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The Kennebec Story Archive Project Proposal
Short Project Description:
The Kennebec Story Archive is a web-based documentary project that combines personal narratives, community portraits, archival material, and data visualizations to create an interactive database of stories about the people and places of Kennebec County, Maine.
Project Detail:
A multimedia retrospective with a focus on collecting and preserving the histories of local residents, the Kennebec Story Archive will be comprised mainly of a curated collection of short interviews with people of all ages from this small county in central Maine. Participants will be invited to share their most vivid memories from childhood and reflect on how these events influenced the totality of
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These elements will serve to place the personal narratives within appropriate cultural and historical context. The resulting interactive experience will be far more than just a collection of disparate stories and data. These elements will combine to address the central question of the film: What is home and how does it shape who we are?
Project Significance:
The tradition of storytelling is vital to our understanding of history in a larger social and cultural context. Oral history, in particular, is distinctive because it implicitly includes the unique perspective, thoughts, opinions and world-view of the storyteller.
Oral histories reveal how individual beliefs and actions have shaped the past, and how that past shapes our contemporary actions. Collecting memories of the past from the participants who played a role in that past is at the foundation of oral history practice. Preserving these histories provides a record not otherwise available in written or photographic records of these times and
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I was curious to know how growing up in a refugee camp under a foreign military occupation contributes to the shaping of identity. I wanted to reach beyond the sterility of statistics to find out how generations of residents had experienced their confinement. Through their stories, I hoped to create a better understanding of the challenges faced by all Palestinian people who live in the occupied West Bank.
More generally, as a filmmaker, my main ambition is to produce work that informs thought, inspires action, and challenges the conventions of the traditional documentary form. Ultimately concerning social justice, recurring themes in my work include civil rights, gender equality, class-consciousness and environmental responsibility.
Documentaries can provide a window to lives and circumstances outside of our own. They can also reveal universal truths about the human condition and illuminate the commonalities that exist between cultures and communities. I believe my role as a filmmaker is to be both curious and present, to reveal connections between seemingly disparate people and subjects, and to inspire action around an issue.
Stories are a means of passing on information, acting as a medium to transport cultural heritage and customs forward into the future. In his essay titled "You'll Never Believe What Happened," King says that, "The truth about stories is that that's all we are” (King Essay 2). Contained within this statement is a powerful truth: without stories, a society transcending the limitations of time could not exist. Cultures might appear, but they would inevitably die away without a means of preservation. Subsequent generations would be tasked with creating language, customs, and moral laws, all from scratch. In a way, stories form the core of society's existence.
“Oral history is a maddeningly, imprecise term: it is used to refer to the formal, rehearsed accounts of the past presented by a culturally sanctioned tradition-bearers... informal conversations about “the old days” among friends, neighbors, family members… to recorded interviews deemed to have an important story to
“In all of us there is a hunger, marrow deep, to know our heritage - to know who we are and where we came from. Without this enriching knowledge, there is a hollow yearning. No matter what our attainments in life, there is still a vacuum, emptiness, and the most disquieting loneliness.” These words of Alex Haley truly expressed to me personally the imperative need and importance of my family history and heritage. As I believe, family is a gift often cherished, but few take the time to discover and thank those who planted the roots from which a family grows. To express gratitude to my ancestors who planted such roots I have travelled back to discover the past and configure the life of my great grandfather, August Baier.
Not too long ago, grandparents will tell family stories to their grandchildren. Parents will also tell their children family stories. Those family stories will contain family history, struggle and heroism of family members. Also, those stories will pass down the family values and traditions to the next generations. Now a days, most parents read stories from books to their children. Family story telling is an almost lost tradition because it is not practiced anymore. In her short story “Everyday Use”, Alice walker illustrates the importance of keeping a tradition alive other than preserving it.
