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Hamlet's misunderstood nature
Summary of hamlet's dilemma
Delay in the play Hamlet
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Haste Not
To do or not to do? That is the question. People are notorious for putting off what they set out to do and for various reasons. Hamlet is not any different. His postponement in killing his uncle is one of the many Shakespearian debates that critics lend their time to. As such, there are a diverse number of opinions and theories that speculate the exact root of his inaction, some names more popular than others, such as, Goethe, Coleridge, Klein, and Werder. There is no concrete ruling on the matter. There is nothing in the text to follow that suggests a new discovery, but a narrowing down or weeding out of the false and contradictory ones. However simplistic in nature, Hamlet delays in striking his revenge because he thinks too much.
What would come of “Hamlet” if Hamlet marched up to the King after his meeting with the ghost and fulfilled his vengeance? Edward Wagenknecht seems to believe that the delay of action is out of dramatic necessity. “The primary, the most important, reason why Hamlet does not kill the king sooner is there the death of the king must involve the end of the play” (189). Contrary to many beliefs, Wagenknecht acknowledges that Hamlet’s delay is not caused by cowardice. Wagenknecht also puts forth, despite the widespread notion, Hamlet’s delay is not due to a tragic flaw within Hamlet and Wagenknecht rejects this “in toto.” It can be said that Hamlet’s self-condemnation in his soliloquies is a tragic flaw in itself. However, Hamlet is alone in badmouthing himself and not once is it mentioned in the text that anyone, except Hamlet, speaks ill of him. Wagenknecht also notes, “Hamlet’s shrinking from his task implies, then, no weakness on his part; it is simply intended to impress us with the magnitu...
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...bated. If but one thing is certain it is that no one will ever know Shakespeare’s true purpose for Hamlet’s delay.
Works Cited
Conrad, Bernard R. "Hamlet's Delay-A Restatement of the Problem." PMLA 3rd ser. 41 (1926): 680-87. JSTOR. Web. 06 November 2013.
Reed, Robert R., Jr. "Hamlet, the Pseudo-Procrastinator." Shakespeare Quarterly 9.2 (1958): 177-86. JSTOR. Web. 06 November 2013.
Shakespeare, William, "The Tragedy of Hamlet, Prince of Denmark.” Literature: An Introduction to Reading and Writing. Eds. Edgar V. Roberts, and Robert Zweig. New York: Pearson Education, 2012. 91-96. Print.
Shaw, A B. "Depressive Illness Delayed Hamlet's Revenge." Medical Humanities 28.2 (2002):
92-6. LinkSource. Web. 10 November 2013.
Wagenknecht, Edward. "The Perfect Revenge-Hamlet's Delay a Reconsideration." College English 10.4 (1949): 188-95. JSTOR. Web. 06 November 2013.
Jorgensen, Paul A. “Hamlet.” William Shakespeare: the Tragedies. Boston: Twayne Publ., 1985. N. pag. http://www.freehomepages.com/hamlet/other/jorg-hamlet.html
Watson, Robert N. 1990. 'Giving up the Ghost in a World of Decay: Hamlet, Revenge and Denial.' Renaissance Drama 21:199-223.
