Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Relationship between idealism and realism
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Relationship between idealism and realism
“There's only a few things I really care about in life. My body. My pad. My ride. My family. My church. My boys. My girls. My porn.” Joseph Gordon Levitt’s film Don Jon is packed with romance, drama, and comedy. The main character Jon Martello or “Don” has unrealistic expectations in life due to his favor of watching adult films rather than enjoying sexual intercourse with a woman. Throughout the film he tries to find happiness that is being in a relationship with the perfect woman. This film does a great job of revealing to the audience what realistic in life and the priorities of an individual like Jon. This film has a lot of narration from Joseph Gordon Levitt when Jon is alone. From the beginning of the film Jon informs the aspects he
Mulvey, Laura."Visual Pleasure and Narrative Cinema." The Sexual Subject: A Screen Reader in Sexuality/Screen. London: Routledge, 1992.
Not a Love Story: A Film About Pornography. Dir. Bonnie Sherr Klein. Perf. Lindalee Tracey,
An analysis of the relationship between pornography and the American culture reveals that the industry is blamed for dozens of social ills for the men of our society. Those ills also work to damage the women in several irreparable ways. Some of the damages to men include: illegal sexual behavior, illegal non-sexual behavior, callousness, sexual harassment, casual sex, and multiple sexual partners. The problems for the women directly involved in the industry are long term and long lasting, creating overall issues that affect women’s economic and social status. But what are there damages caused by the type of movies most women love, the type of movies they drag their boyfriends and husbands to, the type of movies millions watch unashamedly in public-the romantic comedy?
This film is a romantic comedy that encompasses screen chemistry as a stunning gold-digger and divorce lawyer demonstrates romantic feelings in a court as well as in courtship. Miles Massey, a top divorce attorney is Los Angeles is the king of the prenuptial contract, The Massey Pre-Nup, which had never succeeded in law courts. Oozing with success and charm, Miles longs for a new trial in his life and meets gorgeous Marylin Rexroth. With his experience, Miles defeats Marylin in a divorce case from her wealthy and train-fetishist husband, Rex Rexroth. Miles is openly infatuated by the glamour of Marylin, who is planning to revenge against Miles although she is also attracted to him. Unfortunately, she marr...
Lars von Trier’s Nymphomaniac (2013) sparked controversy even before its stateside release during a matinee screening of Disney’s Frozen (Buck/Lee, 2013) in Tampa, Florida. The usual routine began as the projectionist prepared to screen the film: the lights of the cinema began to dim, the projection screen turned black, and the usual filler of cartoons and trailers started rolling. And then something unusual happened. According to one unsuspecting grandmother, “They put in the filler, it looked like Steamboat Willie, the old Mickey Mouse cartoon, and then all of a sudden it goes into this other scene” (Guardian, “Nymphomaniac Trailer”). This “other scene” was the red-band teaser for Nymphomaniac, described by Julie Miller of Vanity Fair as “the most graphic movie preview of all time—thanks in part to visuals of former child star Shia LaBeouf nude and engaged in multiple sexual activities” (Vanity Fair, “Explicit Sex Film”). Miller’s description of the trailer, however, is mostly incorrect. Very little do we see of LaBeouf’s character in the red-band trailer, neither “nude” nor engaged in the act of sex. Instead we catch various clips of Young Joe, performed by Stacy Martin, who is at one point seen fully nude and whose vagina is superimposed against the film’s title (stylized as NYMPH()MANIAC) at the start of the teaser. Despite his intentions in line with the Puzzy Power movement, von Trier’s male gaze complicates his presentation of female sexuality in Nymphomaniac. The logic behind the metanarrative of the film suggests that Joe’s (Charlotte Gainsbourg) salvation is ultimately afforded by male characters, most explicitly through Seligman (Stellan Skarsgård), Jerôme (Shia LaBeouf), and “K” (Jamie Bell). Although Nymphomaniac ask...
...im discovers that he agrees with Israel. John is a person who lives his life and has no regrets about his decisions. Jim discovers that John Silver is a mysterious and complicated role model. The most important lessons he learns from John is courage and how important it is to make decisions for himself.
With today’s blockbusters being as diverse as our global economy, a growing genre of movies is springing out of the darkness and into mainstream culture. The ever-popular chick flick is becoming a phenomenon for more than just “chicks.” With a predictable template and fantasy story lines one can explain in a matter of a few words, as well as a heroine who finds inner peace and becomes one with the world around her, it is no wonder how chick flicks have transcended audience boundaries. In movies such as “The Devil Wears Prada,” and “Something’s Gotta Give,” we can find the latest archetypes for the chick flick with an added contemporary bonus, greater gender roles and stereotypes. The chick flick is here to stay, and so are the heterosexual and relationship stereotypes engraved in it. But where did this madness begin? The movie “Pretty Woman” gave birth to the chick flick we know today. Although some may argue that contemporary chick flicks promote neofeminism, if one examines the film closely, logical flaws are clear. In its attempt to recreate the classic fairy tale into a contemporary chick flick, the movie “Pretty Woman” promotes female objectification and the financial rat race of consumerism.
