How Does Lawrence Present Hester Prynne In The Scarlet Letter

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D.H. Lawrence belittles Nathaniel Hawthorne’s portrayal of Hester Prynne in The Scarlet Letter. The critic scorns Hester by recognizing her as a disgrace to the Puritan community and epitomizing her as the embodiment of sin. He berates Hester effectively with a range of literary allusions and concise, jabbing syntax. Lawrence also sharpens his critique on Hester with a sardonic tone to epitomize her ignominy. Lawrence utilizes a variety of literary allusions to portray Hester Prynne as the epitome of sin. In his essay, Lawrence refers to The Deerslayer by James Cooper, in which the deerslayer becomes infatuated with a woman named Judith Hutter. Unlike Dimmesdale, Hester’s illicit lover who succumbs to his erotic desires, the deerslayer “refuse[s] …show more content…

To drill his argument, Lawrence uses long sentences followed by short phrases. After chiding Hester for seducing Dimmesdale, he states that she “ [is] fixed in a lie, adheres to the lie, and gives itself perpetually the lie,” ultimately arguing that “all begins with “A” (Lawrence 27-28). Lawrence jabs at Hester, not simply with a long, descriptive statement about the ignominious “A” but with a ruthless phrase tacked right after Hester’s list of wrongdoings. By repeating the “A,” Lawrence effectively wounds Hester because he uses the A as a series of stabs rather than using it to praise Hester. Lawrence also employs one-word phrases to magnify Hester’s sin and snipes that Hester “tickled [Dimmesdale] in the right place and fell” followed by the word “Flop” to intensify Hester’s spiritual downfall (Lawrence 42-43). Lawrence uses this word to convey that Hester’s purity shattered, ending her spiritual Puritan life. Such words scald Hester effectively because they convey a message that jabs Hester and upbraids her for her supposed innocence.This one word that portrays Hester’s ruination puts an end to all unnecessary …show more content…

For instance, Lawrence mocks Hester for being ‘Abel,’ a misspelling of ‘able’ to illustrate the contrast between Abel the victim and Hester the enemy. He repeats the word in a scathing manner to describe Hester, and ‘Abel’ becomes so ingrained in the essay that the branding “becomes a farce” (Lawrence 23). Lawrence chooses the word ‘farce’ to exemplify the absurdity of Hester’s newfound status as “able.” He mocks Hawthorne for even calling Hester ‘Able,’ despite that the adulteress committed an unmentionable deed. Lawrence misspells ‘Able’ to point out that Hester’s status as an admirable person is a crude joke, or a complete ‘farce.’ Furthermore, Lawrence constantly repeats the word ‘pure’ to ridicule the way Hester ignores her ignominy and act defiant in front of society. He caustically encourages Hester to “keep up the appearances” because after all, the “pure are the pure” (Lawrence 45). Lawrence’s use of sarcasm and repetition attacks Hester’s sinful nature into the essay, making his use of diction effective. By mocking Hester of her supposed purity, Lawrence jeers at the sympathy she receives, thereby achieving his purpose of demeaning the protagonist for her

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