Human progress is neither automatic nor inevitable. Every step toward the goal of justice requires sacrifice, suffering, and struggle; the tireless exertions and passionate concern of dedicated individuals. Without continual growth and progress, such words as improvement, achievement, and success have no meaning. This is why the Americans held the belief that they were destined to expand across the continent. One thing that the American settlers did not acknowledge was that all progress is precarious, and the solution of one problem brings us face to face with another problem—the Native Americans. Within the painting, American Progress, John Gast incorporated these ideas, beliefs, and problems all onto one image. The painting, American Progress, employs pathos and logos in an attempt to convince the audience that it was the heavenly duty of Americans to expand the country all the way to the Pacific Ocean. It portrays Western expansion by Americans as a glorious and righteous thing. In reality, however, expansion may not have been as just as the painting makes it seem.
American Progress is positioned on an American landscape with the left half of the painting representing western America, while the right side of the picture represents eastern America. This painting is filled with numerous colors all throughout the image, but the left side of the painting is noticeably darker than the rest. In fact, as you move towards the right of the painting, the colors get lighter and brighter. The meanings of the light and darkness within the painting symbolize the known and unknown of the land in America. The west is viewed as dark and mysterious, while the east is welcoming and prosperous.
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...several audiences to gain majority of the people’s support for moving west.
Overall, American Progress purpose was to convince Americans that it was their destiny to stretch across the land from the Atlantic Ocean to the Pacific Ocean in order to make the society a better constructive place. American Progress portrays western expansion and Manifest Destiny as a glorious and righteous thing. This painting presents a very effective persuasion to the American people. The painting played off the American emotions present at the time regarding patriotism and manifest destiny, and by incorporating American innovations such as telegraph lines into the image he paired the idea of expanding westward settlement with the idea of innovation. The painting truly hints at the past, lays out a fantastic version of an evolving present, and finally lays out a vision of the future.
Additionally, the painting shows that these colonists are literally building their society. For example, in the background, there are two buildings under construction and there is a man delivering bricks to the workers. This shows that these colonists are willing to work hard to build their community. This also shows that they are willing to go far away to get bricks. In conclusion the
Art has always been used to portray a message, American art is no different. Throughout the years American art has been created for many different reasons, including parody and satire. One such example is the painting The Surrender by Joseph Griffith. Although it contains jumbled imagery and may convey a mixed message, The Surrender's main message is that American culture is idolized by the youth of today and that American as a whole is waging war on cultures and religions it doesn’t understand.
Boyer, Paul S. The Enduring Vision: A History of the American People. D.C. Heath and Company, Mass. © 1990
These particular journeys would be featured as a two part series on the victims of manifest destiny. The beginning part of the first episode should discuss the theory of manifest destiny, opening with George Berkeley’s “Verses on the Prospect of Planting Arts and Learning in America.” The last two lines of the poem should be emphasized as it discusses “…Westward the course of empire takes its way. The first four Acts already past, a fifth shall close the Drama with the day; time 's noblest offspring is the last.” This particular poem inspired Americans to claim land westward, as well as different painters to depict such action such as: Thomas Cole and Emmanuel Leutze. Leutze painted a picture with the title “Westward the Course of Empire Takes its Way.” This poem also depicts America as the last great civilization. It also reflects the ideas of the people during this time period. This idea Americans starting to move westward was depicted in the painting by Leutze. The painting ...
In a lively account filled that is with personal accounts and the voices of people that were in the past left out of the historical armament, Ronald Takaki proffers us a new perspective of America’s envisioned past. Mr. Takaki confronts and disputes the Anglo-centric historical point of view. This dispute and confrontation is started in the within the seventeenth-century arrival of the colonists from England as witnessed by the Powhatan Indians of Virginia and the Wamapanoag Indians from the Massachusetts area. From there, Mr. Takaki turns our attention to several different cultures and how they had been affected by North America. The English colonists had brought the African people with force to the Atlantic coasts of America. The Irish women that sought to facilitate their need to work in factory settings and maids for our towns. The Chinese who migrated with ideas of a golden mountain and the Japanese who came and labored in the cane fields of Hawaii and on the farms of California. The Jewish people that fled from shtetls of Russia and created new urban communities here. The Latinos who crossed the border had come in search of the mythic and fabulous life El Norte.
In the 1830’s America was highly influenced by the Manifest Destiny Ideal. Manifest Destiny was the motivating force behind the rapid expansion of America into the West. This ideal was highly sponsored by posters, newspapers, and various other methods of communication. Propaganda was and is still an incredibly common way to spread an idea to the masses. Though Manifest Destiny was not an official government policy, it led to the passing of the Homestead Act. The Homestead Act gave applicants freehold titles of undeveloped land outside of the original thirteen colonies. It encouraged Westward colonization and territorial acquisition. The Homestead Act was signed into law by President Abraham Lincoln in 1862. To America, Manifest Destiny was the idea that America was destined to expand across the North American continent, from the Atlantic, to the Pacific Ocean. Throughout this time Native Americans were seen as obstacles because they occupied land that the United States needed to conquer to continue with their Manifest Destiny Ideal. Many wars were fought between the A...
