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Zora neale hurston’s essay “how it feels to be colored me”
How it feels to be colored me
Zora neale hurston’s essay “how it feels to be colored me”
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Zora Neale Hurston’s “How It Feels to Be Colored Me” can be interpreted as a reverse response of W. E. B. DuBois’ concept of “double consciousness” that he describes in “The Souls of Black Folk.” Hurston shows that not all African Americans experience a sense of double consciousness and that some are instilled with the self confidence required to embrace one’s “blackness.” First, it may be helpful to define consciousness before attempting to explain the notion of double consciousness. Consciousness is defined as the state of being mentally aware of something: oneself, in this essay. Therefore, we can now define double consciousness as the state of an individual being mentally aware of “two selves”: one as you see yourself and the second as you see yourself through the eyes of others. Dubois describes it as “the sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity.”1 So, not only does double consciousness mean seeing oneself in two lights, but it is necessary to understand that these two views are also conflicting. We will be examining a few aspects of double consciousness as discussed by DuBois and then as a response by Hurston. The first deals with trying to define oneself within a “white America” filled with discrimination against blacks. DuBois expresses confusion about this black identity during his era. He knows that essentially he is the same on the inside as a white person as far as needs and desires in life. This can be seen from his statement, “I was different from the others; or like, mayhap, in heart and life and longing, but shut out from their world by a vast veil,” (DuBois 896) meaning that he is discriminated agai... ... middle of paper ... ...DuBois describes only the negative effects of racism and highlights the struggles and hardships that an African Americans comes up against. Hurston goes so far as to show the point of view from the side of the white person, of how a white person can feel as out of place in a large group of blacks as a black person in as a group of whites. These example show that though similar in some respects, Hurston’s reading of being colored in America shows an opposite view of DuBois’ concept of double consciousness. Word Count: 1301 References: 1. Dubois, W. E. B. ""The Soul of Black Folk"." The Norton Anthology of American Literature. Volume C. New York: W. W. Norton & Company, Inc., 2007. 894-910. 2. Hurston, Zora Neale. ""How It Feels to Be Colored Me"." The Norton Anthology of American Literature. Volume D. New York: W. W. Norton & Company, Inc., 2007. 1710-1713.
The idea of double consciousness, as defined by DuBois, can be seen in fleeting moments in both He Who Endures by Bill Harris and The Sky Is Gray by Ernest Gaines. When one compares the thought of double consciousness with the modern perception of a hyphenated existence, one can see that they both view the cultural identity ( African American) as one of a dual nature, but the terms differ in their value judgments of this cultural duality. Depending on how one values this cultural duality, as evidenced in both of the aforementioned works, it can alter the meaning of the works. However, double consciousness is the more appropriate perspective because it existed as a thought when these works were written, a positive view of hyphenated existence
Durkheim and DuBois are both Non rational, Collective thinkers whose actions are motivated by morals and ethics, principles, practices, beliefs, habits, or passion, and the lives of the past are patterns, which are the result of the futures’ fundamental formation. Both theorists have concepts, and studies which overlap with one another, and both theorists can be combined in their ideas through W.E.B. Du Bois’ classical work The Souls of Black Folks. In the book the metaphorical veil is brought to attention as the visual manifestation of the colour line, while in Durkheim’s theories the symbolic veil can be viewed as a sacred and profane object. Durkheim’s theory of the collective representation ties in to the depiction of the blacks and the prejudice behind the veil within society.
It is strange that two of the most prominent artists of the Harlem Renaissance could ever disagree as much as or be as different as Zora Neale Hurston and Richard Wright. Despite the fact that they are the same color and lived during the same time period, they do not have much else in common. On the one hand is Hurston, a female writer who indulges in black art and culture and creates subtle messages throughout her most famous novel, Their Eyes Were Watching God. On the other hand is Wright, who is a male writer who demonstrates that whites do not like black people, nor will they ever except for when they are in the condition “…America likes to see the Negro live: between laughter and tears.” Hurston was also a less political writer than Wright. When she did write politically, she was very subtle about stating her beliefs.
After slavery ended, many hoped for a changed America. However, this was not so easy, as slavery left an undeniable mark on the country. One problem ended, but new problems arose as blacks and whites put up “color lines” which led to interior identity struggles. These struggles perpetuated inequality further and led W. E. B. Du Bois to believe that the only way to lift “the Veil” would be through continuing to fight not only for freedom, but for liberty - for all. Others offered different proposals on societal race roles, but all recognized that “double consciousness” of both the individual and the nation was a problem that desperately needed to be solved.
