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the first creation in Genesis chapter 1
creation in the bible
creation in the bible
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Issues of Christian Life in Heaven is not My Home by Paul Marshall
In Paul Marshall's book, Heaven is not my Home, various subjects pertaining to the relevant issues of Christian life are broadly discussed. In one section, Marshall writes briefly about the area of imagination and the arts. The rough framework for his discussion of this topic is that of biblical creation, fall, and redemption. Due to the author's lack of expertise in the area of professional and fine art, Marshall chose to discuss art forms that are closer to daily life, including mainly clothing and fashion. He also briefly discussed food and speech within this setting. This essay will give a summary of Marshall's position on how Christians should be involved in imagination and the arts, and also my personal insight regarding this topic.
Paul Marshall first presents the imagination and arts in connection with creation. From his standpoint, God himself is the master artist, creating the world a both functional and beautiful thing. Images he linked to this included that of the sky being a gallery to the world, God's rainbow after the Flood, sunrises, and sunsets. Evidence of God's artwork can be seen throughout all of creation. God has also created unlimited resources with which we can make our own art. Pigments, shells, glass, plants, the list goes on. Humans, being made in God's own image, have been blessed with an imagination and creative tendencies. According to Marshall, we are all called to be artists, to imagine and create.
The fall of man, however, has resulted in some changes in human imagination and arts. Man has a choice to glorify himself, other gods, or God through the arts. Directly after the fall, Adam and Eve created clothing for themselves in attempt to cover their sins. In the desert, while Moses was on Mount Sinai, the Israelites created a golden calf to worship. In modern times, clothing can either glorify God and aid a person in status and financial success, or can become an obsession, taking the place of God as an idol. Exuberant amounts of money and time can be spent on clothing and fashion that should really be spent in more productive and edifying ways. Due to the fall of man, imagination and the arts have become a form of glorification of man.
“Art is the organized visual expression of ideas or feelings.” Pensacola Christian College has a great definition for fine art. Starting with the first major point what type of art is this definition referring to; this is the traditional mediums used, such as painting, sculpture, architecture, and drawings. I am thankful we use traditional mediums at this establishment; after doing some research and finding artists like Millie Brown that have used bodily fluids and I am completely disgusted at the pieces that were created. Art needs to be an “organized visual expression of ideas or feelings” showing a clear understanding of design principles and using them to communicate a message. By following this principle I have been able to make some fantastic pieces that can go into a portfolio. Even God has said in Corinthians 14:33 says “for God is not the author of confusion, but of peace, as in all churches of the saints”. The background of this passage is all about communicating to the church, but as a Christian artist we can apply this to our work so we can edify others around us rather...
used to communicate with God and to become a part of His wide universe. In short, it was not capability but mastery of art that helped man establish a direct link with the world around him and art was the person’s way of showing appreciation for God’s universe. This is why Reverend Maclean tells Norman ...
The Middle Ages, contrary to its name, was a dynamic period of innovations. Throughout this period, visual arts were employed to communicate important messages to the public as well as private wealthy patrons. A variety of mediums were used to disseminate ideas. Though, the sense of decorum shifted, the purpose of these moralizing images of religious figures remained the same. Art was, as it still is an extremely useful and powerful tool for both religious and political advancements. The two pieces to be considered in this paper were created using scenes from the life of Christ. Themes from the old and new testaments were frequently used in art of the Middle Ages to convey important messages to a largely illiterate populous, display the wealth of few individuals, and create feelings of patriotism and support for the Monarch by relating them to divinity. Both pieces are from different mediums and likely different forms of patronage. To be analyzed in this paper is an illuminated manuscript page (fig 1) and an ivory diptych (fig 2). There are several similarities, as well as differences throughout the works. I will describe each piece then continue to compare and contrast them, this will work to facilitate a greater understanding of the Middle Ages through works of art.
For the sake of this study, Luke’s Gospel plays an important role in establishing the identity of the members of the community. Indeed, “without Luke’s Gospel our visual images of the Christian story would be impoverished” because “Luke’s Gospel [can be considered] the aesthetic teacher of Christian senses in hearing and speech through story and song and in sight through the many artistic renderings of his stories.” Luke accomplishes this feat by using cultural conventions surrounding hospitality and banqueting to “illustrate such important facets of Jesus’ teaching as generosity to the poor, forgiveness of sinners, humility rather than social power, and the priority given to the word of God.”
