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Impact of colonialism on literature
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CULTURAL INTERCOURSE BY EUROPEAN COLONISATION IN KIM SCOTT’S THAT DEADMAN DANCE
Ms. P.M.S.Renuga., M.A., M.Phil., NET/SET
Guest Lecturer, Department of English, Chikkanna Government Arts College, Tirupur.
Kim Scott is an Australian novelist of Indigenous Australian ancestry. He is a descendant of the Noongar community. He has written three novels and a children’s book. His novel That DeadMan Dance (2010)portrays the lively fascination felt between Noongar and British Colonists.That DeadMan Dance is Kim Scott‟s third novel, and wins the Commonwealth Writer’s Prize (South East Asian and the Pacific) Regional Award and the
2011 Miles Franklin Award. It escalates a new fictive expedition into what is known as the friendly frontier in the south west of Western Australia in the early 1800s. It speculates imaginatively about the nature of cross-culturalrationality in the early days of settler/Noongar contact. His novel suggests that if the frontier was friendly for a time it was so largely because of Noongar hospitality, diplomacy and generosity in offering assistance and labour to the settlers, a diplomacy the settlers did not by and
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This cooperation is epitomised by the relationship between Dr Cross and Wunyeran.Among the first colonists is Dr Cross who lets the Noongar sleep in his house and share his food. Cross, as his name suggests, exemplifies the charismatic intertwining of settler and Noongarpsychical, somatic and cultural habits and practices.He understands the land has been seized from them. “He is our friend,” (24) says Wooral, an elder Noongar. But already Menat, the sole female elder, is seeing what Wooral cannot, That white men more generally are “Devils! Smile to your face but turn around and he is your enemy. These people chase us from our own country. They kill our animals and if we eat one of their sheep … they shoot us.
In the document “Doomed to Perish”: George Catlin’s Depictions of the Mandan by Katheryn S. Hight, she analyzes the work of George Catlin while he traveled to the Mandan colony west of the Missouri River. Hight identifies that Catlin created a false and imaginative depiction of the Mandan Indians based on his social and political ideas which ended up creating an entertainment enterprise rather than reporting history. Catlin’s extravagant depictions of the Indians, which did have an impact on the Indian Policy in America, seemingly motivates Hight to write on this subject.
From the prologue through chapter one in “Wilderness and the American Mind”, the author emphasizes the affect wilderness had on the Europeans during the colonization of America. In today’s society, we are familiar with the concept of wilderness but few of us have experienced the feeling of being encapsulated in the unfamiliar territory. Today we long for wilderness, crave it even. We use it as an outlet to escape the pace of life. However, we have a sense of safety that the Europeans did not. We are not isolated in the unfamiliar, help is usually a phone call away. Though we now view the wilderness as an oasis because we enter at our own terms, in the early colonial and national periods, the wilderness was an unknown environment that was viewed as evil and dangerous.
Trauma, abuse, displacement, and feelings of alienation have, and is still plaguing the Aboriginal community. Author Eden Robinson and playwright Constance Lindsay Skinner address the displacement, mistreatment, and abuse the indigenous population has faced, and still faces, in Monkey Beach and Birthright. Both Eden Robinson's novel Monkey Beach, and playwright Constance Lindsay Skinner's Birthright deals with characters who are struggling with trauma and haunted with scars from the past. The authors detail these events and bring the reader into the “shoes” of the characters through characterization, imagery, dialogue, and through revealing intimate memories of the characters. These literary techniques enable the reader to see the parallel between the cyclical, ambiguous state of nature, and the ambiguity in humans and how there is a perpetuating, intergenerational cycle of violence caused by abuse and the mistreatment of the Aboriginal.
Dr. Daniel K. Richter is the Roy F. and Jeannette P. Nichols Professor of American History at University of Pennsylvania. His focus on early Native American history has led to his writing several lauded books including Before the Revolution: America’s Ancient Past, and The Ordeal of the Longhouse: The Peoples of the Iroquois League in the Era of European Colonization. Richter’s Facing East is perhaps, a culmination of his latter work. It is centered from a Native American perspective, an angle less thought about in general. Through the book, Richter takes this perspective into several different fields of study which includes literary analysis, environmental history, and anthropology. Combining different methodologies, Richter argues Americans can have a fruitful future, by understanding the importance of the American Indian perspective in America’s short history.
that African Americans and every other race were all equal, including whites. Mandela was part
Indian Horse is the perfect novel for any reader who does not see positivity in a bad situation. Richard Wagamese magnificently takes the reader into an emotional rollercoaster throughout their reading journey. Wagamese superbly proves the possibility of getting back up when knocked down, no matter how many times a person is knocked down. Despite the atrocious scenes that come up, Indian Horse is an optimistic novel because it shows that Aboriginal people have positivity and hope not only negatives, and that they are not just “lazy and hopeless”: a reader can see these positives through Saul’s hard work to improve and become the best hockey player he can be, his effort to ameliorate and return to being a “normal” member of society , and the
Settling into the “New World” was a burden on not only the Pilgrims, but on the adapting Natives as well. In “The Mayflower and the Pilgrims’ New World,” Nathaniel Philbrick writes about much of the Pilgrims history arguing that the basic story does not illustrate the complexity of the relationship between the Native Americans and the Pilgrims. Although, the Pilgrims struggled in the beginning, much of the burden was lifted by the help of the Natives. However, the breaking of the alliance, that aided the Pilgrims in their first years, causes me to point fingers towards the Pilgrims. The Pilgrims’ disrespectful, threatening, and harsh manner puts them to blame for the break down on the good relations between the Natives and the Pilgrims.