Standing on a street corner waiting for a guy to pick you up for sex probably isn’t the idle way to start romantic relationship, well at least its not a way to start one that will last more than a week or a few days. But in the movie a wealthy businessman Edward picks up Pretty Woman Vivien. Over the course of the movie they develop an intense bond for each other. While watching this movie I came across the four major concepts that I felt played a major role in the film Perception, Kinesics, Initial Interaction and Self-Concept/Esteem.
In Visual Pleasure and Narrative Cinema, Mulvey states that, “Traditionally, the woman displayed has functioned on two levels: as erotic object for the characters within the screen story, and as erotic object for the spectator within the auditorium, with a shifting tension between the looks on either side of the screen.” (Mulvey 40). A woman’s role in the narrative is bound to her sexuality or the way she
‘Lad flicks’ or ‘lad movies’ is a type of film genre that emerged in the late 1990s. They are defined as a “‘hybrid of “buddy movies”, romantic comedies and “chick flicks”, which centre on the trials and tribulations of a young man as he grows up to become a ‘real man’. ‘Lad flicks’ respond in part to the much-debated ‘crisis in masculinity’” (Benjamin A. Brabon 116). This genre of film explored what it meant to be a ‘real man’ in the twentieth century and in order to do so, they would have to grow up and leave their juvenile ways behind to enter the heterosexual world. Gender relations in ‘lad flicks’ portray masculinity as a troubled, anxious cultural category hiding behind a humorous façade and also rely greatly on a knowing gaze and irony. The two ‘lad flicks’ that will be analyzed are The 40-Year-Old Virgin (Judd Apatow 2005) and Role Models (David Wain 2008).
Today, pornography has different targeted audiences based on various categories of pornography. There are pornographies made that are targeted toward women in which are slow and focused more on the people’s language rather than solely genitally focused. Most pornographies, however, are made specifically for men. These videos contain a large focus on the genitals, the men are portrayed as dominant, and the women please the men taking any measures necessary. According to a study, pornography that was intended for men and women aroused the men who were being studied. Women on the other hand, activated negative affects after watching the pornography intended for men and positive after watching the pornography intended for women (Mosher, 1994). In general, men are the main target of pornographies and women as well as feminists believe that pornography should not characterize women as objects. Also when making this study, it was difficult to find pornography that was made by women, majority of the videos are made by men and produced for
Pornography is defined as the representation in books, magazines, photographs, films, and other media of scenes of sexual behaviour that are erotic or lewd and are designed to arouse sexual interest (Legal Dictionary, 2014). In 2002, the adult film industry accumulated an average 3.9 billion dollar profit, and this figure has almost tripled since (Forbes Magazine, 2002). Pornography is misconceived within society as a violent and demoralising form of adult entertainment, and can be perceived as a negative pot-stirrer for relationships. Whether or not it destroys relationships is an opinionated question. Regardless, the porn industry does have a proven negative impact on relationship commitment, of bedroom expectations and body image, and can further become an addictive practice for some individuals.
In todays American culture pornography has reshaped the media and entertainment industry through advertising, fashion, and popular culture. Porn stars appear in popular music videos of artist’s worldwide and magazine covers feature nudity, only furthering the exploitation of women in today’s society. It is this heavy influence of media that has redefined the minds and morality of the youth in a larger social context. In the case of Jane and Joe it is hard to determine who is right when they are both free to make their own choices, however where both their choices truly free, or where they influenced by pressure from preconceived ideas from the media.
Additionally, the list of films is in a magazine article format, a form of media that also manipulates what young, vulnerable people perceive as the correct norm. The satire is from the perspective of the media, as we are attempting to “sell” this idea of dysfunctional relationships to young magazine readers. Naive teenaged girls who watch such romanticized films and fawn over the relationships will hopefully see the error of their perception after reading this magazine article. However, those who choose to buy into the romanticization of dysfunctional relationships may not see the ridiculousness of such ideas at all and may continue to fall for the ludicrous
Today, romance is one of the most popular genres to watch on television. Unlike most, romance is a genre where the plot revolves around the love between two main characters as they experience the highs and lows of love. “Common themes that revolve around romantic movies are kissing, love at first sight, tragic love, destructive love, and sentimental love” (Taylor). These themes appear in many historical films and the pattern still continues in modern films as well. Watching romantic movies has a giant negative influence on the viewer's analysis of what love and relationships should really be like. These films give the wrong impression of reality when it comes to dating, marriage, having children, and even how to manage a relationship in the first place. Even though romantic movies are commonly watched, there are many effects on personal real-life relationships after watching these types of films.