes long
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Although the idea of time travel is not explicitly made clear while watching the movie, it is certainly something to look at when analyzing the film. The shock that comes with time travel results in their difficulty in finding test subjects with the ability to handle such strain. This fundamental idea allows the viewer to interpret whether or not such trials actually happened in real life although such success is clearly impossible. Scientists end up choosing a prisoner following World War III whose memory essentially revolves around a childhood instance of seeing a woman on a platform at an airport. Shortly after his encounter with her, he witnessed the death of a man running along the platform. He was not exactly sure what had just happened but would later understand the magnitude of the incident. This incident provides to be the climax of the film that symbolizes how well of an open ended film this truly is. There is a reason this film won many awards in French for displaying such powerful images and moments through each picture that is shown. Through the beginning period of the time travel he is able to go back to the pre-war time period. Through this he is able to meet the woman from the airport incident in his memory and they are able to develop a romantic relationship. The scientists see his successful attempts to travel to the past and later attempt
Films are designed for numerous purposes, some entertain, frighten, enlighten, educate, inspire, and most make us think about the world we live in. This paper will be focused on the cinematic interpretation of the film "Stepping Razor Red X", the Peter Tosh Story. The makers of a film from the writer, director, cinematographer and the art director, design, and conceptualize what they want the viewer to see.
Agnes Varda is not only one of the few female directors of new wave cinema; she is also credited as having helped create the genre. Her short film La Point–Courte is considered by some as the first new wave film. Her first full length movie, Cleo 5 to 7 falls within this genre as well. It is the story of a young woman dying of cancer and how she sees the world in the context of time. We follow the singer Cleo as she changes into the woman Flora and as she does so she begins to look at time in a different manner. It is the way time is represented through the camera shots which really make this film part of its new wave genre.
“If you put your mind to it you can accomplish anything” – Robert Zemeckis. Back to the Future is an American Classic that is on the minds of people around the world with images of Doc Brown’s shiny time travelling DeLorean. In 2007, The American government acknowledged the importance of the movie Back to the Future and its relativeness to American culture by introducing it into the National Film Registry. This award officially certified the movie in being a “culturally” important work that will be preserved for all of time, there by deeming it as a significant non-traditional “cultural media” in American society.
Un Chien Andalou (1929) by Luis Buñuel and Salvador Dali is the quintessential Surrealist film, including shocking imagery, non-linear time, black humour, oddities and a specific editing st...
By going back and forth between the time frames, the first being in the present and the second being in 800,000, H.G. Wells lets the reader know that the time traveller has made it back from the future by providing passages that prove he made it home, to the present, alive. However, during the time span of the novel, the time traveller from the future did not know that he was able to escape the future. This changes the point of view throughout the story, even though the main character doesn’t change. Because of the changes in the time frame, the time traveller in the present and the time traveller in the future can be considered different people. “Selecting a little side gallery, I made my essay. I never felt such a disappointment as I did in waiting five, ten, fifteen minutes for an explosion that never came. Of course the (dynamite sticks) were dummies, as I might have guessed from their presence. I really believe that, had they not been so, I should have rushed off incontinently and blown Sphinx, bronze doors, and (as it proved) my chances of finding the Time Machine, all together into nonexistence.” In this excerpt, the time traveller is speaking of his own adventure after coming back from the future. However, he makes it sound as if he were in the future. By putting interjections into the story, he changes up the storyline
In class we watch a clip called “Journey of Man” and basically the all over view of this movie was about a man named Spencer Wells and his team of scientist researching for approximately 15 years of investigating to find out our family history. They believe that they have discover some life changing information. They had this discovery for a while now but that needed time to gather up all of the facts from their research. This information that they have could transform our view on the world. They have revealed some type of time machine that has allow them to see back in ancient history. For that past ten years this man and his team have been using this time machine to gather all types of different information about the past history. This information came for just once source, blood. Many people views it as and gift from the past, but to scientist it carries the past and has a unique story behind it. A time machine hidden within us.
