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Hip Hop culture is a culmination of things, such as music like rap, graffiti, and all around attitude, that allowed for the self expression of people from the inner cities. Music has always been a way for people of all generations to voice their opinions on social issues. Same goes for rap. The creator of the genre, Kool Herc, used to have large parties where he would speak while playing different records, forming the most primitive form of rap. These gatherings were credited for helping teens stay off the streets and out of trouble by giving them a place to release all their pent up energy. “The Message”, by Grandmaster Flash and the Furious Five released in 1982, is considered one of the first songs to spread a message of the awful conditions
The new age of artists is where hip hop music starts to develop more materialistic and shallow message alongside ones that socially conscience. The first artist to bring hip hop into mainstream pop industry was LL Cool J, who produced songs that were not controversial and rough like most rappers at the time. While groups like Public Enemy still made music that called for the rise of poor and less fortunate, rappers were able to join the mainstream music industry and make huge financial gains off of something that was originally meant to be for self expression. This leads to some artists “selling out” in order to get as much money as they can and abandon songs that provide positive and somewhat controversial messages to shallow messages because that's what sells the best. In modern hip hop, there are many artists who try to draw attention to the issues in this country
This song by a group called the Wu-Tang Clan in 1993 speaks about the power of money. The song main message is that cash is the ruler of everything and if you don't have it you are nothing. However the song does not glorify money but instead takes you through the struggle of acquiring enough money to make a change in your life while living in the slums of New York. Each verse tells a similar story, a teen that turns to selling drugs in order to make money but each person has a slightly different outcome. This song message of the power of money shows why mainstream hip hop has been corrupted but this song is also a perfect example of what hip hop can really do. C.R.E.A.M. not only delivers a deep message about poor people have no power because of their class but it also tells the listener what's going on in the poorer sections of the United States. People are forced to turn to selling drugs to make a living in the inner cities. Most middle and upper class families do not know about this. C.R.E.A.M. is an example of what artists should do, rap should be a platform for them to spread political and social messages to parts of the country that were previously unaware of the conditions of
In one of the chapters, ‘Where Did Our Love Go?’ the author reveals how blacks in America use the music to express their anger and commitment to emerge as great people in an unfair community. Most songs are written to educate the society on the negative effects of racism. They encourage the society to love one another and embrace unity. The human nature is founded through a social platform where philosophers claim that people were created to love one another and live with peace and unity. Through this book, it is clear that the blacks in the hip-hop generation are money minded. However, this is expected in a world where the economy is tough. The author claims that the youth are the people who are majorly affected by racism. Many of them have been arrested for pity mistakes which are magnified in the courts due to the impression that the society has on the black people. They engage in dirty activities like drug dealings that that put them on the wrong side of the
Hip-Hop became characterized by an aggressive tone marked by graphic descriptions of the harshness and diversity of inner-city life. Primarily a medium of popular entertainment, hip-hop also conveys the more serious voices of youth in the black community. Though the approaches of rappers became more varied in the latter half of the 1980s, message hip-hop remained a viable form for addressing the problems faced by the black community and means to solve those problems. The voices of "message" hip...
Since the early to mid 90’s, hip-hop has undergone changes that purists would consider degenerating to its culture. At the root of these changes is what has been called “commercial hip-hop". Commercial hip-hop has deteriorated what so many emcees in the 80’s tried to build- a culture of music, dance, creativity, and artistry that would give people not only something to bob their head to, but also an avenue to express themselves and deliver a positive message to their surroundings.
It is subgenre that tests the ruling cultural, political, philosophical, and economic agreement. Political hip hop often interfere with conscious hip hop and the two terms are used mutually. However, conscious hip hop is not really openly political; instead discuss social matters and conflict. Religion aversion of crime, and violence, culture, the economic, or simple depiction the struggle of ordinary people are focus of conscious hip hop. Conscious hip hop helps public to know the social problems and to make their own decision without been forced to take actions that they can make on their own. “How we gonna make the black nation rise?” by brother D. was the first social conscious hip hop song, grandmaster “the message” reflect much of political and conscious hip hop track, tells the poverty, violence and dead end lives of the community poor time. Some of the artists of conscious hip hop are Mos Def, Talib Kweli
In the words of rapper Busta Rhymes, “hip-hop reflects the truth, and the problem is that hip-hop exposes a lot of the negative truth that society tries to conceal. It’s a platform where we could offer information, but it’s also an escape” Hip-hop is a culture that emerged from the Bronx, New York, during the early 1970s. Hip-Hop was a result of African American and Latino youth redirecting their hardships brought by marginalization from society to creativity in the forms of MCing, DJing, aerosol art, and breakdancing. Hip-hop serves as a vehicle for empowerment while transcending borders, skin color, and age. However, the paper will focus on hip-hop from the Chican@-Latin@ population in the United States. In the face of oppression, the Chican@-Latin@ population utilized hip hop music as a means to voice the community’s various issues, desires, and in the process empower its people.