The idea of double consciousness was first conceptualized by W.E.B. Du Bois. In his writing “The Souls of Black Folk” Du Bois reflects on the subjective consequences of being black in America. On the concept, Du Bois says: “After the Egyptian and Indian, the Greek and Roman, the Teuton and Mongolian, the Negro is a sort of seventh son, born with a veil, and gifted with second-sight in this American world,--a world which yields him no true self-consciousness, but only lets him see himself through the revelation of the other world. It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity. One ever feels his twoness,--an America...
In ‘How it feels to be colored me’ Neale Hurston opens up to her pride and identity as an African-American. Hurston uses a wide variety of imagery, diction using figurative language freely with metaphors. Her tone is bordering controversial using local lingo.
Many parallels can be drawn between the works of W.E.B. DuBois and those of James Weldon Johnson. Johnson was greatly influenced by many concepts created by DuBois, especially those presented in DuBois's classic work The Souls of Black Folk. Johnson was so impressed with DuBois and his ideas that he sought him out in 1904 at Atlanta University. The two men developed a strong friendship and later worked for years together in the NAACP, Johnson's diplomatic temperment often balancing DuBois's more volitile one.*
In The Soul of Black Folk, W.E.B. Du Bois talks about the struggles that the African Americans faced in the twentieth century. Du Bois mentions the conflict that concepts such as the “double consciousness” (or duality), “the veil” and the “color-line” posed for Black Americans. In his book he says that African Americans struggle with a double consciousness. He explicates that African American are forced to adopt two separate identities. First they are black, and that identity pertains to the color of their skin, the second identity is the American identity. However, he continues that the American identity is tainted because it is that if being American now but were slaves first. In other words, the double consciousness is saying that black people
Though her race was a victim of brutal, harsh discrimination, Hurston lived her life as an individual first, and a person of color second. In the narrative “How It Feels to Be Colored Me” by Zora Neale Hurston, Hurston says, “The cosmic Zora emerges. I belong to no race nor time. I am the eternal feminine with its string of beads” (Hurston 3). She feels as though an extraordinary form of herself is brought out. This form is not bound by physical traits and is the everlasting woman with the cards she is dealt. The “cosmic Zora” emerging represents the empowered, fearless Zora from Orange County, Florida. When she says that she belongs “to no race nor time”, she means that her race and background do not define who she is as an individual. “The eternal feminine” symbolizes the
Hurston does not concern herself with the actions of whites. Instead, she concerns herself with the self-perceptions and actions of blacks. Whites become almost irrelevant, certainly negative, but in no way absolute influences on her
“It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity. One ever feels his twoness, – an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.” (Dubois 694).
In conclusion, Hurston was a modernist writer who dealt with societal themes of racism, and social and racial identity. She steps away from the folk-oriented style of writing other African American authors, such as Langston Hughes, and she addresses modern topics and issues that relate to her people. She embraces pride in her color and who she is. She does not hate the label of “colored” that has been placed upon her. She embraces who she is and by example, she teaches others to love themselves and the color of their skin. She is very modern. She is everybody’s Zora.
DuBois presents the question “[h]ow does it feel to be a problem?”, introducing the attitude towards African-Americans upon their emancipation (DuBois 3). The idea of freedom for slaves meant equality, but “the freedman has not yet found in freedom his promised land […] the shadow of a deep disappointment rests upon the Negro people” (6). The challenge faced during this time was how to deal with the now freed slaves who once had no rights. DuBois states that African-Americans merely wish “to make it possible for a man to be both a Negro and an American, without being cursed and spit upon by his fellows, without having the doors of Opportunity closed roughly i...
In Du Bois' "Forethought" to his essay collection, The Souls of Black Folk, he entreats the reader to receive his book in an attempt to understand the world of African Americans—in effect the "souls of black folk." Implicit in this appeal is the assumption that the author is capable of representing an entire "people." This presumption comes out of Du Bois' own dual nature as a black man who has lived in the South for a time, yet who is Harvard-educated and cultured in Europe. Du Bois illustrates the duality or "two-ness," which is the function of his central metaphor, the "veil" that hangs between white America and black; as an African American, he is by definition a participant in two worlds. The form of the text makes evident the author's duality: Du Bois shuttles between voices and media to express this quality of being divided, both for himself as an individual, and for his "people" as a whole. In relaying the story of African-American people, he relies on his own experience and voice and in so doing creates the narrative. Hence the work is as much the story of his soul as it is about the souls of all black folk. Du Bois epitomizes the inseparability of the personal and the political; through the text of The Souls of Black Folk, Du Bois straddles two worlds and narrates his own experience.
In “How It Feels to Be Colored Me” Hurston undergoes many obstacles such as challenges because the colored of her skin, her change of life style, but the most important aspect is her attitude, the way she react towards these obstacles. Hurston nightmares starts when her life style changes. She moves to a town in which people of colored do not have good relationship with white. She is going to thirteen when she becomes colored she says. She becomes such because people (white) around keep reminding her of what she is. However, she never cares because she already knows that. Hurston