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Now and then character analysis
Now and then character analysis
Now and then character analysis
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The story “A&P” by John Updike follows a day in the life of Sammy, a nineteen year-old boy, at his job at a convenience story. For a dull job, Sammy finds ways to entertain himself by thinking deeply and making judgments about the customers. He makes up elaborate stories about people who comment on how he does his job and is a little too observant when it comes to girls in swimsuits scanning the aisles. At the end of the story, he quits, but tries to convince the reader that it was a noble decision—he was doing it in the name of fairness. Sammy is shown as a judgmental, flippant boy who tries to accomplish getting the reader on his side when it comes to quitting his job through the use of metaphors, complex sentences, and rude diction. Sammy …show more content…
These metaphors are not necessarily the nicest thoughts, however, and they are triggered by minor events. After a customer calls him out on a mistake, Sammy describes her as a “witch about fifty” (220) and reduces her to a simple goal of “[tripping] him up” (220). He does not see his job as being very important, so any commentary on how he does it is met very defensively. Making up a detailed backstory about her just because she got angry that he double charged her is a tad dramatic. He is bored, and these literary devices are how he copes. After dealing with that customer, Sammy turns his attention back to the girls in swimsuits. They are more interesting than the checkout counter. How Sammy describes the girls reveals more of his judgmental nature. Paired with each description is some of his own commentary, subtly making fun of the girls, like when he said “you know, the kind of girl other girls think is ‘striking’ and ‘attractive’ but never quite makes it…which is why they like her so much” (221). By adding his commentary among the descriptions, the author creates solidifies a slightly sassy, but …show more content…
Sammy wants the reader to believe he had good reasons for quitting his job, even if he does not feel that way himself. To do this, he describes the customers watching his manager chastise the girls as “sheep, seeing a scene” (225). This comparison shows he does not have very much respect for the A&P-goers. He sees the patrons of the store as mindless creatures in a flock. If his customers are nothing but sheep, then quitting his job should not be a big deal—by describing them this way, he is trying to convince the reader that anyone can deal with them, and he should not have to. He does not like his job, or his manager, which is shown when he says “[t]he girls, and who’d blame them, are in a hurry to get out” (225)—he also is in a hurry to get out. He makes his decision to quit in this sentence after a variety of clauses, bringing on a feeling on nonchalance. He strings so many phrases in a row, and flatly says that he quits in the middle of them. This structure implies that he did not see quitting as such a big deal, as long as it was for a “noble” cause like sticking up for the girls his manager embarrassed. To reinforce the deed behind his decision, Sammy describes himself as an “unsuspected hero” (225). The image of a hero he is trying to create for himself should make quitting seem like the absolute best option. Despite his job being basic and
This story represents a coming-of-age for Sammy. Though it takes place over the period of a few minutes, it represents a much larger process of maturation. From the time the girls enter the grocery store, to the moment they leave, you can see changes in Sammy. At first, he sees only the physicality of the girls: how they look and what they are wearing, seem to be his only observations. As the story progresses, he notices the interactions between the girls, and he even determines the hierarchy of the small dynamic. He observes their actions and how they affect the other patrons of the business. Rather, how the other people view the girl's actions. His thought process is maturing and he starts to see things as an adult might see them.
John Updike's A & P. At first read, John Updike's 'A & P' contrasts old and new; the old manager in his settled life conflicting with the new age of girls wearing bathing suits in buildings. All the while, the narrator stuck in the middle, finally deciding to join the side of new, or youth. Instead of old vs. new, an observation closer to the heart of the story is the conflict between the worlds of the rich and the middle class. A & P - What is a & P? is the setting for one man to decide in which way he will seek to follow his life, standing on his own two feet and treating everyone as equals, or bowing before the wealthy, and searching for his own riches above all else.
A reader can tell that Sammy likes the main girl that he gives the nickname “Queenie” to. He thinks that she is the leader of the girls and also that she is the prettiest. The way that Sammy thinks about these girls really puts the story into perspective. A person would think that a few girls going into a grocery store to grab some snacks is just a part of life, but to hear it in the words of Sammy, it seems quite fascinating. At one point a reader might think of Sammy as sexist, because in his own words, “You never know for sure how girls’ minds work (do you really think it’s a mind in there or just a little buzz like a bee in a glass jar?)[…] (370). All in all, this is just the way that Sammy’s’ mind works; it is how he thinks about people. This is what makes it be known that he a younger man not from the current
In his short story "A & P" John Updike utilizes a 19-year-old adolescent to show us how a boy gets one step closer to adulthood. Sammy, an A & P checkout clerk, talks to the reader with blunt first person observations setting the tone of the story from the outset. The setting of the story shows us Sammy's position in life and where he really wants to be. Through the characterization of Sammy, Updike employs a simple heroic gesture to teach us that actions have consequences and we are responsible for our own actions.
