Joseph Minton Inside Analysis

“Beauty is defined as ‘the character that anything has in, so far as it gives pleasure to someone in aesthetic contemplation,” where by contemplation is understood the attitude of receptivity to the feeling embodied in the work of art. And art is “the consciously, i.e., the critically controlled objective expression by the artist of a feeling in him.” These definitions emphasize the emotionalist interpretation of art and therefore they should imply, that beauty is indispensable in art.” A quote sourced from A. Ushenko, in the philosophical journal, The Monist (Ushenko, 1932).

Art is an immortal beauty, portraying singular or plural expressive identities; impinging the artists’ reflections onto its audience. Specific artists, such as Joseph Minton and Edvard Munch;

“At first glance art may appear dark, morose or unpleasant to some; but after closer examination the true beauty is revealed as one considers the complexity and delicate nature of the emotions conveyed through the work.” A quote by the Minton on his work, ‘Inside’ (Minton, 2017). Minton provides a personal portrayal of the complexity in one’s identity, showing the extremity of one’s internal emotions. Whilst, trying to abide by society’s expectations. Minton has engulfed the large-scale canvas in deep tones of saturated colour; however, highlighting specific forms by using a contrast of lighter hues. The extensive use of blues and greens, stimulates the audiences mind; by creating a conceptual ocean of emotions. Minton specifically used the colour blue, as its subconsciously perceived as sorrow and isolation; whilst, green is perceived as envy (Meanings, 2017). Minton manipulates the minds of his audience, providing a multi-sensual ambience to his work; subsequently intimidating and captivating their