In Frethorne's letter home to his parents, he draws a revealing picture of the deteriorating relations between the English settlers and the Indians that is consistent with the history of Jamestown in the period between the two attacks on the colony by the Powhatan chief Openchancanough. Both attacks were in retaliation for specific incidents of murder and depredation on the part of the English, but were responses, more generally, to English expansion into native lands and the resulting erosion of native life ways. The writer's candor about his own experience is compelling. He used vivid details to describe his discontent, deprivation, and discomfort. The small specifics of daily life (quantities and kinds of food, items of clothing, catalogs of implements) and the data of survival and death (lists of deceased colonists, trade and barter statistics, numerical estimates of enemy Indians and their military strength, itemized accounts of provisions, and rations...
Gordon accurately depicts the varied and vibrant Asian culture, by showing the reader this world instead of simply describing it. Each of the men whom Gordon uses to tell the story undertakes expeditions which are mixed with hardships and triumphs. The varied spectrum of Asian cultures is covered. Readers will find Gordon’s take on tackling this topic fresh and straightforward.
The books author, James (Sákéj) Youngblood Henderson came to write this book as a result of living with his wife, Marie Battiste (a celebrated Mi’kmaw scholar and educator) in her Mi’kmaq community of Eskasoni (10). It was the community of Eskasoni that compelled Henderson to compile their histories in a form that would not disrupt the Mi’kmaq worldviews, culture and spirituality they represent but as well easily conveyable to non-Aboriginal peoples.
In “A Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson,” Mary Rowlandson, a Puritan mother from Lancaster, Massachusetts, recounts the invasion of her town by Indians in 1676 during “King Philip’s War,” when the Indians attempted to regain their tribal lands. She describes the period of time where she is held under captivity by the Indians, and the dire circumstances under which she lives. During these terrible weeks, Mary Rowlandson deals with the death of her youngest child, the absence of her Christian family and friends, the terrible conditions that she must survive, and her struggle to maintain her faith in God. She also learns how to cope with the Indians amongst whom she lives, which causes her attitude towards them to undergo several changes. At first, she is utterly appalled by their lifestyle and actions, but as time passes she grows dependent upon them, and by the end of her captivity, she almost admires their ability to survive the harshest times with a very minimal amount of possessions and resources. Despite her growing awe of the Indian lifestyle, her attitude towards them always maintains a view that they are the “enemy.”
The Australian bush legend, Ward believed, came to its climax in the 1880s. He mentions that it was during this time that the majority of the population were native-born, white males who enjoyed the works of writers such as Paterson and Lawson. It w...
...ess the beauty of such unique ceremony.” As he told the very story with deep tones, he would raise his hand clutching a green blade. He said the oldest native gave it to him and that in the exchange the blade gave off light. In return the captain gave his most personal affect, his fathers pocket watch. His time with the natives he said was the best time of his life. The captain believed that the Indians were untainted beings; he said he could feel a connection between the people and believed that their power was routed by a natural energy, native to the land. But the Captain's stories were hard to take in full, the man had a thirst and he drank regularly. No matter how much he drank the captain only needed three hours of sleep to right him. He would wake up perkier than a horny pig and scold us till we joined him. With the captain gone. God to save us…
In a strange way, Victor Navorski’s long and obstacle packed journey relates closely to the journey many early settlers must have experienced. Just like Victor Navorski journey, the early
Throughout Australian history a racist attitude towards Aboriginals has been a significant issue. The instant the early settlers arrived on our shores and colonised, the Aboriginals have been fighting for the survival of their culture. The Aboriginals haven been assimilated, subjugated and marginalized to bring them in line with an idealistic European society. These themes have been put forward by Jack Davis in his stage play, No Sugar, the story of an Aboriginal family’s fight for survival during the Great Depression years. In communicating the racist and hostile attitudes of the dominant white ideology towards, for example, discrimination and assimilation, Davis constructs characters, which are continuously under fire and in opposition to the oppressing dominant white society. Admittedly Davis utilizes his characters to confront the audience and take them out of their comfort zone, thus showing them the reality of Aboriginal treatment. Furthermore this influences the audience to see that discrimination and assimilation are compelling elements in the ongoing cultural survival of Aboriginals within a Western society.