In the play, Hamlet, William Shakespeare explores the theme of revenge. Throughout the work, Hamlet acquires a moral dilemma; he cannot decide how to carry out revenge without condemning himself. Thus, although the play promotes the idea of revenge at the beginning, the cultivation of dialogue, relationships, and complications provide evidence of the detrimental consequences and limitations of the theme.
Revenge is the opportunity to retaliate or gain satisfaction for a real or perceived slight ("revenge"). In “The Cask of Amontillado” by Edgar Allan Poe, Montresor, the narrator, is out for revenge. Montressor seeks revenge against Fortunato and thinks he has developed the perfect plan for “revenge with impunity” (Baym). Montresor never tells the reader why he feels Fortunato deserves punishment. He only says that Fortunato causes him “a thousand injuries”until “[venturing] upon insult” (Baym ?). As a result, Montresor plans to bury Fortunato alive.
Revenge is defined as the action of causing hurt or harm on someone for an injury or wrong suffered at their hands. Shakespeare’s Hamlet contains the central idea of revenge. In this story, the father is murdered, the mother marries the murderer, and the son is left to the duty of revenge (Barzilai 87). It is Hamlet’s duty to follow his father’s commands and get his revenge on his uncle, but multiple problems occur and lead to his death along with many others.
The classic revenge tragedy is thus quite a simple affair: there is an offence, and it is followed in a fairly mechanical manner by revenge, preferably bloody and protracted. However, as Delville and Michel (1998) point out, this structure is undermined by Shakespeare in the person of Hamlet. Unlike even Shakespeare’s own creations, Brutus, Macbeth, and Othello, Hamlet is unpredictable. In an earlier version of the play, referred to as the Ur-Hamlet, and attributed to Thomas Kyd, the only reason for...
In response to “The Cask of Amontillado” by Edgar Allen Poe, revenge can get the best of everyone. Like most individuals, I too have found myself once glaring from the sidelines annoyed. It takes a lot to make a calm person like myself resentful, but similar to Montresor, it is possible to become so aggravated that a revengeful plot begins to form.
Shakespeare's Hamlet presents the generic elements found in Renaissance revenge tragedies ("Revenge Tragedy"). However, although Hamlet is a revenge tragedy by definition, Shakespeare complicates the basic revenge plot by creating three revenge plots out of one. By adding significant innovations, Shakespeare creates "three concentric rings of revenge" (Frye 90), depicting an indecisive protagonist who is an intellectual rather than a physical hero, an ambiguous ghost, and several problematic aspects of the play, such as the reason for Hamlet's delay, the confusion of time, and the truth behind Hamlet's apparent madness.
Hamlet can be explored from a Traditional Revenge Tragedy approach, as the whole play revolves around Hamlet seeking revenge for his father’s death. Traditional Revenge Tragedy is whenever a crime is committed against someone, but the character cannot get revenge in a lawful way, so they have to take it upon themselves to punish the other character even if it is a involves a personal risk (Taofiki.) Whenever Hamlet’s father first dies, everyone assumes it is just a natural death, but soon a ghost comes to make Hamlet think otherwise. The ghost reveals to Hamlet that his own brother, Hamlet’s uncle who now is married to his mother, murdered his father by pouring snake venom into his ear. Hamlet is then faced with a predicament because his father
The Vicario brothers in Gabriel García Márquez’s Chronicle of a Death Foretold and Esteban Trueba of Isabel Allende’s The House of the Spirits are prime examples of vengeance not being sweet relief, but instead a bitter burden. Even if it is meant to protect personal morals and values, the act of escalating the anger into violence will never satisfy. The keen understandings of the Chronicle of a Death Foretold’s narrator and Alba give hope for the future to not be rot by the illogical thought that revenge is sweet because in reality, it eventually turns bitter.
in order to get away with killing Claudius. He believes that by acting insane no
In a not determined country of Latin America,Chile or any other country that has suffered the consequences of a dictatorship lives Paulina and Gerardo, her husband. She is a woman who survived the tortures of an already overcome dictatorship; it was then when, Gerardo Escobar was a student and a publishing leader of a clandestine publication. Paulina dealt with the pain without betraying her boyfriend as the torturers were claiming. Now she lives with her fighting partner (Gerardo), in a beach house, completely isolated, close to the cliff. Escobar, now judge of the republic, has been named in a commission to investigate the deaths occured during the past regime. Fate propitiates that Roberto Miranda, the doctor entrusted to maintain alive the victims until they were confessing and who at the same time condemned them to the worst of hells, comes one night to the house of the cliff. She(it) recognizes his(her,your) voice and decides to make him confess, in an imitation of judgment(reason), looking that the truth emerges and this way probably his(her,your) soul recovers the peace that has lost. This one is the history based on a play of the Chilean writer Ariel Dorfman, who opened our new cycle " The pardon, humm! Almost always so difficult … ".
...of Laertes, Fortinbras and Hamlet the viewer realises that revenge is acceptable but only upon those truly guilty and that there must be an end to the hatred caused by revenge.
Throughout Hamlet, each character’s course of revenge surrounds them with corruption, obsession, and fatality. Shakespeare shows that revenge proves to be extremely problematic. Revenge causes corruption by changing an individual’s persona and nature. Obsession to revenge brings forth difficulties such as destroyed relationships. Finally, revenge can be the foundation to the ultimate sacrifice of fatality. Hamlet goes to show that revenge is never the correct route to follow, and it is always the route with a dead
One of the elements of revenge and tragedy is revenge and murders. One can find people taking revenge and are murdering others. Duchess and Antonio are both the revengeful people and at the same time, they are both villains too. "They are the victims of an insensate fury that blinds the eyes, maddens the drain, and poisons the springs of pity." For example, the brothers became angry once they found out that their sister betrays them for not following their order. They think that The Duchess has destroyed the good reputation and status of their family. So, they decided to kill the Duchess, even she is her sister, to protect their family reputation. However, according to the author, "their deeds of revenge are not a wild kind of justice but monstrous wrong."
Revenge is best served cold or so says the well-known expression. This idea of revenge that they seek is usually to restore a balance and take an “eye for an eye” as the bible says. Revenge, if by chance everyone were in Plato’s perfect utopia, would be in a perfect form, where justice and revenge would be one, and the coined phrase an “eye for an eye” would be taken literally. By taking an eye for and eye, and punishing those who did wrong equally as they did wrong, there is justice. However, this revenge sometimes goes to far and is consequently not justice. This notion of Revenge and justice is often in literature, one of the better-known being the novel The Count of Monte Cristo, written by Alexandre Dumas. However, literature is not the only time that revenge and justice is discussed in. Works and Rules and real-life events that took place like the Bible, Hammurabi’s code, Twelve Tables, and others each have something different about the topic. More religious texts seem to forbid violence, while laws, such as the Hammurabi’s code, recommend revenge, but equal revenge. By judging from literature, it can be concluded that most authors have different opinions on the matter at hand, and revenge is sometimes justice, but usually not, and tends to lead to violence that was not intended.