...atching MTV music shows or any music channel on television. As we continue to watch these programs, we will then notice that almost all the rap and hip-hop artists being shown are African-Americans. It is the particular lifestyle, and behaviour that is connected to what particular artists chose to vocalize about. This usually can harm the image of African-Americans due to the fact that many artists aid in the misconceptions of their particular race such as the example provided with 50 Cent’s song entitled P.I.M.P. These lyrics and song titles simply reinforce the negative image some individuals may have of both Caucasian’s and people of colour. Rap and hip-hop is one of the most intimate, personal, legitimate and important art form. Instead of perpetuating injustice, and prejudice artists should be addressing these different issues in a different matter.
Hip-Hop is a cultural movement that emerged from the dilapidated South Bronx, New York in the early 1970’s. The area’s mostly African American and Puerto Rican residents originated this uniquely American musical genre and culture that over the past four decades has developed into a global sensation impacting the formation of youth culture around the world. The South Bronx was a whirlpool of political, social, and economic upheaval in the years leading up to the inception of Hip-Hop. The early part of the 1970’s found many African American and Hispanic communities desperately seeking relief from the poverty, drug, and crime epidemics engulfing the gang dominated neighborhoods. Hip-Hop proved to be successful as both a creative outlet for expressing the struggles of life amidst the prevailing crime and violence as well as an enjoyable and cheap form of recreation.
These articles depict the controversies of the hip hop industry and how that makes it difficult for one to succeed. Many of these complications and disputes may be invisible to the population, but these articles take the time to reveal them.
In 1979, the album Rapper's Delight by the American group the Sugar Hill Gang moved rap music (a rhyming, rapidly spoken word form of black dance music)from the clubs of New York City to the national scene. Rap was assimilated into popular culture through such mainstream artists as the performer M.C. Hammer, the group Run-D.M.C, and rapper-actor Will Smith , the "Fresh Prince" of the duo D.J. Jazzy Jeff and the Fresh Prince. One of the first controversial rap hits was the hip-hop song "The Message" by the rap group Grandmaster Flash and the Furious Five. Despite its contreveries, rap was terrible to young white males and was imitated by many white American groups, including Blondie and the Beastie Boys; it was combined with hard rock in the music of the Red Hot Chili Peppers and other groups. By the late 1980s, rap had replaced rock as the most popular music of social commentary (not something all of us would agree with).
Both movements use “rhythm and poetry” (Gladney 291) to address social issues affecting the black man, including racism, education and drug use. These movement can both be linked to extreme examples of frustration and rage felt be a large part of the black community, like “the Los Angeles riots of 1992 and the riots that followed the assassination of Dr. Martin Luther King in 1968” (Gladney 292). However, Gladney observed that the Hip-Hop genre has developed more of a focus on commercialism and only in the underground rap world do we still see the idealist who is in touch with the pulse of the black communities. Many rappers in the mainstream lack the political, racial, and social tone of the black community. The notable exception being the groups who use shock and a sold ghetto theme to crossover to the commercial market but maintain their artistic
Hip hop culture has been around since the 1970s. Multiple sources all come down to the South Bronx in New York City, as the origin of hip hop culture. The culture began to take its shape within the African American, Afro-Caribbean, and Latino communities. The father of the start of this culture was a Jamaican-born DJ named Clive Campbell but also known as DJ Kool Herc. He brought forth a new sound system and the Jamaican style of “toasting.” Toasting was when Jamaicans would talk or rap over the music they played. This whole new style soon brought what is now known as DJs, B-Boys, MC’s, and graffiti artists (Kaminski).
This will then open up the discussion about the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music. Hip hop originated in the ghetto areas of New York during the 1970’s and is a mixture of DJ, MC, B boy and Beat boxing. In his studies of defining hip hop, Jeffries concluded that these mixtures of art forms do not define hip hop but rather that hip hop itself is a culture of these elements. “Hip-hop is like a culture, it’s a voice for black people to be heard. Our own style, our own music” (Jeffries). 2011; 28).
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
In order to comprehend hip hop, one must first know the definition and its importance as a component of black culture. Hip hop culture is rap, rap a musical
Not only is hip-hop a way of expressing ones feelings or views, but it is a part of the urban culture and can be used as a communication tool. Slang originally came from hip-hop music and has become a very popular use in today’s society, especially the urban parts. Hip-hop is a standout amongst the most compelling musical sorts on the globe. There are rappers everywhere that know what amount of an impact their music can have. Some entertainers attempt to utilize that force of impact to do great (Ruiz INT).