The tradition of history is the tradition of spreading knowledge and learning from the past. This tradition of history can be spread through many different methods. In this excerpt, Nader says that his knowledge of history began with the stories that his parents told him at a very young age. These stories gave Nader a look into the actions of people from the past and provided him many benefits. Nader says that the exposure to such stories “is crucial for understanding the present and shaping the future” (p.51). In this quote, Nader is essentially saying that a strong knowledge of the past can enable people to better understand their current state of events, and allow them to take action for their future. Nader shows that the knowledge of the
Storytellers tended to have a special place in their societies, whether they were held in high regard or shunned for their lifestyle choice. Regardless, these people could inform the audience about cultural traditions, values, behaviors, etc such as the griots found in some Hawaiian cultures. They could also take advantage of the opportunity to attempt to persuade people to act a certain way or adopt a particular world view. Finally, quite often storytellers were looked upon to entertain at social gatherings to tell humorous stories, such as jesters.” ( http://www.enotes.com/homework-help/what-significance-storytelling-oral-tradition-396206 )
... history and the thoughts they evoke for Marker. It goes beyond documentary to create an essay-film.
...ons. First, the oral history sources are well integrated with the existing literature. Next, by covering relatively long period of time, the reader gets a good sense of the dynamics of change.
Film Society of Lincoln Center , ND/NF Q&A: "Stories We Tell", Sarah Polley, online video, May 10 2013, viewed May 5 2014,
What is history? Many believe that history is what is read in textbooks, or what is seen on the news. If Susan Griffin were asked that question, she would probably argue that history is much more than that. It is about the minds and souls of the people who went through the historical event, not simply what happened. In her essay, Griffin incorporates stories of people from totally different backgrounds, and upbringings, including herself, all to describe their account of one time period. Each person’s history is somehow connected with the next person’s, and each story contr...
History is a vast collection of stories and perspectives from the beginning of time to the present day. Many people have only cursory knowledge of history and some of its important turning points. Few people stop to think about the experiences of those who lived through that history and what it must have been like during that time. Even fewer may be aware that they may have ancestors who were a part of that history. Through the combined methods of formal genealogy and historical research it is possible to see one’s own past come alive. This paper examines the ancestry of the 21st century history student ad uncovers the connections to past events in North American history.
In Doing Oral History, Donald Ritchie, historian of the United States Senate, explains that “Oral History collects memories and personal commentaries of historical significance through recorded interviews.” He says that memory is the core of oral history, and that this is where meaning can be extracted and preserved (Ritchie, 2003). When we collect and oral history from a subject, we are collecting their memories which Ritchie argues are of historical significance, especially when coming from under-represented groups of people. He says these interviews “may be used for research or excerpted in a publication, radio or video documentary, museum exhibition, dramatization or other form of public presentation. Recordings, transcripts, catalogs,
The ideation of objectivity remains a highly debatable subject among philosophical elites. Some philosophers may argue that human’s understanding of objectivity is subject to the scope of understanding of the term and exposure (Livingstone & Plantinga 10). When the term objectivity is entwined with realism, it yields a complex ideation that remains highly debatable and less agreeable among erudite authors (Livingstone & Plantinga 23). However, to understand and appreciate the concept of realism and objectivity in film, it becomes critical to adopt a definite definition. First, the term reality in film is used to describe concepts that are visible in nature as experienced on a daily life by one or more individuals (Livingstone & Plantinga 24). The term objectivity in this case is used to define a set of ideations or perspectives that are incorporated in the film (Livingstone & Plantinga 24). Documentaries are used to create a form of reality, an experience or ideation of the person or group of person experiencing an event or phenomenon. The argument in this analysis is that it is impossible for documentary films to objectively capture reality.
The importance of ethics when making a film is paramount. They exist in the filmmaking world to “govern the conduct [because] no hard and fast rules suffice, (Nichols, 2001). As Bill Nichols has argued, the essential question to consider when making a documentary is “How Should We Treat the People We Film (Nichols, 2001)?” The welfare of the people who participate in the film is vital to recognise because they are “cultural players rather than theatrical performers, (Nichols, 2001)”, they are conveying is real life according to them. Each of their movements and words are not scripted, and are real. A filmmaker is documenting their actual lives because they believe that the value lies in presenting something of interest to themselves and to its audience. It is because of this reality that the issue is much more important because it “adds a level of ethical consideration to documentary that is much less prominent in fiction filmmaking, (Nichols, 2001).” People are portraying their real selves and are not masked by a personality that has been asked of them to depict by a director. What must also be considered is how attending to the ethics of filmmaking is the benefits that it holds for the filmmakers and the audience. “Ethica...
Walker, Alice. "Everyday Use." Literature: A Portable Anthology. Boston: Bedford/St. Martin's, 2009. N. pag. Print.