The truest of man’s goals is to create art. Art is a by-product of the gift of man over the animals, creativity. Truly, creativity is a replication of God in man and a very possible interpretation of the Genesis 1:27 phrase “in his own image,” along with others—the possession of an immortal soul or the ability to speak. And creativity’s ultimate end product is art. And art more often than not in the history of man has led man to pay homage to his creator. Three of the classic literary artistic works of mankind, Homer’s Iliad, Virgil’s Aeneid, and Dante’s Inferno, feature—if not focus—on the deity or deities of the respective authors and their relation to the characters of the story in the interaction between the two and the worship practices of the characters.
...near the earthly warmth and materialistic passions and to coagulate and fall if near the heavenly chill and spiritual abstinence. By repeatedly manipulating this image pattern of the clouds as the medium between heaven and earth, Joyce tirelessly illustrate the nature of artistry as the compromise between the abstemious religion and the materialistic agnosticism.
Overall, O’Connor use of religious symbols as a literary device has conveyed the message to readers of Christianity and God’s grace. Critics have viewed her work as possessing thought-provoking and deep messages. It is clear that O’Connor attempted to accommodate readers of Christian faith and non-Christian faiths buy painting a picture in a way that most everyone could understand. Her lack of secular censoring in her work along with the vivid characters has helped give new points of view on grace, crime and religion.
A Christian, when faced with the challenge of writing, finds himself in a dilemma: how is he to complete the task? Should he create an allegory? Should he try to teach a lesson reflecting God’s glory? Or should he follow secular trends and current desires in literature? To this, many Christians would say, “Certainly not!” Dorothy L. Sayers and Flannery O’Connor both aim to answer the first question of any Christian writer: How do I write a story with my beliefs?
Some works show their true colors right away. Gene Edward Veith’s book, Reading Between The Lines, addresses philosophical ideas, literary sub genres, and reader criticisms in order to ascertain a Christian’s role in literature. He also goes through various historical periods and examines their more prominent works and schools of thought. While a select few of his conclusions about Christianity in relation to the arts have merit, others contain more damaging implications. Specifically, his statements regarding television represent inaccurate and offensive thinking.
Steve Turner’s “Imagine” is a compelling book that urges Christians to view the arts in an unprecedented way. He challenges commonplace belief that “Christian artists” should only create for “Christian audiences.” Turner confronts the idea that most “churched” people uphold an ideology that our talents are to be confined to church walls. Meanwhile, it is more often the case that an artist would have better reach if their audience were secular. Turner forms his argument that “Christians should be writing poetry infused with godly perception rather than poetry about religion.” (28) Turner invites his reader to look past religion and deep into the heart of why the arts exist in the first place.
Gardner, Helen, and Fred S. Kleiner. Gardner's Art Through the Ages: The Western Perspective. N.p., 2014. Print.
Christian faith and Ethos is the class I am taking this term. The professor 's name is Reverend Leroy Leach Jr. The class is about God, the creation, and how to read the Holy Bible.
Throughout history religion has been taught by art. The Christian religion especially, teaches about their religion through stories or parables. Some of these stories have been turned into art to further the understanding of the story. Many Christian artists have showed Christ’s life through paintings. Carl Bloch had the opportunity to paint the life of Christ for the Frederiksborg Castle church. They showed his birth to the Virgin Mary and his death on the cross. These paintings also show what he did on earth. Christ taught and healed many people. Some of his paintings are alter pieces for the church. The size of these paintings invites its viewers to experience the story in the painting and apply it to themselves. In the painting Christ Healing at the Pool of Bethesda by Carl Bloch, it is portrayed that even in times of darkness and despair Christ is there to help people.
Campbell, Wes. "Art, Sin and Salvation: The Aesthetics of Salvation." Task of Theology Today. Ed.
Art through the ages has been a powerful voice for both secular and religious ideas, and the treasury of Christian art should not be relegated to museum viewing. The art should be displayed in the church were it is meant to be. Its richness can be brought to people in schools and adult study groups. This, in turn, can help to bring art up to the level, that the faith deserves. Churches should fill the walls with art to show what happened throughout the bible. Art creates connections and associations between what we see and what we sense happened. Both ritual and art challenge us to take us beyond the immediate, if they are to bring about true insight and transformation in our lives.