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The Spanish tragedy, the theme of revenge
Discuss the theme of revenge and justice in the Spanish tragedy
The Spanish tragedy, the theme of revenge
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Justice and Revenge in The Spanish Tragedy by Thomas Kyd Throughout 'The Spanish Tragedy', by Thomas Kyd, there is a constant theme of justice and revenge. Justice is the supreme law of the land; without justice, a country would fall into disrepute and those who are readily concerned with the status of society would have no grounds to stand upon. Therefore, those in power venerate justice. Revenge, however, upsets the delicate balance that holds Spanish society together. Hieronimo does his best to maintain a civil attitude towards incrimination and justice, but his plans for revenge lay waste to the very law he professes to adore. A series of carefully plotted steps, coupled with thoughts of revenge, reveals the descent of Hieronimo into madness and thereby fueling his rejection of justice. As Hieronimo contemplates his actions, he begins arguing with himself and the gods over the death of his son. He brings his case before the heavens questioning the effective nature of justice. This is the first instance where Hieronimo is doubtful of justice. Hieronimo states: If this inhuman and barbarous attempt, If this incomparable murder thus Of mine, but now no more my son, Shall unrevealed and unrevenged pass, How should we term your dealings to be just, If you unjustly deal with those that in your justice trust? (3.2.6-11) These lines provide the foundation for Hieronimo to seek out revenge instead of allowing the courts to decide the fates of the murderers of his son. Hieronimo is clearly angry and infuriated that the murderers have yet to be discovered. This is the moment ... ... middle of paper ... ...l a facility of Hieronimo, he would have realized that killing others does not achieve a resolution, but propagates even further confusion and chaos. Revenge is a maliciously deviant instrument that seeks to redefine an imbalanced society, but ultimately fails due to its irrational nature. Hieronimo was unable to achieve justice for his son, Horatio, so he turned to the grim specter of revenge. Without justice, the Spanish society was unable to sustain itself and Hieronimo only further exacerbated this tension. In the end, Hieronimo was a victim of the very crime he pursued to bring to justice throughout the play: murder. By retracing the steps of Hieronimo, one can see that revenge eventually swallowed Hieronimo whole leaving him bereft of any moral fiber. Bibliography: Kyd, Thomas. The Spanish Tragedy. Ed. Philip Edwards. London: Methuen, 1959.
Revenge is the opportunity to retaliate or gain satisfaction for a real or perceived slight ("revenge"). In “The Cask of Amontillado” by Edgar Allan Poe, Montresor, the narrator, is out for revenge. Montressor seeks revenge against Fortunato and thinks he has developed the perfect plan for “revenge with impunity” (Baym). Montresor never tells the reader why he feels Fortunato deserves punishment. He only says that Fortunato causes him “a thousand injuries”until “[venturing] upon insult” (Baym ?). As a result, Montresor plans to bury Fortunato alive.
German poet Friedrich Schiller once said “Revenge is barren of itself: it is the dreadful food it feeds on; its delight is murder, and its end is despair.” The burning sensation you feel inside when imagining how to get back at someone who has wronged you has tremendous power, and more often than not it leads to hurting yourself more than what was done in the first place. In “The Cask of Amontillado” by Edgar Allan Poe the protagonist Montresor gets revenge on his dear old friend Fortunato without causing any more pain to himself. The setting of this story is limited to two different places. While they contrast each other in certain aspects the carnival and Montresor family catacombs go hand in hand to portray the implicit meaning of the feud
As seen, revenge is not always justice, and there is usually more emotion involved in the revenge and thus the revenge hurts more than the original crime hurt. As seen through the documents and The Count of Monte Cristo, revenge is most often not the same as justice, but can take form in the idea of justice through the coined phrase “an eye for an eye.” Dumas’ excellent writing portrays the Count’s dealings with revenge, love, justice, and providence. He deals with each particular situation differently. Plato’s perfect and ideal revenge cannot be reached except through equal and fair punishment, as our idea of revenge and justice is just a shadow of the utopian revenge and justice.
In response to “The Cask of Amontillado” by Edgar Allen Poe, revenge can get the best of everyone. Like most individuals, I too have found myself once glaring from the sidelines annoyed. It takes a lot to make a calm person like myself resentful, but similar to Montresor, it is possible to become so aggravated that a revengeful plot begins to form.
The simplest and superficially the most appealing way to understand Shakespeare’s Hamlet is to see it as a revenge tragedy. This genre was well established and quite popular in Shakespeare’s time, but it was precisely part of his genius that he could take old forms and renew them by a creative violation of their standards. As this essay will explore, Hamlet stands the conventional revenge tragedy on its head, and uses the tensions created by this reversal of type to add depth to its characters and story.
