The presence of sorrow is ________ in Tim Winton’s novel, Cloudstreet. The impact of this anguish proves to be neither manageable or momentary, with various factors ensuring that the characters take a while to overcome or accept their grief. These factors include the complex nature of disputes and the lack of right and wrong. The unwillingness to tolerate or empathise with others, maximising the hatred that inspires misery. The consequence of grief can dislodge someone’s identity and it takes time for them to readjust and find their sense of meaning
A resistance to understanding others causes the residents of Cloudstreet to harbour grudges, drawing out the suffering of both parties. Rose’s bitter resentment of Dolly proves to be unwavering, having lasted for over a decade. This extreme dislike leads Rose to labelling her mother a “drunken slut” and ignoring her assertion that “[Rose] shouldn’t hate [her]”, the limited of empathy and and callous judgement compounding the misery of both Rose and Dolly, additionally shielding Rose from any hint of Dolly’s shameful family lineage. The inability of Rose to forgive her mother for stealing her “childhood” and “innocence”, sabotages any chance of Rose assuaging her torment, lengthening Rose’s period of anguish for her grim upbringing and further complicating the recovery from such distress. Cloudstreet conveys the difficulty of eliminating and resolving despair, particularly when the challenge of reconciliation is involved.
Characters of Cloudstreet, occasionally believe that they do not deserve to be rid of their grief, choosing instead to punish themselves and let the grief rest within them. Overwrought with guilt for the drowning of Fish, Quick builds the “gallery of the miserable” to...
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...ing sorrow causes people to want to ignore it entirely, attempting to forget their experiences rather than rise to surmount their pain. This furthermore extends the time it takes for despair to be eased, proving that influence of misery is long-term and not effortlessly vanquished.
The pain that confronts characters in Cloudstreet is neither smoothly overrun or ceased, the . The presence of The impact of this anguish proves to be neither manageable or momentary, with various factors ensuring that the characters take a while to overcome or accept their grief. These factors include the complex nature of disputes and the lack of right and wrong. The unwillingness to tolerate or empathise with others, maximising the hatred that inspires misery. The consequence of grief can dislodge someone’s identity and it takes time for them to readjust and find their sense of meaning
People one can never really tell how person is feeling or what their situation is behind closed doors or behind the façade of the life they lead. Two masterly crafted literary works present readers with characters that have two similar but very different stories that end in the same result. In Herman Melville’s story “Bartleby the Scrivener” readers are presented with Bartleby, an interesting and minimally deep character. In comparison to Gail Godwin’s work, “A Sorrowful Woman” we are presented with a nameless woman with a similar physiological state as Bartleby whom expresses her feelings of dissatisfaction of her life. Here, a deeper examination of these characters their situations and their ultimate fate will be pursued and delved into for a deeper understanding of the choice death for these characters.
This extract emphasises the lonely, outworld feeling that would have been felt living in such settings. This puts into perspective the feeling that will be felt during the coarse of the plot development.
The characters in Alice Sebold’s The Lovely Bones are faced with the difficult task of overcoming the loss of Susie, their daughter and sister. Jack, Abigail, Buckley, and Lindsey each deal with the loss differently. However, it is Susie who has the most difficulty accepting the loss of her own life. Several psychologists separate the grieving process into two main categories: intuitive and instrumental grievers. Intuitive grievers communicate their emotional distress and “experience, express, and adapt to grief on a very affective level” (Doka, par. 27). Instrumental grievers focus their attention towards an activity, whether it is into work or into a hobby, usually relating to the loss (Doka par. 28). Although each character deals with their grief differently, there is one common denominator: the reaction of one affects all.
In Cause of Suffering, everyone craves a lust for satisfaction, whether it is hunger, power, or entertainment. We never forget the thirst for attentiveness as it becomes repetitive until the thirst subsides for a while. For this reason,
Through an intimate maternal bond, Michaels mother experiences the consequences of Michaels decisions, weakening her to a debilitating state of grief. “Once he belonged to me”; “He was ours,” the repetition of these inclusive statements indicates her fulfilment from protecting her son and inability to find value in life without him. Through the cyclical narrative structure, it is evident that the loss and grief felt by the mother is continual and indeterminable. Dawson reveals death can bring out weakness and anger in self and with others. The use of words with negative connotations towards the end of the story, “Lonely,” “cold,” “dead,” enforce the mother’s grief and regressing nature. Thus, people who find contentment through others, cannot find fulfilment without the presence of that individual.