The beginning of “A & P” starts with the main character, Sammy, at work when three girls in nothing but bathing suits walks in. According to Lawrence Dessner, the A & P check out counter showed Sammy a sample of insult and indignity of ordinary people (317). He may not have liked the people that shopped there, but he received insight of the real world. A woman that was currently at Sammy's counter was middle aged and brought Sammy no sympathy to the shoppers; he sometimes mention them as sheep. His names of the shoppers also include insight of Sammy's view of the ordinary shoppers; Sammy did not care much for others.
At the beginning of A&P, Sammy notices that three girls have walked into the store with only there bathing suits on. At first, poor Sammy cannot see the girls because he was at register 3 with his back toward the door. When they finally get into his sight, he immediately size the girls up. "The one that caught my eye first was the one in the placid green two-piece. She was a chunky kid, with a good tan and a sweet broad soft-looking can with those two crescents of white just under it, where the sun never seems to hit, at the top of the backs of her legs." He also gives a description of the other two girls. He says one has "a chubby berry-faces, her lips all bunched together under her nose and the tall one, with black hair that hadn't quite frizzed right, and one of these sunburns right across under the eyes and a chin that was too long--you know, the kind of girl other girls think is very "striking" and "attractive" but never quite makes it, as they very well know, which is why they like her so much." This comments illustrate his immaturity. Sammy refers to one of the girls as queen. He calls her queen because she seems to be the leader. ...
In John Updike's short story, "A & P," the main character, Sammy, is a cashier at a small grocery store. He is seen by many to be a sexist pig, describing in detail how he sees the three girls that walk in to the store. Sammy is in fact a sexist pig by what he says about them. With evidence and quotes from the story, Sammy can be determined to be a sexist pig. He describes the first girl he sees walking in the store as "a chunky kid, with a good tan and a sweet broad soft-looking can with those two crescents of white just under it..." (421). Although the comment was kept to himself, in mind it is a sexist comment. Though the girl was in a bathing suit and there was no beach around, she probably wasn't trying to get the attention of young guys. She was just there to "pick up a jar of herring snacks" (423). Describing the girl's "can" (421), meaning her backside, gives Sammy some credit of being a sexist pig. Sammy slowly begins to see the other two girls follow the first. He notices not only what they're wearing, but what the little clothing that they have on covers up. "This clean bare plane of the top of her chest down from the shoulder bones like a dented sheet of metal tilted in the light" (421). With this quote, he is describing how the bathing suit was slipping off the girl, but in a more demeaning manner. "With the straps pushed off, there was nothing between the top of the suit and top of her head except just her..." (421). Sammy describes that he just sees the girl, a one-nighter type. He doesn't see that she's a human, but just a plaything. One other quote/thought that Sammy has while these girls (whom remain nameless throughout the story), is when the one he calls Queeny takes her money from "the hollow at the center of her nubbled pink top" (423). He begins to get excited as he uncreases the bill as "it just having come from between the two smoothest scoops of vanilla [he] had ever known there were" (424). Sammy seems to be more of a sexist pig, as the reader proceeds through the story.
Lengel, the manager of the store, spots the girls and gives them a hard time about their dress in the store. He tells them, “Girls, this isn’t the beach.” He says that they are not dressed appropriately to come into this grocery store. Lengel’s words cause Queenie to get embarrassed and start to blush. Sammy cannot believe this and gets frustrated at his boss. He doesn’t believe that it is right to prosecute these innocent girls for the way they are dressed. He also states at this point that the sheep are piling up over in Stokesie line trying to avoid all the commotion the scene has caused. I believe Sammy takes this as the last straw in a long string of aggravations.