Goldman, Michael. "Hamlet and Our Problems." Critical Essays on Shakespeare's Hamlet. Ed. David Scott Kaston. New York City: Prentice Hall International. 1995. 43-55
The theme of revenge is expanded and created by the ghost of King Hamlet because not only does he instruct others to seek revenge but he has such a powerful reach that characters, mainly Prince Hamlet, become driven by this want for revenge. Prince Hamlet shows his eagerness for revenge by saying that “Hast me to know’t, that I, with wings as swift / As meditation or the thoughts of love, / May sweep to my revenge” (34). As the text progresses the message or theme of revengeance fully surfaces when those who are driven by revenge, Laertes and Prince Hamlet, lure themselves to their own demise and this showcases the evil in chasing revenge. In addition, Shakespeare not only uses the theme of revenge but also uses the almost opposite theme of patience to show what mankind “should be and what not to be”. The following shows the outcome of Fortinbras’s patience, “I have some rights of memory in this kingdom, / Which now to claim my vantage doth invite me” (177). In Hamlet, Shakespeare uses the ghost of King Hamlet as a representation and establisher of the theme of revenge and by the end of the tragedy shows how the characters, Prince Hamlet and Laertes, who followed this path lead themselves to their deaths; however, Shakespeare uses Fortinbras to represent the theme of patience and how not seeking revenge or acting upon impulses, like Hamlet and Laertes, led him to the throne of Denmark. Moreover, even though the King Hamlet’s ghost appears in the text for a limited time he plays a significant role in the development of other
Hamlet is given reason to believe that his Father was murdered. A ghost bearing the “…same figure like the king that’s dead.” (Bernardo 1:1) informed him that the old King’s death was “Murder most foul…” (Ghost 1:5). When Hamlet eagerly inquires as to the meaning of the Ghost’s words he is told that “The serpent that did sting thy father’s life/ Now wears his crown.” Upon hearing this Hamlet immediately knows that his Uncle Claudius, the new king and his new step-father, is the guilty party. A mature person upon hearing news like this would, most likely, also have gone slightly insane with anger. How ever a mature person, upon regaining some control of his or her faculties, would have taken steps to punish the murderer in a just fashion. These steps would have included informing to populace and the Queen of the New King’s treachery against the old. Hamlet does not do this, instead he schemes and plots ways to kill his Uncle as opposed to giving him the opportunity to exculpate himself. Had Hamlet acted with maturity and expressed his concerns about his uncle the lives of many people would have been spared.
Watson, Robert N. 1990. 'Giving up the Ghost in a World of Decay: Hamlet, Revenge and Denial.' Renaissance Drama 21:199-223.
Mack, Maynard. “The World of Hamlet.” Twentieth Century Interpretations of Hamlet. Ed. David Bevington. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1968.
Hamlet’s actions leave him no choice but to take revenge against King Claudius. In Act 1 Scene 5 Lines 117-119, Hamlet says “I have sworn ‘t”, vowing to the ghost of his father that revenge will be sought against his father’s killer, Claudius. Throughout most of the play, Hamlet is reluctant to kill Claudius, but this vow forces him to continue to take some sort of action to further his vengeance. This is shown in Act 3 Scene 3, when the King is praying. While praying, the King is defenceless and could have been easily slain, but Hamlet stalls and finds an excuse to not kill the King. However, must continue continue down the path of vengeance. He tries to find excuses out of killing Claudius, but when Hamlet confirms that Claudius is the murderer in Act 3 Scene 2 Lines 12-13, stating that he’ll “bet [Horatio] a thousand bucks the ghost was right” about the identity of the murderer, he can no longer leave Claudius alive. Even though Hamlet continues to hesitate until Act 4 Scene 4 when he sees ...
Mack, Maynard. "The World of Hamlet." Yale Review. vol. 41 (1952) p. 502-23. Rpt. in Shakespeare: Modern Essays in Criticism. Rev. ed. Ed. Leonard F. Dean. New York: Oxford University P., 1967.
Shakespeare, William. “Hamlet.” The Norton Introduction to Literature. Ed. Kelly J. Mays. 11th ed. New York: Norton, 2013.1709-1804. Print.
Watson, Robert N. 1990. 'Giving up the Ghost in a World of Decay: Hamlet, Revenge and Denial.' Renaissance Drama 21:199-223.
Shakespeare, William. “The Tragedy of Hamlet, Prince of Denmark” Literature: An Introduction to Reading and Writing. Ed. Edgar V. Roberts. 9th Ed. New York: Pearson Longman, 2009. Print
Shakespeare, William. “The Tragedy of Hamlet, Prince of Denmark.” The Riverside Shakespeare. 2nd ed. Boston: Houghton Mifflin, 1997.
Hamlet is the best known tragedy in literature today. Here, Shakespeare exposes Hamlet’s flaws as a heroic character. The tragedy in this play is the result of the main character’s unrealistic ideals and his inability to overcome his weakness of indecisiveness. This fatal attribute led to the death of several people which included his mother and the King of Denmark. Although he is described as being a brave and intelligent person, his tendency to procrastinate prevented him from acting on his father’s murder, his mother’s marriage, and his uncle’s ascension to the throne.
Wright, Louis B. and Virginia A. LaMar. “Hamlet: A Man Who Thinks Before He Acts.” Readings on Hamlet. Ed. Don Nardo. San Diego: Greenhaven Press, 1999. Rpt. from The Tragedy of Hamlet, Prince of Denmark. Ed. Louis B. Wright and Virginia A. LaMar. N. p.: Pocket Books, 1958.