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Theories on Sylvia Plath's poems
Theories on Sylvia Plath's poems
Symbolism in sylvia plath poetry
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In the poem, I Am Vertical, Sylvia Plath creates a contrast between the state of nature and the human condition. Plath creates the thematic message that humans are unable to be truly happy because of our ability to think and be conscious. The persona deduces that nature is truly content with its condition, and wants to be a part of nature. The persona believes that the only way to do so is to “lie down” or to die. In this poem, Plath uses several poetic devices to support her thematic message, such as personification, symbolism, and tone. Sylvia Plath uses personification to allow both the speaker and the reader to connect with the aspects of nature presented within in the poem. For example, in the lines, “The trees and flowers have been strewing their cool odors./ I walk among them, but none of them are noticing.” (S2. L2-3), Plath uses personification to help the reader further comprehend the separation between humanity and nature, by giving the trees and flowers humanlike qualities. The contrast between nature and humanity is greatly enforced by the use of personification. Another way these two lines use personification is to illustrate how the speaker measures her worth in comparison to nature. The persona describes the trees and flowers as “strewing” their beauty, all the while ignoring her presence. This shows how insignificant the persona feels in comparison to nature. Personification helps …show more content…
The poetic devices contribute greatly to the development of the thematic message, which is that one can only be content when one does not have consciousness or thought, which the persona believes to be found in death. To be content is to be unaware, and to be unaware is to be dead, and to be dead is to be horizontal, so even though “I Am Vertical/ …I would rather be horizontal.” (title, S1.
There are multiple examples of visual imagery in this poem. An example of a simile is “curled like a possum within the hollow trunk”. The effect this has is the way it creates an image for the reader to see how the man is sleeping. An example of personification is, “yet both belonged to the bush, and now are one”. The result this has is how it creates an emotion for the reader to feel
In her novel, “The Street,” Petry uses personification in the interest of establishing a relationship between the setting and Lutie Johnson. “The wind grabbed their hats, pried their scarves from around their necks, stuck its fingers inside their coat collars, blew their coats away from their bodies.” (Lines 31-34) The wind is described as “assaulting” people on the street. Personifying the wind as having ‘fingers’ gives it an eerie tone. The wind is shown as an obstacle that the pedestrians must overcome, the wind blocked Lutie path as if it was the difficult situation she is facing. The wind forced her to shiver as “It’s cold fingers...touched the back of her neck, explored the sides of her head.” (Lines 38-40) It was the wind was a dominate male pushing her back to her current living condition. The wind is described negatively through its
In "Elegy for Jane", Theodore Roethke uses personification by describing the way that the leaves, the wren, the branches and twigs, the shade and the mold all moved in some way or another. He gave them
Sylvia Plath, a great American author, focuses mostly on actual experiences. Plath’s poetry displays feelings and emotions. Plath had the ability to transform everyday happenings into poems or diary entries. Plath had a passion for poetry and her work was valued. She was inspired by novelists and her own skills. Her poetry was also very important to readers and critics. Sylvia Plath’s work shows change throughout her lifetime, relates to feelings and emotions, and focuses on day to day experiences.
Out all of the figurative language used in the book, I chose three. The first one I used is found on page 2, “The Sun was climbing over the trees of city college and soon the black asphalt would shimmer with vapers.” This figurative language is personification because it is giving human-like traits to the sun. The meaning of quote is that the sun represents hope or a new day and the vapors of the onions represents the dreadful things that might happen; so basically, a hope versus evil scenario. It is significant to the book because the city is apparently cursed with onions that leaves vapor wherever a bad situation occurred. The whole hope vs evil is what really makes the book come to alive to. Next we will talk about the other figurative
..., the content and form has self-deconstructed, resulting in a meaningless reduction/manifestation of repetition. The primary focus of the poem on the death and memory of a man has been sacrificed, leaving only the skeletal membrane of any sort of focus in the poem. The “Dirge” which initially was meant to reflect on the life of the individual has been completely abstracted. The “Dirge” the reader is left with at the end of the poem is one meant for anyone and no one. Just as the internal contradictions in Kenneth Fearing’s poem have eliminated the substantial significance of each isolated concern, the reader is left without not only a resolution, but any particular tangible meaning at all. The form and content of this poem have quite effectively established a powerful modernist statement, ironically contingent on the absence and not the presence of meaning in life.
Sylvia Plath’s poetry is well known for its deeply personal and emotional subject matter. Much of Plath’s poetry is confessional and divulges the most intimate parts of her psyche whether through metaphor or openly, without creating a persona through which to project her feelings, and through the use of intense imagery. Plath’s attempt to purge herself of the oppressive male figures in her life is one such deeply personal and fundamental theme in her poetry. In her poem, “Daddy”, which declares her hatred for her father and husband, this attempt is expressed through language, structure, and tone. (Perkins, 591)
The speaker started the poem by desiring the privilege of death through the use of similes, metaphors, and several other forms of language. As the events progress, the speaker gradually changes their mind because of the many complications that death evokes. The speaker is discontent because of human nature; the searching for something better, although there is none. The use of language throughout this poem emphasized these emotions, and allowed the reader the opportunity to understand what the speaker felt.
