Ida B. Wells: Apocalyptic Theology

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Poole provocatively argues that the South had become a “haven of apocalyptic theology.” He discusses evangelist Sam Jones, the Ku Klux Klan, and ministers who repeatedly made recourse to apocalyptic imagery to develop a theology of judgment after the chaos and crisis of war. Of course, for white supremacist Christians, blacks were forced to play the role of the demonic in this theology. He recalls a the language of white propagandists, like the press that Ida B. Wells-Barnett resisted, who represented black women as “female demons” and “polluted wretches.” On the other hand, the language of apocalypse was also “the grammar of black theology.” The apocalyptic universe of white supremacy, on his reading, was countered in African American theology by apocalyptic eschatological themes energized by emancipation. By attending to the apocalyptic permeation of white and …show more content…

She indispensably corrects Mathews’ and Poole’s otherwise cogent readings of lynching by refusing to write lynching as a collapse, short-circuit, or psychotic failure of whiteness. Further, she recasts the stakes of lynching in terms of theological anthropology. Following Sylvia Wynter, we might elaborate Wells by saying that African Americans threatened to unsettle the white male supremacist accomplishment of overrepresenting Man-as-human. Thus, she paints white masculinity as the devil that threatens the well-being not only of black men, but also white and black women. If being human is not a given but a practice, then through lynching African Americans, whites demonize and dehumanize themselves. Wells’ answer to the question that Terrance Hayes’ poem poses about disfigurement would be, I imagine, that it is the ones who hang and the ones who beat that are left more

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