But as we look deeper we can now see that he was unhappy with his position and felt as if he was better than this. When he was talking about the other workers, he is talking down on them, an example is when he talks about his coworkers’ future, “and he thinks he's going to be manager some sunny day,” as if the almighty Sammy had some sort of say in this. So in short, Sammy is standing up for himself. He doesn’t want anyone to think of him as the middle class worker that he is, but rather as a man who is rich, and fancy, and has everything he wants. That is why he quits his job because as long he is behind that register or even working under the roof of A&P he will not be pleased with the way people look and judge
The story begins as if it is any mundane workday at the A&P. Sammy is a typical teen, making sarcastic comparisons of the customers in the grocery store. He calls one of his customers a "witch" and says the other customers are "house slaves" and "sheep." Sammy obviously dislikes the job, but finds ways of passing the day. However, from the moment the three girls enter the A&P to their exit from the store, you can see dramatic changes in Sammy. Sammy lusts for the young girls, and nicknames the most attractive to him as “Queenie”. The young girls dressed in bathing suits fascinate him, and although he is staring at them excessively, he negatively comments on the others for doing the same. As the girls walk past the older employee, McMahon, Sammy notices how he ogled the girls and pats his mouth. Sammy appears disgusted by his gesture and begins to sympathize for the girls. “Poor kids, I began to feel sorry for them, they couldn’t help it" (Upd...
Although one’s good deeds may often not be acknowledged, the inevitable lesson of maturity can be taught through such experiences. In “A&P”, Sammy is a teenage clerk who is not acknowledged for accomplishing what he thinks is a good deed. During a hot day, three teenage girls walks into the A&P grocery store, wearing only their bathing suits. The image of the girl’s revealing attire provides an absolute contrast to both the simple interior of the store and also of the other conservative customers. Sammy describes the customers as “sheeps” because they look mindless as they follow each other around the aisles in continual, constant motion. However, these three girls conflict with the imagery of “sheeps” by breaking the norms of what the A&P grocery store, and society in general, has proclaimed as acce...
I quit! These words can be attached to so many things in life. At times in life things seem to be different then they really are, for instance the thrill and the excitement of having a summer job or even successfully getting a first job. There are certain moments in a person’s life that will always have an impact on them one could call this a definitive moment or an epiphany. In the short story A&P by John Updike the main character Sammy has an epiphany in that he realizes that a moral line has been crossed in his working environment.
We see this in the opening line of the story: "In walks three girls in nothing but bathing suits" (Updike 1026). Even the voice of Sammy is very "familiar and colloquial" (Uphaus 373). Much of the information that Sammy relays about the three girls is sexually descriptive in a nineteen-year-old boy’s way: "and a sweet broad looking can [rear] with those two crescents of white under it, where the sun never seems to hit" (Updike 1026). It is apparent that Sammy looks at the three girls who happen to walk into the A&P only as objects of lust or possibly boyish desire. Thus, on the surface it is easy to take this story as that of a boy who would do something like quit his job to "impress" these girls.
Sammy worked a typical boring job and what seemed to be in a typical small town. The only person in the store he really related to was Stokesie, which is the foil to Sammy, because Stokesie is married, has kids and eventually wanted to be manger one day. Something Sammy did not want to stick around and see. The customers in the store were all pretty much the same, in which Sammy did not show much emotion towards except he referred to them as “the sheep pushing their carts down the aisle” (Updike 261). It is easy to tell Sammy did not like his job, but it also seemed he had no other option, as if he was stuck in his small town and there was no way out. Then out of the blue he saw three girls wearing only their bathing suites walk in the store. Sammy noticed something different about them, like they were liberated from the conservative values of those times; they were part of a new generation. Especially Queenie, he referred to...
John Updike's A&P provides numerous perspectives for critical interpretation. His descriptive metaphors and underlying sexual tones are just the tip of the iceberg. A gender analysis could be drawn from the initial outline of the story and Sammy's chauvinism towards the female. Further reading opens up a formalist and biographical perspective to the critic. After several readings I began seeing the Marxist perspective on the surreal environment of A&P. The economic and social differences are evident through Sammy's storytelling techniques and even further open up a biographical look at Updike's own view's and opinions. According to an essay posted on the internet Updike was a womanizer in his own era and displayed boyish immaturity into his adulthood. A second analysis of this story roots more from a reader-response/formalist view. Although Sammy centered his dramatization around three young females, more specifically the Queen of the trio, it was a poignant detailed head to toe description of scene. I'll touch on that later.