Poetry is the wind for a trapped and wounded soul. A great example of a wounded soul is, Sylvia Plath. She was an immaculate poet, who expressed her personal troubles through writing. As Plath’s life smouldered into a heap of dust at the age of 30, her poetry grew and bloomed. In the years before her death, her most troubled period, Plath penned three of her most well-known poems, “Daddy”, “Lady Lazarus” and “Tulips”—all three illustrating the horrors of despair with strong, expressive literary devices. Plath, who committed suicide in 1963 at the age of 30, has been hailed ubiquitously as one of the most acclaimed and preeminent poets of the 21st century. Plath’s poetry was influenced by tragic events in her life and her prolonged battle against her deep depression and obsession with death. Plath’s personal issues made her the definition of a confessional poet. In the poems, “Daddy”, “Tulips”, and “Lady Lazarus”, Plath confesses her emotional and nervous breakdowns during her endless depression.
In her poem “It was not Death, for I stood up,” Emily Dickinson creates a depressing state of hopelessness felt by the speaker when trying to understand the tormented condition of her psychological state. The poem produces an extended metaphor of death, which resembles the speaker’s life and state of mind, through the use of various literary devices, such as parallel structure, repetition, imagery, personification, and simile, in order to create an overwhelming sense of hopelessness regarding the speaker’s undefined condition.
The speaker in Sylvia Plath's poem "Mirror" is the actual mirror itself, which has been owned by a now "old woman" (16) for quite some time. This woman has looked into her mirror every day for many years now. The mirror is very aware of her presence and its environment when she is not present. The author provides many details in order for the reader to grasp the mirror's view on its ever-day sights, but this would be an impossible task without the major use of figures of speech. Plath uses many figures of speech for the benefit of the reader to completely grasp the tone and theme of the poem. Once analyzed, we see that all of these figures of speech come together to achieve one overall effect - expressing the ultimate idea of the poem.
Emily Dickinson, in the poems “Dear March-Come In-” and “The Winds Visit” uses personification in order to create a picture in the reader’s mind. “Dear March- Come In” has personification which connects the reader to the feeling of loving March/springtime. “Dear march- come in-”, this personification is important because they use it throughout the poem. The poet used personification to make the reader think about how it feels to have spring come and go. Dickinson not only used personification in “Dear March- Come In”, but also in “The Winds Visit”, in order to establish a picture in the reader’s mind. “The wind tapped…”, this is personification
If Sylvia Plath lived in the era of Aristotle or Plato, or even Horace or Longinus, these entire great names might not even take a second glance of her poem because all the four hold different perspectives of art and literature. The critics from Plato to Shklovsky might all treat the poem differently. Plato makes the feeling artist important. He addresses authenticity in a work of art, otherwise artist not having experienced what he writes about, would be a liar. Aristotle emphasized credulity, consistency, and emotional identification of the reader to the work of art. Horace and Longinus talk of moral, aesthetic experience and effect of and intention of the work. However, Shlovsky, the one who introduce the term of defamiliarization sees art for innovation, in language as well as form, and seeks to bring poetry into the realm of science and emphasizes technique. He wants poetry to shock the readers into true perception. Plath has managed to do that. Her poem hardly fits in the conception of what a poem should be as envisioned by the Aristotle, Plato, Horace and Longinus. The way s...
The poetry of Sylvia Plath can be interpreted psychoanalytically. Sigmund Freud believed that the majority of all art was a controlled expression of the unconscious. However, this does not mean that the creation of art is effortless; on the contrary it requires a high degree of sophistication. Works of art like dreams have both a manifest content (what is on the surface) and latent content (the true meaning). Both dreams and art use symbolism and metaphor and thus need to be interpreted to understand the latent content. It is important to maintain that analyzing Plaths poetry is not the same as analyzing Plath; her works stand by themselves and create their own fictional world. In the poems Lady Lazarus, Daddy and Electra on Azalea Path the psychoanalytic motifs of sadomasochism, regression and oral fixation, reperesnet the desire to return to the incestuous love object.
Figurative language is used by William Wordsworth to show the exchange between man and nature. The poet uses various examples of personification throughout the poem. When the poet says:”I wandered lonely as a cloud” (line 1),”when all at once I saw a crowd” (line 3), and “fluttering and dancing in the breeze” (line 6) shows the exchange between the poet and nature since the poet compares himself to a cloud, and compares the daffodils to humans. Moreover, humans connect with God through nature, so the exchange between the speaker and nature led to the connection with God. The pleasant moment of remembering the daffodils does not happen to the poet all time, but he visualizes them only in his “vacant or pensive mode”(line 20). However, the whole poem is full of metaphors describing the isolation of the speaker from society, and experiences the beauty of nature that comforts him. The meta...