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Hyde character analysis essay
Hyde character analysis essay
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How do I describe Edward Hyde? People in the story said that he was ugly and didn’t look human. This kind of scared me a little bit. They said that he looked like Satan himself. This made me think of the actual devil. They also said that he has an” air of deformity without being deformed”. I was thinking that he looked like a mixture of the devil and a goat. They said he looked foul and unpleasing to the human eye. So I thought about a whole bunch of animals faces put together on a human body. This was my interpretation on how Edward Hyde looks like. Ugly and not pleasing to look
have come to England to meet the king unless it was as important as an
The first scene consists of Mr. Richard Enfield's and Mr. Utterson walking along a street in London. Mr. Enfield has a recollection of a previous incident in which he witnessed an extremely unpleasant man trampling upon a small screaming girl while this man was running somewhere. A large crowd had gathered around and they saw the man, Edward Hyde. The crowd forced the man to give money to this girl for trampling over her. Hyde did not run over her for any reason. He just did it out of spite and evil. He represents all the evil in the world. The reaction of others to him is one of horror because while looking at him, others feel a desire to strike out at him and kill him. His physical appearance brings out the worst evil in other people. Since Hyde represents evil, he is symbolically represented as being much smaller than Dr. Jekyll.
Hawthorne's depiction of the devil-figure is far from harsh, rather, he is described as more of a father-figure, addressing the congregation as his children. The character is introduced as having "no slight similitude...to some grave divine of the New-England churches." The figure remains rather ambiguous, he does not have a specific identity. He is constantly referred to as a dark figure, as sort of shadow amongst the flames. In one sentence, Hawthorne uses the words "deep," "solemn," and "almost sad" to describe the figure's manner. The figure is addressing his congregation with pity and remorse, "as if his once angelic nature could yet mourn for our race." Using the word "angelic" softens the image of the devil-figure.
Another female character that appears to be an ideal representative of the emancipated woman is This Side OF Paradise’s Eleanor Ramilly Savage. Amory Blaine, the main protagonist of the novel, meets Eleonor while taking a shelter during a rainy haystack in Maryland: “(…) he saw nothing, but a slender figure, dark, damp, bobbed hair, and the small white hands with the thumbs that bent back like his” . Mentioned in the passage hairstyle, matches Eleanor’s rather wild persona perfectly. As the result of a quarrel with her Baltimore relatives, concerning her rather usual personality, she came to live in Maryland with her grandparent. She was an open-minded, independent women, who, unlike her female counterparts
The main focus in Frankenstein is the immense accentuation put on appearance and acceptance in the public eye. In society and in addition in the general public of Frankenstein, individuals judge one singularly on their appearance. Social bias is frequently established on looks, whether it is one 's skin color, the garments that one wears and even the way a man holds himself or herself. People make moment judgments taking into account these social biases. This recognition in light of appearance decides the conduct towards the individual. In Frankenstein, the general public of that time is like our own today. It is an appearance-based society that the ugly figure of Victor Frankenstein 's creature can be compared to a typical person of today.
In some countries, he is seen as a man with a sack on his back, the sack being used to carry naughty, troublesome children away. European countries usually seem him as a tall, lanky man in a heavy black coat, with a hide that hides his face. Most commonly, his features are dependent on the fears of the person being frightened. In English culture, he is seen as a dark mist or fog that can take the form of anything it pleases. Overall, the true image of the bogeyman is up to your own interpretation.
Mr. Hyde: Hyde is a very small and odd-looking man who is always described negatively. This is because he is pure evil, and the outlet of Jekyll’s dark energy. Hyde commits many crimes and murders and does not regret anything or ask for forgiveness.
As human nature, we tend to judge too much. We judge others by the color of their skin, their weight, if they have acne or not, and how they dress The Creature, from Mary Shelley's novel, Frankenstein, is judged throughout the entire novel. He looks different,
“…Evil besides (which I must still believe to be the lethal side of man) had left on that body an imprint of deformity and decay… It seemed natural and human. This, as I take it, was because all human beings, as we meet them, are commingled out of good and evil: and Edward Hyde, alone in the ranks of mankind, was pure evil.”(Stevenson 80)
Although I imagined the creature a human being with somewhat distorted features, another reader might view his appearance as a grotesque monster. On the other hand, the movie has shown him as a hideous monster created by a mad scientist. The monster’s appearance was focused on creating life out of dead body parts, sewing the pieces together that left horrid physical scars, and activating him with electricity.
In Dr. Jekyll and Mr. Hyde, Hyde becomes Jekyll's demonic, monstrous alter ego. Certainly Stevenson presents him immediately as this from the outset. Hissing as he speaks, Hyde has "a kind of black sneering coolness . . . like Satan". He also strikes those who witness him as being "pale and dwarfish" and simian like. The Strange Case unfolds with the search by the men to uncover the secret of Hyde. As the narrator, Utterson, says, "If he be Mr. Hyde . . . I shall be Mr. Seek". Utterson begins his quest with a cursory search for his own demons. Fearing for Jekyll because the good doctor has so strangely altered his will in favor of Hyde, Utterson examines his own conscience, "and the lawyer, scared by the thought, brooded a while in his own past, groping in all the corners of memory, lest by chance some Jack-in-the-Box of an old iniquity should leap to light there" (SC, 42). Like so many eminent Victorians, Utterson lives a mildly double life and feels mildly apprehensive about it. An ugly dwarf like Hyde may jump out from his own boxed self, but for him such art unlikely creature is still envisioned as a toy. Although, from the beginning Hyde fills him with a distaste for life (SC, 40, not until the final, fatal night, after he storms the cabinet, can Utterson conceive of the enormity of Jekyll's second self. Only then does he realize that "he was looking on the body of a self-dcstroyer" (SC, 70); Jekyll and Hyde are one in death as they must have been in life.
A monster can be characterized by an extreme deviation from the normal standards of society including an internal or external wickedness. In the case of Mary Shelley’s Creature, his appearance overwhelms those who lay eyes upon him. A mere glance can send a villager running for the hills. It was not until the Creature caught a glance of his own reflection that he understood why villagers were so afraid of him. The realization of his ghastly appearance began the monster’s journey into hopelessness. In Peter Brooks’ article he writes, “Self recognition as the ‘filthy type’ completes the mirror stage of the Monsters development.” (Brooks 377). Seeing oneself as ugly and slovenly can cast shadows on even the most compassionate of hearts.
He was unjustly shunned by society because of his physical appearance. On the other hand, the reader realizes that, like Frankenstein, the creation can not be sympathized with entirely. He too exhibits traits that make him appear villainous. It is the duality of these two characters that make Frankenstein and his creation two of the most appealing characters of the nineteenth century.
Mr. Hyde is the monstrous side of Dr. Jekyll from their book “The Strange Case of Dr. Jekyll and Mr. Hyde.” In their story, Dr. Jekyll is a brilliant scientist who has created a formula that turns him into Mr. Hyde. It is stated that, at some point, Dr. Jekyll became addicted to the potion. Though it is unclear what would cause the addiction, since it would be Hyde who would experience the “high” and not Jekyll himself. Hyde is the contrast to Dr. Jekyll, and is considerably more brutal and immoral. Modern incarnations depict him as becoming incredibly muscular after the transformation, though in the original work it is only implied that Hyde is stronger, retaining his previous physique. It is consistent that Hyde is shown to be ugly, perhaps even deformed.
“His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was of a lustrous black, and flowing; his teeth of a pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost of the same color as the dun-white sockets in which they were set, his shriveled complexion and straight black lips,” would be classified as a monster.