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Macbeth essay on theme and symbolism
Themes in macbeth act 1 scene 1
Macbeth essay on theme and symbolism
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The Word of Many Hats Ten fingers, two hands, and ultimately one decision made in the end. William Shakespeare digs deep in his famous play, Macbeth. Underneath the simple story, Shakespeare reveals much more. Through the evolution and differentiation of the word hand, a multitude of themes are revealed. As the story of Macbeth is told, the human hand is used to symbolize acts of loyalty, lust for power, and relentless guilt. Shakespeare uses the word hand excessively to show just how much of an impact hands can have on one’s life. The Hand. Hand is a word that recurs through William Shakespeare’s well known play, Macbeth. It is first introduced in Act I of scene two by the Captain. The connotation of the word hand in Act I is loyalty. “Give me your hand” (1.6. 28). King Duncan says this to Lady Macbeth, as he trusts her to lead him to his host. This shows the loyalty of people to the king. There is irony when King Duncan takes the hand that will soon be the sign of guilt and blood for his demise. “Your hand, your tongue: look like th’ innocent flower” (1.5. 64). Lady Macbeth says this, for the king …show more content…
The hand now becomes a physical tool for murder when Macbeth kills King Duncan. Macbeth was able to wash the blood from his hands, but Lady Macbeth knew that wouldn’t erase the gruesome act. “My hands are of your color, but I shame to wear a heart so white” (2.2.63-64). Lady Macbeth says this because their hands appear to be the same on the outside, but the true paleness of sin and guilt are reflected within. Lady Macbeth is ashamed because of how weak and pale Macbeth's heart is. After murdering Duncan, a large amount of guilt and shame was placed on Macbeth’s shoulders. Act 2 displays the hand as blood wretched weapons that can be physically cleaned, but the stain remains on the soul and in the heart of Macbeth. As the play continues, so does the evolution of the role the human
The dagger is a representation of Macbeth 's intent to kill Duncan, as he reaches out to take the murder weapon when he sees it, saying "come, let me clutch thee," and it leads him "the way that [he] was going," to Duncan 's room (2.1.35;2.1.43). The blood staining the dagger, therefore, is a way for his conscience to manifest the guilt and horror he feels at killing the king. The fact that there are "gouts of blood" rather than a few drops tells the reader of the depth of his guilt, and foreshadows both the gory visions he will have and the way they will stick with him (2.1.47). The symbol of blood enhances the theme by providing a stronger, visual image for it, which, coupled with the dagger and what it represents, delivers a more impactful message to the audience than a mere statement of the theme could.
Out, I say” (Act V, Scene 1). It is very detailed that Lady Macbeth does not even know that she is feeling guilty of the acts that she had committed even though the blood on her hands is the obvious sign of crime.” The queen is dead, my lord” (Act 5, Scene 5). Lady Macbeth is so filled with guilt that she ends her life. “My hands are of your color; but I shame to wear a heart so white” (Act 2, Scene 2, Line 65). Lady Macbeth is basically telling her husband to stop bemoaning the crime he has committed. Their hands are, in effect, proof of the commission of a terribly bloody murder as well as a proof of their guilty partnership. “What need
Macbeth’s heroic deeds at the beginning of the play soon seem insignificant next to the primary event in the Act: the revelation of the witches’ prophecy. Their insightful proclamation that he will be king someday is both shocking and pleasing to Macbeth. Without this occurrence, this play might not have traveled a road of ambition and death, but instead one of calm acceptance and enjoyment of an already-elegant lifestyle. The seeds of desire were here planted, however, eliciting what became a bloody ordeal. The spark ignited, and a plan began to take shape.