Chris Marker’s Sans Soleil is a free-form style travel diary told through the letters of a fictional cameraman Sandor Krasna. A woman, Alexandra Stewart, who remains unseen throughout the entire film, reads these letters. The film explores themes of time, memory, and history. In the essay “In Search of the Centaur: The Essay Film” author Phillip Lopate defines five characteristics he believes a film must have in order to be considered an essay film (245-7). It can be argued that Chris Marker’s Sans Soleil is an essay film based on most if not all of Lopate’s defining characteristics.
...use of documentary style lighting and discontinuous editing that diverges from the Hollywood “invisible” editing. Through understanding the historical climates these two seemingly similar French cinematic movements were in, the psychology of a generation can be visualized in a way truly unique to the indexicality of the cinematic medium.
After the disaster with Mr. Fraser-Stuart he visits Zuckermann again who now shows him a fascinating invention of him: a device which one can uses to look into the past.
Through most of the characters’ passion for filmmaking, this movie teaches the audience the great significance of film history. Many people in modern day tend to take film and its history for granted, but they do not realize the depth and effort that mankind has put into such a development. In Hugo, the theme of film history revolves around the entire production, and the audience sees flashbacks of Georges Méliès’ past that reveal his vital role in movie-making. By investing a deep meaning to the tale, viewers start to understand the great emotional and intellectual characteristics of movies. Additionally, Hugo himself delivers a message to his counterpart characters, which also serves as a lesson for the onlookers. He shows the audience that everyone has a part and purpose in this world. Protagonist Hugo Cabret says that “everything has a purpose, even machines. Clocks tell the time, trains take you places. They do what they’re meant to do.” Voicing through Hugo, the filmmakers illustrate how every individual has a reason to live and discover their calling. With a statement about the forgotten grandeur of film history and a valuable message to the crowd regarding one’s purpose, Hugo inspires and presents itself as a noteworthy and unforgettable
...at time is blurred and not crucial to the overall narrative of the film. “Far from being a purely experimental film, the movie presents, in many ways through its non-linear plot, a rather mesmerizing and eccentric worldview” (Lanzoni 375).
With the discovery of techniques such as continuous editing, multiple camera angles, montage editing, and more, silent filmmaking developed from simple minute-long films to some of the most beautiful, awe-inspiring films that have ever been created—in only a few decades. In Visions of Light, someone alluded that if the invention of sound had come along a mere ten years later, visual storytelling would be years ahead of what it is today. This statement rings true. When looking at the immense amount of progress that was made during the silent era of films, one must consider where the art of film has been, where it is, and where it is
Montage is from the beginning of the twenties characterized as a process of synthesis, building something new and in terms of the physical planes also something quite simple. Most montage’s films were created as a dialectical process, where initially from a two meanings of consecutive shots form a third meaning.
In the early 1900’s Georges Melies introduced his film “A Trip To The Moon” to audiences in France. This film, when first seen by viewers at this time, was jawdropping. Melies who happened to be a magician, and illusionist before becoming a filmmaker, made one of the first-ever narratives in motion picture history. Similarily throughout “Trip To The Moon” and many of his later films, Melies, who also worked in theatre, took full advantage of what is known as Mise-en-scene. Mise-en-scene is defined as: All the elements placed in front of the camera to be photographed: the settings and props, lighting, costumes and make-up, and figure behavior. In “Trip to the Moon” Melies created a world to which no one had ever seen on film, and utilized all the characteristics to which mise-en-scene is based upon.
Time Travel has always struck close to the imagination of the minds. From H.G. Wells ' "The Time Machine" to blockbuster films like "Back to the Future" - for years, time travel was the stuff of science fiction and crazy-eyed mad men but as physicists approach the subject of time travel with new advances in scientific theories and equipment, the possibility of time travel has become a more legitimate field for scientific endeavours. This paper will argue the possibility of time travel and the positive effects that this discovery will bring forth to modern day society: technological advancements.