The realm of revenge often warps the mental state of characters, leading them to enact vengeance regardless of the repercussions which may permeate their world. In Shakespeare’s renowned play “Hamlet,” the main character, Prince Hamlet, is conflicted between his quest to adhere to his private passion, in regards to his eagerness to avenge his father’s death, and his need to avoid neglecting his responsibilities towards his loved ones. Further, the effects of vengeance are illustrated by Medea, the main character in Euripides’ play “Medea,” who allowed her passion for revenge to supersede her duties to her children. Despite the numerous forms of retaliation, this brutalized world is one that ceaselessly dilutes the minds of characters, leaving them ravenous for revenge and oblivious towards any repercussions.
”Revenge tragedy has long been recognized, on the one hand, for the speed with which it becomes virtually synonymous with stage misogyny and, on the other, for its generic and sometimes profound investment in recognizably Renaissance process of mourning- revenge, after all, is the private response to socially unaccommodated grief- but typically mourning and misogyny have been considered in isolation from one another, in separate studies and only insofar as the duplicate Renaissance habits of thought articulated elsewhere in medical or philosophical discourse.”(Mullaney)
In her article, Renee utters that when the thought of vengeance build up in an individual’s brain, it coerces him insane and does not tolerate him to present it a second thought. The first sentence of the story, “The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge,” clearly describes the whole theme of the story as a deeply enrooted revenge in Montresor’s mind” which is an absolute portrayal of retribution that occurs due to arrogance and jealousy. Author sees himself as a superior individual and was victimized by a superiority complex which is quite visible through the phrases which he wrote in the story that Montressor expresses superiority as showed his victim as a foolish person by attributing weird physical appearance and dress appearance in which he described his dress code of “tight fitting parti striped dress and head was surmounted by the conical cap and bells.”
In the play Hamlet by William Shakespeare the theme of revenge is heavily embedded into its frame work, seeing it follows Prince Hamlet in his task of avenging the mysterious death of his father. After encountering the ghost of his father Hamlet was lead to suspect that his uncle Claudius, who took over as king of Denmark after marrying Hamlet’s widowed mother, was the father’s murder. So although by simple glance it may seem that Hamlet was in search for revenge throughout the play, Hamlet took many precautions to insure that the action of removing his uncle from power was truthfully deserved. So, Hamlet ultimately sought justice for the murder of his father, but through strong emotions hamlet did commit several uncivil acts that played an
For those who do not recall the story of Hamlet, this play is one of revenge,
Vengefulness is yet another inexorable human trait. Hamlet's entire character is changed by his need for revenge. He starts out as a serene, learned young man but the need for vengeance twists his soul to the point where he is driven only by his need for pay back.
Revenge is a recurring theme in Hamlet. Although Hamlet wants to avenge his father’s death, he is afraid of what would result from this. In the play Hamlet, Hamlet’s unwillingness to revenge appears throughout the text; Shakespeare exhibits this through Hamlet’s realization that revenge is not the right option, Hamlet‘s realization that revenge is the same as the crime which was already committed, and his understanding that to revenge is to become a “beast” and to not revenge is as well (Kastan 1).
Revenge tragedy is one of the main focuses of the plot because everything Hamlet does and every action he takes is because of his internal struggle of trying to fix a wrong- his father’s death. Hamlet knows that whatever he does to seek revenge will result in consequences, and even if he does not do anything, he will have to deal with the guilt for not taking action like his father asked.
In the play, Hamlet, William Shakespeare explores the theme of revenge. Throughout the work, Hamlet acquires a moral dilemma; he cannot decide how to carry out revenge without condemning himself. Thus, although the play promotes the idea of revenge at the beginning, the cultivation of dialogue, relationships, and complications provide evidence of the detrimental consequences and limitations of the theme.
In a typical revenge tragedy, a hero is called upon by the ghost of a family member to avenge his death ("Revenge Tragedy"). Hamlet is the main protagonist and hero called upon by the spirit of his father to "revenge his foul and most unnatural murder" (1.5.31). When Hamlet first hears that his father was murdered, he exclaims, "Haste me to know't, that I, with wings as swift...may sweep to my revenge" (1.5.35-37). He is hungry to avenge his father; however, Hamlet does nothing and at the end of Act II he scolds himself that "this player...could force his soul so to his own conceit...all for nothing...yet, [he]...can say nothing for a king upon whose property and most dear life a damned defeat was made" (2.2.578-598). Hamlet is upset that he cannot act to avenge his father, but this mere actor can build up so much emotion for nothing. Shakespeare complicates the plot because revenge plots are supposed to have an aggressive protagonist with courage to carry out his deed of revenge; instead, Shakespeare modifies the hero and portrays Hamlet as an indecisive and contemplative man.