The play identifies how Macbeth faced guilt after he killed his King, “Is this a dagger which I see before me, The handle toward my hand? Come, let me clutch thee. I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling as to sight? or art thou but A dagger of the mind, a false creation Proceeding from the heat-oppressèd brain? I see thee yet, in form as palpable.” Macbeth is hallucinating a dagger in which was caused by the guilt he feels after killing King Duncan. Macbeth also states, “I’ll go no more.I am afraid to think what I have done. Look on ’t again I dare not…..What hands are here? Ha, they pluck out mine eyes.Will all great Neptune’s ocean wash this blood Clean from my hand? No, this my hand will rather The multitudinous seas incarnadine….” Macbeth’s emotions are everywhere. After he killed King Duncan he immediately regretted it as he explains that no water, not even Neptune’s ocean can wash the blood and guilt off his hands. Macbeth not only faced guilt but he also losses his sanity. Macbeth hallucinates Banquo’s ghost making him scared and on edge, “[to the Ghost]. What man dare, I dare. Approach thou like the rugged Russian bear, The armed rhinoceros, or th’ Hyrcan tiger; Take any shape but that, and my firm nerves Shall never tremble. Or be alive again And dare me to the desert with thy sword. If
Shakespeare’s use of blood imagery builds the initial characterization of Macbeth in Act I as having an ability to display and feel guilt and his hesitance to commit treason with this quote, “We still have judgment here, that we but teach bloody instructions, which, being taught, return to plague the inventor” (Shakespeare 39). This quote is important to Macbeth’s characterization because he is able to think about Duncan’s murder rationally at this point. He attempts to show Lady Macbeth the consequences of their actions, to no avail. Even though they still commit the murder, this quote demonstrates that at this time in the play, Macbeth is still able to feel guilt over it. Macbeth’s characterization can also be shown in ...
(5.1.46-48) This shows that Lady Macbeth wants to rid herself of guilt, to wipe her hands clean of blood. At the start of the play, Lady Macbeth has an intense desire to become queen and will go to great lengths to become royalty. However, this passionate ambition causes her to conduct wicked deeds, the consequences of which tear her apart from the inside, first by driving her insane, then taking her life. The vision of the dagger encourages the pursuit of ambition, and Lady Macbeth’s suffering demonstrates the deadly results of it.
At the beginning of the play, when Macbeth had killed Duncan, Lady Macbeth knows that she is as blamable for Duncan’s death as he is. But instead of feeling extremely bothered by this like Macbeth, she feels that “a little water clears [them] of this deed” and that she won’t ever “wear a heart so white” as Macbeth does, which makes her ashamed of Macbeth since it makes him appear weak (2.2.65-67). Although this act allows Lady Macbeth to believe that she has cleansed herself from guilt, the washing of the hands eventually isn’t able to withhold her from consuming guilt. Towards the end of the play, the doctor and the gentlewoman get to encounter Lady Macbeth sleepwalking. They witness her rubbing her hands together, saying “out, damned spot!
In reality the blood should have wash off of his hands relatively easily, but this blood also represents the guilt he feels, which will never go away.(TS) Macbeth knew that murdering Duncan was immoral, but with some persuasion from Lady Macbeth, he decided to go through with it. After having his best friend, Banquo, murdered, Macbeth attends a celebration of him becoming King. At this celebration, Macbeth sees the ghost of Banquo sitting at the table. Although the ghost looks like Banquo, it represents his guilt.(TS) He yells at the ghost to, “Take any shape but that,” (Shakespeare 3.4.102) of his best friend, because the guilt he feels makes his “firm nerves,” tremble (Shakespeare 3.4.102).
It all began really in Act II, Scene II after the murder of Duncan, when Macbeth returns to his room to join his wife. As any person would be, Macbeth is very shaken by his wrong act. Killing a man, not to mention a beloved king is a sin and Macbeth knows it very well! He truly believes he has murdered all innocence, and only worse things will follow. Throughout the scene there are several quotes that show this; " Glamis hath murdered sleep, and therefore Cawdor shall sleep no more: Macbeth shall sleep no more," and " Will all great Neptune’s ocean wash this blood clean from my hand? No; this my hand will rather the multitudinous seas incarnadine, making the green one red." This shows the amount of guilt he felt. He describes this by saying that if he tried to wash his hands in the river, it would turn into the colour of the blood itself. Lady Macbeth attempts to make him stronger, " A little water clears us of this deed: How easy it is then!" But the guilt he feels just does not go away…At least for the time being.
