Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Themes of hamlet
The problem of making moral decisions in hamlet
The problem of making moral decisions in hamlet
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Themes of hamlet
What is the Question?
“To be or not to be, that is the question.” However, the real question is if Hamlet is contemplating suicide or not in his famous soliloquy. There are endless debates about whether or not Hamlet is contemplating suicide. I believe that Hamlet is not contemplating suicide. He is more or less reflecting on his life and explaining why someone would not want to commit suicide. There are many reasons that I will present that help me make this conclusion. First, I will talk about what lead up to him talking about life. Then, I will break down Hamlet’s soliloquy and show that he is not, in fact, contemplating suicide throughout it.
The play starts off with Prince Hamlet feeling depressed. He is coming home from school just
…show more content…
As he continues with his speech, he states that having life comes with many other things. Life comes with responsibilities and misfortunes and the only way to get out of those things is to end your life. Therefore, death is a way of taking action against your misfortune. But you have to take action while you are alive to be dead. So Hamlet is talking in circles with his logic. He says that death is nothing but a sleep. However he also says that we often change our way of thinking because of our fear of life after death. Hamlet has this fear which makes him reconsider contemplating suicide. We can not control our dreams, so with death or “sleep”, we can not control what may happen. The same things may happen in those dreams that happen in real life or it may be even worse. We can never be quite sure. This also scares him and stops him from committing …show more content…
Hamlet puts a religious view on the situation by saying, “conscious does make cowards of us all”. This makes everything more intense. He not only talks about killing himself but also the mission that he is on to avenge his father’s death by killing his father’s murderer. There are many times in the play where Hamlet is given the opportunity to kill Claudius but shies away. He does this because killing somebody is a sin. This also strikes fear in him about what life after death might be like (“To Be Or Not To Be’: Hamlet’s Soliloquy”).
At the end of his soliloquy, Hamlet decides that the more he ponders about this kind of stuff, the more it is going to cause him to not take action. Hamlet talks about how life is not very rewarding and how negative it is throughout his speech. But I still do not think that he is contemplating suicide. A list of everything he says he hates in life are in the following lines:
For who would bear the whips and scorns of
To continue on the subject of suicide, I will bring in some information from my last source, “Shakespeare’s Hamlet 1.2.35-38,” by Kathryn Walls. (Gather information from source and relate to the book).
In two of his soliloquies, Hamlet questions whether life is worth living. With characteristic ambiguity and indecision, he wavers as he considers both the Christian and the classical perspectives on suicide. Much of the debate surrounding Shakespeare’s treatment of suicide in Hamlet develops from interpretations of those soliloquies. Focusing primarily on his most famous soliloquy at the start of act three, much critical debate has arisen over the subject of his ruminations, whether on suicide or revenge, as critics draw parallels of development in what is seen as the oppositional thematic relationship between self-murder and murder of the king. Although Hamlet’s spiritual conscience and his fear prevent him from committing suicide, his wish to avenge his father’s murder, however hesitant, constitutes a conscious pursuit of death. Taking revenge that draws upon filial duty, on a task apparently dictated by a spiritual being, Hamlet acts in the service of the state and for this service is rewarded with that end he first wished, death.
Once Hamlet stumbles upon his uncle praying he says: “Now might I do it pat now a is praying. / And now I’ll do’t, / and so a goes to heaven, / And so I am revenged. That would be scanned. / A villain kills my father, and for that / I, his sole son, do this same villain send / to heaven” (3.4.73-77). Hamlet had the perfect opportunity to commit regicide here yet instead of going to Claudius and killing him Hamlet stays back and once again begins to ponder the possibilities of whether or not this is really a good time to do it. Hamlet’s religious beliefs surely play a strong role here because he starts to question what will happen if he kills his uncle while he is praying. Hamlet does, as the quote reveals come to the conclusion that if he were to kill his uncle now he would go to heaven, and not hell where the ghost claimed to have to return to “My hour is almost come. / When I sulph’rous and tormenting flames / Must render up myself” (1.5.4-6). Hamlet did prove that the ghost was his father so knowing that his father is suffering because of his uncle hamlet has no desire to kill Claudius while he is in a position to go to heaven. Normally religious arguments are based on pure speculation however this is not the case for Hamlet; because he has seen the spirit of his late father who did confess to Hamlet that there was in fact a hell to go to because he has to
The most important and crucial ideas about suicide lies within the vulnerable prince himself. In Act I, Hamlet is approached by an apparition, claiming to be his deceased father, King Hamlet. During this encounter the ghost tells Hamlet that Claudius was the man who killed him and now he wants Hamlet to seek revenge for his murder. After enduring this horrifying scene, Gertrude and Claudius tell Hamlet to stay in Denmark instead of going to school, seemingly against his wishes. Subsequently was Hamlet’s first important soliloquy in which he thinks about suicide. “O that this too too solid flesh would melt/ Thaw...
Hamlet is self centered and irrational throughout most of the play. He goes through various stages of suicidal thoughts that all revolve around a multitude of selfish reasons because he can not deal with his problems. His outbursts, mood swings, and constantly changing character have led to a multitude of reasons for his decisions to not kill himself. Think of this, it is much easier to die for a cause than to live for a cause, and yet all Hamlet wants to do is take the easy way out. There are three major soliloquies that Hamlet has that prove as major turning points of his emotions. Hamlet’s suicidal thoughts ring loud and clear for most of the play, however they do change constantly and play key pieces that provide well written and thought provoking soliques.