The myth of American(USA) superiority and exceptionalism has existed since the early foundation days. The rush towards the Pacific provided an easy way to sustain this theory, and for a long time it was assumed that westward growth was the best sign of success. In fact, some of the earliest films to hold captive the American citizens were spectacles of U.S. positivism, where good always triumphed over evil.
Tells a story of the creation and defense of communities, the utilization of the land, the development of markets, and the formation of states. It is filled with unexpected twists and turns. It is a tale of conquest, but also one of survival and persistence, and of the merging of peoples and cultures that gave birth and continuing life to America as we think of and experience it today (page 5).
The United States, as a young nation, had the desire to expand westward and become a true continental United States that stretched from the Atlantic to the Pacific. Various factors, strategic and economic, contributed to the desire to expand westward. According to John O’Sullivan, as cited by Hestedt in Manifest Destiny 2004; "the U.S. had manifest destiny to overspread the continent allotted by Providence to the free development of our yearly multiplying millions" (¶2). As Americans ventured westward to settle the frontier, their inherent superior beliefs, culture and the principles of democracy accompanied them. America’s ruthless ambition to fulfill its manifest destiny had a profound impact on the nation’s economy, social systems and foreign and domestic policies; westward expansion was a tumultuous period in American History that included periods of conflict with the Native Americans and Hispanics and increased in sectionalism that created the backdrop for the Civil War.
John Gast’s painting titled American Progress perfectly portrays the idea of manifest destiny that engulfed the minds of Americans. Portrayed in the right side of the painting is indubitable western influence with boats, a bridge in the distance, and trains with little or no track in front of them which allows the mind to conclude the newcomers are pushing west. In the middle of the landscape are horses, buggies, and covered wagons, showing a slight increase in modernity compared to what is shown in the far left of the painting, Indians or better known by 18th and 19th century Europeans as savages. Gast also places the portrayal of western influence in the light portion of the piece, and the old primitive way of live portrayed by savages on the dark side of the piece. This is not coincidence, primitive behavior was viewed as improper and it needed enlightenment this is precisely what Gast presents in American Progress. In the bottom left corner an animal shows its teeth, which could be a signal of the dangers to moving west. What is probably noticed first however is the woman in the center of the painting. The angel, the guiding light of Manifest Destiny the one who is bringing the light that you see so prominently in the right side of the painting. Manifest Destiny was thought of as God’s call to bring western enlightenment to the west. Those who were enlightened and civilizations created by those who were enlightened were viewed as utopian. However, eleven years before Gast painted American Progress was the start of a war that rattled America. Westward expansion and subsequent acquisition of the west was fought over and the utopian ideal Gast portrays was...
The word progress has several different meanings. These definitions played a vital role in American thought. From the initial immigrants to the first government, progress was always on the American mind. Wars were fought on the grounds on progress. The first United States president represented progress. Everything America stands for is based on the progression of its people.
Fredrick Jackson Turner and Reginald Horsman present us with two very different views of American History. Turner views the American period of expansionism across the North American continent as if this were a natural phenomenon. In contrast, Horsman begs us to consider such a perception—very seriously. Where Turner sees something like a sprit of freedom and independence driving the course of American history into the western frontier—and (coincidentally) over the peoples already living there—Horsman reveals how such a view of the American people’s ‘nature’ is constructed, ultimately to justify such expansion.
Insisting that the American people have brought on these accomplishments appeals to the feeling of patriotism in the reader, who is more than likely American. Going back to the Mexican-American War, Thoreau said “The government itself, which is only the mode which the people have chosen to execute their will, is equally liable to be abused and perverted before people can act through it. Witness the present Mexican war, the work of comparatively a few individuals using the government as their tool”(221). This quote from his short story appeals to the readers emotion...
At first, we were a nation of immigrants that prospered in a way that people have never seen. America is known as the land of opportunity, we have innovativeness, and when you really work hard you can definitely make a change for yourself. Turner coins American development by the westward movement. Moving west, and tapping the resources given to us is what made us different. Turner’s thesis is, “The existence of an area of free land, its continuous recession, and the advance of American settlement westward, explain[s] American development. The idea that success came from moving west. This idea wraps up how America became the nation to be.
The native’s attitude towards pilgrims, the original laissez faire attitude of the British government towards colonies, and the French attacks during the revolution are all examples of such events. Such events in turn display how continuous effort trough hardship is indeed rewarded by destiny; a destiny often seen by many to be America’s role as the greatest nation on the world. Such belief both contradicts and emphasizes Crevecoeurs utopian society as seen by James C. Mohr in “Calculated Disillusionment: Crèvecoeur 's Letters Reconsidered”. The lines, “America 's destiny is to carry forward the highest ideals and achievements of those previous civilizations, even though their complete realization will certainly be impossible. The "new man," this American, is a person either foolish enough or heroic enough to try to pursue such a destiny.” (Mohr 4), display such belief of America’s destiny to become the peak of civilization and pursue the impossible utopia. This journey can be seen as the Jeffersonian pursuit of happiness also seen during this time period in which the average joe can, trough effort, achieve a dream. This hope given to citizens is a driving force for the same to believe they should give the rest of the world the same opportunity and allow them to achieve their