He no longer is the innocent soldier he once way, he now has “unclean hands”. Lady Macbeth however, assumes his innocence. She claims she cannot murder Duncan herself because Duncan looks to much like her sleeping father. She is all words and no actions. Macbeth is devoid of any human emotions as the play goes on, and Lady Macbeth assumes the emotional role. Lady Macbeth begins to have dreams in which she cannot get the blood off her hands, and ultimately commits suicide from guilt of her actions. This breakdown of Lady Macbeth really highlights how inhuman the murder of Duncan has made Macbeth.
In Act 2 Scene 2, Macbeth meets with Lady Macbeth in the courtyard after murdering Duncan carrying bloody daggers. He looks at his bloody hands and says that it is a miserable sight. Lady Macbeth tells him there is nothing to worry about and that killing Duncan was not a foolish deed. Macbeth starts to question his deed and feels guilty for what he has committed. Lady Macbeth starts to accuse Macbeth of being a coward since he cannot go back to the scene and frame the servants for the murder. She goes to Duncan’s room to complete the mission and then tells Macbeth to go and wash the evidence from his bloody hands. Macbeth then talks to himself saying that not even the water in the ocean can wash the blood on his hands instead the blood would stain the waters. Lady Macbeth tries to knock some sense into Macbeth but he still is haunted by the crime and wishes that Duncan could be revived through the loud knocking of someone at the door. In this scene, Macbeth has another mental occurrence since he believes that the blood on his
Macbeth’s hands being covered in blood are reminders of his guilt and murder of the king. When Lady Macbeth mentions for him to “Go, get some water / And wash this filthy witness from your hand.” (Shakespeare, 39) Macbeth refers to Neptune (the Roman God of the sea). This shows that Macbeth believes not even the great Neptune would be able to wash the blood from his...
The image of blood plays an important role throughout Macbeth. Blood represents the murders that Macbeth had committed, the guilt that went along with the murders and the pain that it brought on him during his downfall. The soldier describes the violence and bloodshed, in the war between Scotland and Norway, "Except they meant to bathe in reeking wounds." (I. ii. 43) foreshadows the violent nature of the play filled with murder, guilt and pain. Blood in the murder of King Duncan also plays a major role because it represents Macbeth's guilt as well as his shame for slaying King Duncan. Macbeth observes his blood stained hands and remarks "As they had seen me with these hangman's hands." (II. ii. 28) This reveals his guilt and shame because he is comparing his hands to those of an executioner's. After the murder, Macbeth refuses to return back to the bed chamber of Kind Duncan to smear the blood on the sleeping guards, because he is afraid that the blood will incriminate him further. Lady Macbeth smearing the blood onto the guards represents them trying to rub their guilt off onto the guard. "I'll gild the faces of the grooms withal, for it must seem their guilt" (II. ii. 73) but this proves to be ineffective because Macbeth ends up murdering t...
The scene with Macbeth finding a bloody dagger thinking “ And on thy blade and dudgeon gouts of blood.” (2.1.55) This asserts guilt through the symbolism of blood, that Macbeth imagines blood on the dagger on the grounds that he feels guilty about what he is going to do. When Macbeth orders the murderers to kills his friend Banquo and he returns as a ghost. Macbeth tells that "There’s blood upon thy face". (3.4.16) The blood also symbolizes guilt because Macbeth indirectly kills Banquo and now Macbeth knows that the blood of a person who is murdered will come back to the person who committed the murder. Another scene utilizing blood as a symbol is when Macbeth assumes the throne as king of Scotland and mentions to Banquo about Malcolm and Donalbain fleeing to England and Ireland saying “We hear our bloody cousins are bestowed In England and in Ireland.” (3.1.33-34) The word “bloody” mention by Macbeth portrays how Macbeth wants Banquo to see that the two sons are guilty and fled because they killed their father. The recurring symbol of blood symbolizes guilt from the actions characters that are responsible for a specified wrongdoing.
Words are the basic elements of the English written language. With words, one can say precisely what one wants to say, a skill that Shakespeare has mastered. In Macbeth, he carefully chooses each word so as to say exactly what he wants to say, and often leaves these words open to the reader’s interpretation. One such carefully chosen word is the word “slave,” a simple word meaning “someone entirely under the dominion of a person or an influence” (Random House, 674). Although this word appears only four times within the play, it’s importance should not be underestimated. Every time that Shakespeare chooses to use the word “slave” he is using it to show a “slave of ambition,” an important symbol within the play.