To begin with, Hamlet starts off his speech asking, “Whether ‘tis nobler in the mind to suffer/ The slings and arrows of outrageous fortune/ Or to take arms against a sea of troubles/ And by opposing end them” (Shakespeare 3.1.57-60). He wonders if he would be more noble if he took his own life and end his sorrows than if he continued to endure him. This question shows the pain and grief that Hamlet has experienced since the death of his father. According to Ophelia, later in Act 3 Scene 1, she reveals that Hamlet was once the obvious successor to the throne since he was charismatic and admired by the people. Clearly, in this part of the play, he is suicidal, and he is uncertain about many of the big decisions in his life. This extreme change in Hamlet’s behaviors makes the audience worry about Hamlet’s mental health. Is his feigned madness transforming into true insanity? However, his comparison to death and sleep suggests that Hamlet is in a state of reflection and learning. Hamlet’s analogy between death and sleep is the musings of an ordinary man who wonders what happens to a soul once its body dies. Just as no one knows what dreams they will experience when they lay in bed, no knows what they will experience when their body is finally laid in a grave.
Hamlet’s psychological influence demonstrates his dread of both death and life. In Hamlet’s famous soliloquy, “To be or not to be” (3.1.64), he refers the “be” to life and further asks “whether ‘tis nobler in the mind to suffer the slings and arrows of outrageous fortune” (3.1.65.66). By this, Hamlet is asking himself the question of whether to live or die.
Shakespeare uses metaphors to express Hamlet’s view of life, death, and the afterlife. Hamlet first introduces the idea of suicide as a way to end the sufferings of life: “and by a sleep to say we end/ The heartache and the thousand natural shocks/ That flesh is heir to” (III. i. 69-71). Here, Shakespeare uses the word sleep to refer to death and the heartaches and shocks as the struggles of life. There is also a peace in sleeping that Hamlet wants to obtain in death. By using these metaphors, Shakespeare shows the simplicity of death compared to the hardships of life. This is especially evident with Hamlet because the revenge he is seeking is much more difficult than giving up and taking his own life out of grief. Hamlet then continues to express his fear in thoughts of suicide: “To die, to sleep---/ To sleep, perchance to dream. Ay, there’s the rub,/ For in that sleep of death what dreams may come,/ When we have shuffled off this mortal coil,/ Must give us pause. There’s the respect/ That makes calamity of so long life” (III. i. 72-77). The dream that Shakespeare is referring to is the afterlife, continuing with the metaphor of sleeping as dying. The question of the dreams that will come is Shakespeare’s way of expressing the unknown state of a soul after deat...
Hamlet although he believes that suffering must be endured or battled, he also understands that suffering is optional and that suffering is caused from pain and all pain can be relieved. At times Hamlet no longer sees the point of bearing the huge burden of suffering as he does, but rather to end the burden through suicide. These thoughts are however based or can be linked back to Hamlet’s emotion and how his negative emotions overcome his logical thinking. We see however Hamlet’s ability to think logically and understand the reasoning behind suffering and the preciousness of his life. At this point in the play Hamlet no longer doubts his meaning in life, this is quite pivotal because this then allows him the confidence and power to seek revenge on Claudius.
In the last soliloquy he was understanding how its a crime and a sin to commit suicide but in act 3 scene 1 his mindset changes dramatically.He states “ To be or not to be—that is the question: Whether 'tis nobler in the mind to suffer”(3.1.64-65). Hamlet is now asking himself if he should die, should he commit suicide. Would it be worth living? But due to his religion, he can't.”To die — to sleep. To sleep—perchance to dream: ay, there's the rub!; / for in that sleep of death what dreams may come “(3.1.72-72).Shakespeare is very good at using metaphors in which he uses in this scene. He compares sleep to death and sleeps to dreams. The dreams that he fears are those who connect to death. A never-ending sleep that gets rid of all our problems. Hamlet then goes on and proves that there's suffering after death. But even though he doesn't know what happens after death, he learns that he has the ability to make his own decision and that his decisions deprive on
In this soliloquy Hamlet once again talks about suicide. He says he would like to get rid of his endless troubles by killing himself, because in death he can sleep and have no worries.
In conclusion suicide is used all throughout Shakespeare’s works. Suicide is actually used an unlucky thirteen times in some of his most popular plays. In Hamlet suicide is an issue of controversy and question. Hamlet is a confused man from everything that he has experienced in such a short period of time. And even though Hamlet contemplates suicide he is not the one who suffers from it. Ophelia is actually is the victim of the actual act of suicide. His morality, religion, and philosophical views on suicide keep him from committing the dreaded act. Even though suicide still goes on today and the questioning of the issue, it has been like this for a very long time.
He is always worrying that he will be sent to hell for committing a sin. He believes in God and he believes in a heaven. Since Hamlet believes in both heaven and our God, he is not able to commit suicide and depart from this world. He wishes that he could die, but at the same time he knows that he must live. God decides where and when people die and his judgment is supposed to be final. Humans just think that they can end their lives and they 'll be alright with that. But it is God who determines when life is brought in and out of the world. Therefore, this is partly why Hamlet didn’t commit suicide.
Hamlet’s anger and grief- primarily stemming from his mother’s marriage to Claudius- brings him to thoughts of suicide, which only subside as a result of it being a mortal and religious sin. The fact that he wants to take his own life demonstrates a weakness in his character; a sense of cowarness, his decision not to kill himself because of religious beliefs shows that this weakness is balanced with some sense of morality. Such an obvious paradox is only one example of the inner conflict and turmoil that will eventually lead to Hamlet’s downfall.
In Hamlet's own speeches lie the indications for the methods we should use for its interpretation. & nbsp; Hamlet's reason for suicide is the death of his father, the late King Hamlet - or at least this is what he tells the world. He claims his father's death as the reason in his first soliloquy (1.2.133-164), but we are led towards other reasons by the evidence he gives. In the famous "to be or not to be" soliloquy, he says: "For who would bear. the pangs of despised love. when he himself might his quietus make/with a bare bodkin?"