Sharon Begley, author of “Happiness: Enough Already,” proclaims that dejection is not an unacceptable state of mind and there are experts that endorses gloomy feelings. This reading explicates that even though every-one should be happy there is no need to ignore sadness, as both emotions share key parts in everyone’s life. Sharon Begley and her team of specialists provides the information on why sadness is supplemental to a person’s life.
The speaker in “Five A.M.” looks to nature as a source of beauty during his early morning walk, and after clearing his mind and processing his thoughts along the journey, he begins his return home feeling as though he is ready to begin the “uphill curve” (ln. 14) in order to process his daily struggles. However, while the speaker in “Five Flights Up,” shares the same struggles as her fellow speaker, she does little to involve herself in nature other than to observe it from the safety of her place of residence. Although suffering as a result of her struggles, the speaker does little to want to help herself out of her situation, instead choosing to believe that she cannot hardly bare recovery or to lift the shroud of night that has fallen over her. Both speakers face a journey ahead of them whether it be “the uphill curve where a thicket spills with birds every spring” (ln. 14-15) or the five flights of stares ahead of them, yet it is in their attitude where these two individuals differ. Through the appreciation of his early morning surroundings, the speaker in “Five A.M.” finds solitude and self-fulfillment, whereas the speaker in “Five Flights Up” has still failed to realize her own role in that of her recovery from this dark time in her life and how nature can serve a beneficial role in relieving her of her
Imagine that the person you love most in the world dies. How would you cope with the loss? Death and grieving is an agonizing and inevitable part of life. No one is immune from death’s insidious and frigid grip. Individuals vary in their emotional reactions to loss. There is no right or wrong way to grieve (Huffman, 2012, p.183), it is a melancholy ordeal, but a necessary one (Johnson, 2007). In the following: the five stages of grief, the symptoms of grief, coping with grief, and unusual customs of mourning with particular emphasis on mourning at its most extravagant, during the Victorian era, will all be discussed in this essay (Smith, 2014).
I will discuss the similarities by which these poems explore themes of death and violence through the language, structure and imagery used. In some of the poems I will explore the characters’ motivation for targeting their anger and need to kill towards individuals they know personally whereas others take out their frustration on innocent strangers. On the other hand, the remaining poems I will consider view death in a completely different way by exploring the raw emotions that come with losing a loved one.
Sorrow, the Straight Matter of Life. During the process of growing up, we are taught to believe that life is relatively colorful and rich; however, if this view is right, how can we explain why literature illustrates the negative and painful feelings of life? Thus, sorrow is inescapable; as it increases one cannot hide it. From the moment we are born into the world, people suffer from different kinds of sorrow.
Grief played a large role in the lives of the Boatwright sisters and Lily Owens. They each encountered death, injustice, and sadness. Grief impacted and left an imprint on each of them. Grief proved fatal for May. August knew that grief was just another aspect of life; that it had to be accepted and then left in the past. June and Lily learned to not let grief rule their lives. Life is not inherently good or bad – events not solely joyful or grievous – it is glorious in its perfect imperfection.
As the first poem in the book it sums up the primary focus of the works in its exploration of loss, grieving, and recovery. The questions posed about the nature of God become recurring themes in the following sections, especially One and Four. The symbolism includes the image of earthly possessions sprawled out like gangly dolls, a reference possibly meant to bring about a sense of nostalgia which this poem does quite well. The final lines cement the message that this is about loss and life, the idea that once something is lost, it can no longer belong to anyone anymore brings a sense...
The emotions associated by an environment enable personal growth over a lifetime. Negative emotions like hopelessness, anger and sadness all influence and alter people deeply, leaving them
tragedies that befell her. She is an example of a melancholic character that is not able to let go of her loss and therefore lets it t...
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...